Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
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CANADA<br />
CANOPY 131<br />
and died October 22, 1818 . He was the author<br />
<strong>of</strong> many works on philosophy and education,<br />
and was a learned and zealous Mason, as is<br />
shown in his correspondence with Leasing .<br />
Canada. Upon the advent <strong>of</strong> Confederation,<br />
July 1, 1867, local control in each Province<br />
for the government <strong>of</strong> the <strong>Masonic</strong> Fraternity<br />
<strong>of</strong> the Dominion took a strong hold as<br />
a predominant idea, and prevailed . Each<br />
Province has now a <strong>Grand</strong> Lodge, and in order<br />
<strong>of</strong> their organization are as follows : Canada,<br />
having jurisdiction only in Ontario, 1855 ;<br />
Nova Scotia, 1866 ; New Brunswick, 1867 ;<br />
Quebec, 1869 ; British Columbia, 1871 ; Manitoba,<br />
1875 ; Prince Edward Island, 1875 ;<br />
Alberta, 1905 ; Saskatchewan, 1906 . <strong>The</strong><br />
first marks <strong>of</strong> the Ancient Craftsman have<br />
been found in Nova Scotia . A mineralogical<br />
survey in 1827 found on the shore <strong>of</strong> Goat<br />
Island in the Annapolis Basin, partly covered<br />
with sand, a slab <strong>of</strong> rock 23 X 2 feet, bearing<br />
on it those well-known <strong>Masonic</strong> emblems,<br />
"the Square and Compasses," and the date<br />
1606 . Who were the Craftsmen and how<br />
the stone came there, must be left to conjecture<br />
. [Will H . Whyte, P . G . M . . . K . T .<br />
<strong>of</strong> Canada .]<br />
Cancellarlus. An <strong>of</strong>fice <strong>of</strong> high rank and<br />
responsibility among the Knights Templar<br />
<strong>of</strong> the Middle Ages, performing the duties <strong>of</strong>,<br />
or similar to, the Chancellor .<br />
Candidate. An applicant for admission<br />
into Masonry is called a candidate . <strong>The</strong> Latin<br />
candidates means clothed in white, candidis<br />
vestibus indutus. In ancient Rome, he who<br />
sought <strong>of</strong>fice from the people wore a white<br />
shining robe <strong>of</strong> a peculiar construction, flowing<br />
open in front, so as to exhibit the wounds<br />
he had received in his breast . From the color<br />
<strong>of</strong> his robe or toga candida, he was called candidatus,<br />
whence the word candidate . <strong>The</strong> derivation<br />
will serve to remind the Mason <strong>of</strong> the<br />
purity <strong>of</strong> conduct and character which should<br />
distinguish all those who are candidates for<br />
admission into the Order . <strong>The</strong> qualifications<br />
<strong>of</strong> a candidate in Masonry are somewhat<br />
peculiar . He must be free-born (under the<br />
English Constitution it is enough that he is a<br />
freeman), under no bondage, <strong>of</strong> at least twentyone-<br />
years <strong>of</strong> age, in the possession <strong>of</strong> sound<br />
senses, free from any physical defect or dismemberment,<br />
and <strong>of</strong> irreproachable manners,<br />
or, as it is technically termed, "under the<br />
tongue <strong>of</strong> good report ." No Atheist, eunuch,<br />
or woman can be admitted . <strong>The</strong> requisites as<br />
to age, sex, and soundness <strong>of</strong> body have reference<br />
to the operative character <strong>of</strong> the Institution<br />
. We can only expect able workmen<br />
in able-bodied men . <strong>The</strong> mental and religious<br />
qualifications refer to the duties and obligations<br />
which a Freemason contracts. An<br />
idiot could not understand them, and an Atheist<br />
would not respect them. Even those who<br />
possess all these necessary qualifications can<br />
be admitted only under certain regulations<br />
which differ under different <strong>Masonic</strong> Constitutions.<br />
Candidates, Advancement <strong>of</strong> . See<br />
Advancement, Hurried .<br />
Candlestick, Golden . <strong>The</strong> golden candlestick<br />
<strong>of</strong> seven branches, which is a part <strong>of</strong><br />
the furniture <strong>of</strong> a Royal Arch Chapter, is derived<br />
from "the holy candlestick " which<br />
Moses was instructed to construct <strong>of</strong> beaten<br />
gold for the use <strong>of</strong> the tabernacle . Smith (Diet.<br />
<strong>of</strong> the Bible) thus abbreviates Lightfoot's explanation<br />
<strong>of</strong> the description given in Exodus :<br />
"<strong>The</strong> foot <strong>of</strong> it was gold, from which went up<br />
a shaft straight, which was the middle light .<br />
Near the foot was a golden dish wrought<br />
almondwise ; and a little above that a golden<br />
knop, and above that a golden flower . <strong>The</strong>n<br />
two branches one on each side bowed,-and<br />
coming up as high as the middle shaft . On<br />
each <strong>of</strong> them were three golden cups placed<br />
almondwise, in sharp, scallop-ahell fashion ;<br />
above which was a golden knop, a golden<br />
flower, and the socket . Above the branches<br />
on the middle shaft was a golden boss, above<br />
which rose two shafts more ; above the coming<br />
out <strong>of</strong> these was another boss and two more<br />
shafts, and then on the shaft upwards were<br />
three golden scallop-cups, a knop and a<br />
flower ; so that the heads <strong>of</strong> the branches stood<br />
an equal height ." In the tabernacle, the candlestick<br />
was placed opposite the table <strong>of</strong> shewbread,<br />
which it was intended to illumine in an<br />
oblique position, so that the lamps looted to<br />
the east and south. What became <strong>of</strong> the<br />
candlestick between the time <strong>of</strong> Moses and<br />
that <strong>of</strong> Solomon is unknown ; but it does not<br />
appear to have been present in the first Temple,<br />
which was lighted by ten golden candlesticks<br />
similarly embossed, which were connected<br />
by golden chains and formed a sort <strong>of</strong><br />
railing before the veil .<br />
<strong>The</strong>se ten candlesticks became the spoil <strong>of</strong><br />
the Chaldean conqueror at the time <strong>of</strong> the<br />
destruction <strong>of</strong> the Temple, and could not have<br />
been among the articles afterward restored<br />
by Cyrus ; for in the second Temple, built by<br />
Zerubbabel, we find only a single candlestick<br />
<strong>of</strong> seven branches, like that <strong>of</strong> the tabernacle .<br />
Its form has been perpetuated on the Arch <strong>of</strong><br />
Titus, on which it was sculptured with other<br />
articles taken by that monarch, and carried<br />
to Rome as spolia opima, after he had destroyed<br />
the Herodian Temple. This is the<br />
candlestick which is represented as a decoration<br />
in a Royal Arch Chapter .<br />
In Jewish symbolism, the seven branches<br />
were supposed by some to refer to the seven<br />
planets and by others to the seventh day or<br />
Sabbath . <strong>The</strong> primitive Christians made it<br />
allusive to Christ as the "light <strong>of</strong> the world"<br />
and in this sense it is a favorite symbol in<br />
early Christian art . In Masonry it seems to<br />
have no symbolic meaning, unless it be the<br />
general one <strong>of</strong> light ; but is used in a Royal<br />
Arch Chapter simply to indicate that the room<br />
is a representation <strong>of</strong> the tabernacle erected<br />
near the ruins <strong>of</strong> the first Temple, for the purpose<br />
<strong>of</strong> temporary worship during the building<br />
<strong>of</strong> the second, and in which tabernacle this<br />
candlestick is supposed to have been present .<br />
Canopy. Oliver says that in the <strong>Masonic</strong><br />
processions <strong>of</strong> the Continent the <strong>Grand</strong> Master<br />
walks under a gorgeous canopy <strong>of</strong> blue,