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Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...

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CANADA<br />

CANOPY 131<br />

and died October 22, 1818 . He was the author<br />

<strong>of</strong> many works on philosophy and education,<br />

and was a learned and zealous Mason, as is<br />

shown in his correspondence with Leasing .<br />

Canada. Upon the advent <strong>of</strong> Confederation,<br />

July 1, 1867, local control in each Province<br />

for the government <strong>of</strong> the <strong>Masonic</strong> Fraternity<br />

<strong>of</strong> the Dominion took a strong hold as<br />

a predominant idea, and prevailed . Each<br />

Province has now a <strong>Grand</strong> Lodge, and in order<br />

<strong>of</strong> their organization are as follows : Canada,<br />

having jurisdiction only in Ontario, 1855 ;<br />

Nova Scotia, 1866 ; New Brunswick, 1867 ;<br />

Quebec, 1869 ; British Columbia, 1871 ; Manitoba,<br />

1875 ; Prince Edward Island, 1875 ;<br />

Alberta, 1905 ; Saskatchewan, 1906 . <strong>The</strong><br />

first marks <strong>of</strong> the Ancient Craftsman have<br />

been found in Nova Scotia . A mineralogical<br />

survey in 1827 found on the shore <strong>of</strong> Goat<br />

Island in the Annapolis Basin, partly covered<br />

with sand, a slab <strong>of</strong> rock 23 X 2 feet, bearing<br />

on it those well-known <strong>Masonic</strong> emblems,<br />

"the Square and Compasses," and the date<br />

1606 . Who were the Craftsmen and how<br />

the stone came there, must be left to conjecture<br />

. [Will H . Whyte, P . G . M . . . K . T .<br />

<strong>of</strong> Canada .]<br />

Cancellarlus. An <strong>of</strong>fice <strong>of</strong> high rank and<br />

responsibility among the Knights Templar<br />

<strong>of</strong> the Middle Ages, performing the duties <strong>of</strong>,<br />

or similar to, the Chancellor .<br />

Candidate. An applicant for admission<br />

into Masonry is called a candidate . <strong>The</strong> Latin<br />

candidates means clothed in white, candidis<br />

vestibus indutus. In ancient Rome, he who<br />

sought <strong>of</strong>fice from the people wore a white<br />

shining robe <strong>of</strong> a peculiar construction, flowing<br />

open in front, so as to exhibit the wounds<br />

he had received in his breast . From the color<br />

<strong>of</strong> his robe or toga candida, he was called candidatus,<br />

whence the word candidate . <strong>The</strong> derivation<br />

will serve to remind the Mason <strong>of</strong> the<br />

purity <strong>of</strong> conduct and character which should<br />

distinguish all those who are candidates for<br />

admission into the Order . <strong>The</strong> qualifications<br />

<strong>of</strong> a candidate in Masonry are somewhat<br />

peculiar . He must be free-born (under the<br />

English Constitution it is enough that he is a<br />

freeman), under no bondage, <strong>of</strong> at least twentyone-<br />

years <strong>of</strong> age, in the possession <strong>of</strong> sound<br />

senses, free from any physical defect or dismemberment,<br />

and <strong>of</strong> irreproachable manners,<br />

or, as it is technically termed, "under the<br />

tongue <strong>of</strong> good report ." No Atheist, eunuch,<br />

or woman can be admitted . <strong>The</strong> requisites as<br />

to age, sex, and soundness <strong>of</strong> body have reference<br />

to the operative character <strong>of</strong> the Institution<br />

. We can only expect able workmen<br />

in able-bodied men . <strong>The</strong> mental and religious<br />

qualifications refer to the duties and obligations<br />

which a Freemason contracts. An<br />

idiot could not understand them, and an Atheist<br />

would not respect them. Even those who<br />

possess all these necessary qualifications can<br />

be admitted only under certain regulations<br />

which differ under different <strong>Masonic</strong> Constitutions.<br />

Candidates, Advancement <strong>of</strong> . See<br />

Advancement, Hurried .<br />

Candlestick, Golden . <strong>The</strong> golden candlestick<br />

<strong>of</strong> seven branches, which is a part <strong>of</strong><br />

the furniture <strong>of</strong> a Royal Arch Chapter, is derived<br />

from "the holy candlestick " which<br />

Moses was instructed to construct <strong>of</strong> beaten<br />

gold for the use <strong>of</strong> the tabernacle . Smith (Diet.<br />

<strong>of</strong> the Bible) thus abbreviates Lightfoot's explanation<br />

<strong>of</strong> the description given in Exodus :<br />

"<strong>The</strong> foot <strong>of</strong> it was gold, from which went up<br />

a shaft straight, which was the middle light .<br />

Near the foot was a golden dish wrought<br />

almondwise ; and a little above that a golden<br />

knop, and above that a golden flower . <strong>The</strong>n<br />

two branches one on each side bowed,-and<br />

coming up as high as the middle shaft . On<br />

each <strong>of</strong> them were three golden cups placed<br />

almondwise, in sharp, scallop-ahell fashion ;<br />

above which was a golden knop, a golden<br />

flower, and the socket . Above the branches<br />

on the middle shaft was a golden boss, above<br />

which rose two shafts more ; above the coming<br />

out <strong>of</strong> these was another boss and two more<br />

shafts, and then on the shaft upwards were<br />

three golden scallop-cups, a knop and a<br />

flower ; so that the heads <strong>of</strong> the branches stood<br />

an equal height ." In the tabernacle, the candlestick<br />

was placed opposite the table <strong>of</strong> shewbread,<br />

which it was intended to illumine in an<br />

oblique position, so that the lamps looted to<br />

the east and south. What became <strong>of</strong> the<br />

candlestick between the time <strong>of</strong> Moses and<br />

that <strong>of</strong> Solomon is unknown ; but it does not<br />

appear to have been present in the first Temple,<br />

which was lighted by ten golden candlesticks<br />

similarly embossed, which were connected<br />

by golden chains and formed a sort <strong>of</strong><br />

railing before the veil .<br />

<strong>The</strong>se ten candlesticks became the spoil <strong>of</strong><br />

the Chaldean conqueror at the time <strong>of</strong> the<br />

destruction <strong>of</strong> the Temple, and could not have<br />

been among the articles afterward restored<br />

by Cyrus ; for in the second Temple, built by<br />

Zerubbabel, we find only a single candlestick<br />

<strong>of</strong> seven branches, like that <strong>of</strong> the tabernacle .<br />

Its form has been perpetuated on the Arch <strong>of</strong><br />

Titus, on which it was sculptured with other<br />

articles taken by that monarch, and carried<br />

to Rome as spolia opima, after he had destroyed<br />

the Herodian Temple. This is the<br />

candlestick which is represented as a decoration<br />

in a Royal Arch Chapter .<br />

In Jewish symbolism, the seven branches<br />

were supposed by some to refer to the seven<br />

planets and by others to the seventh day or<br />

Sabbath . <strong>The</strong> primitive Christians made it<br />

allusive to Christ as the "light <strong>of</strong> the world"<br />

and in this sense it is a favorite symbol in<br />

early Christian art . In Masonry it seems to<br />

have no symbolic meaning, unless it be the<br />

general one <strong>of</strong> light ; but is used in a Royal<br />

Arch Chapter simply to indicate that the room<br />

is a representation <strong>of</strong> the tabernacle erected<br />

near the ruins <strong>of</strong> the first Temple, for the purpose<br />

<strong>of</strong> temporary worship during the building<br />

<strong>of</strong> the second, and in which tabernacle this<br />

candlestick is supposed to have been present .<br />

Canopy. Oliver says that in the <strong>Masonic</strong><br />

processions <strong>of</strong> the Continent the <strong>Grand</strong> Master<br />

walks under a gorgeous canopy <strong>of</strong> blue,

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