Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
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150 CHURCH<br />
CIPHER<br />
is love, it is the universal tie <strong>of</strong> beings from<br />
breast to breast .<br />
GREEN . 71~, Irq, viridis, verdure. Y 1 1)1, the<br />
firmament, also the winds . Green designates<br />
the beginning, the creation, the birth, as the<br />
world was called into being in the wisdom <strong>of</strong><br />
God by his word <strong>of</strong> mouth, and Light was to<br />
appear in the East. Phtha was the Egyptian<br />
Creator <strong>of</strong> the world ; he was at times represented<br />
with his flesh painted green, and holding<br />
a scepter <strong>of</strong> four colors, red, blue, green, and<br />
yellow : fire, air, water, and earth. <strong>The</strong> god<br />
Lunus, the Moon, in Hebrew 71`, irhe, is<br />
formed <strong>of</strong> one <strong>of</strong> the roots <strong>of</strong> green, signifying<br />
to found or set in order . Green is the symbol<br />
<strong>of</strong> Victory as well as Hope, in the symbolic<br />
colors . (See Green .)<br />
WarrE . 11ri, Heur, to be white ; C'11 i,<br />
Heurim, to be noble and pure. <strong>The</strong> Egyptian<br />
spirits <strong>of</strong> the dead were clothed in white, like<br />
the priests . Phtha, the creator and regenerator,<br />
was frequently robed in a white vestment,<br />
symbol <strong>of</strong> the egg from which he was born, enveloped<br />
in the white or albumen . <strong>The</strong> head <strong>of</strong><br />
Osiris was draped in a white tunic. While the<br />
Chinese metaphorically represented Metal by<br />
this color, the Egyptians and Hebrews made it<br />
the symbol <strong>of</strong> Earth . Its reference to the West<br />
would imply the first point whereat the pr<strong>of</strong>ane<br />
bent the knee in supplication to the Deity .<br />
YELLOW . ]'13, Tseb, gold color, designates a<br />
radiation <strong>of</strong> light, signifying to shine, to be<br />
resplendent . Man, or the male principle, symbolized<br />
by ardent fire, was represented by red,<br />
and the female principle, identified with the<br />
idea <strong>of</strong> light or flame, represented by yellow<br />
or light-colored earth, over which the swiftfooted<br />
messenger bears the tidings <strong>of</strong> a Mason's<br />
distress and the return <strong>of</strong> obligatory succor .<br />
This light <strong>of</strong> the fire, the female <strong>of</strong> Divine<br />
beauty, the Egyptian Venus, was called Athor,<br />
signifying dwelling <strong>of</strong> Horus, and was thus<br />
represented .<br />
Church, Freemasons <strong>of</strong> the . An Architectural<br />
College was organized in London, in<br />
the year 1842, under the name <strong>of</strong> "Freemasons<br />
<strong>of</strong> the Church for the Recovery, Maintenance,<br />
and Furtherance <strong>of</strong> the True Principles and<br />
Practice <strong>of</strong> Architecture ." <strong>The</strong> founders announced<br />
their objects to be "the rediscovery<br />
<strong>of</strong> the ancient principles <strong>of</strong> architecture ; the<br />
eauction <strong>of</strong> good principles <strong>of</strong> building, and<br />
the condemnation <strong>of</strong> bad ones ; the exercise <strong>of</strong><br />
scientific and experienced judgment in the<br />
choice and use <strong>of</strong> the most proper materials ;<br />
the infusion, maintenance, and advancement<br />
<strong>of</strong> science throughout architecture* and eventually,<br />
by developing the powers <strong>of</strong> the College<br />
upon a just and beneficial footing, to reform<br />
the whole practice <strong>of</strong> architecture, to raise it<br />
from its present vituperated condition, and to<br />
bring around it the same unquestioned honor<br />
which is at present enjoyed by almost every<br />
other pr<strong>of</strong>ession ." (<strong>The</strong>Builder, vol . i., p . 23 .<br />
One <strong>of</strong> their own members has said that<br />
"the title was not intended to express any conformity<br />
with the general body <strong>of</strong> Freemasons,<br />
but rather as indicative <strong>of</strong> the pr<strong>of</strong>essed views<br />
<strong>of</strong> the College, namely, the recovery, maintenance,<br />
and furtherance <strong>of</strong> the free principles<br />
and practice <strong>of</strong> architecture ." And that, in<br />
addition, they made it an object <strong>of</strong> their exertions<br />
to preserve or effect the restoration <strong>of</strong><br />
architectural remains <strong>of</strong> antiquity threatened<br />
unnecessarily with demolition or endangered<br />
by decay . But it is evident, from the close<br />
connection <strong>of</strong> modern <strong>Freemasonry</strong> with the<br />
building guilds <strong>of</strong> the Middle Ages that any<br />
investigations into the condition <strong>of</strong>" medieval<br />
architecture must throw light on <strong>Masonic</strong><br />
history.<br />
Cipher Writing . Cryptography, or the<br />
art <strong>of</strong> writing in cipher, so as to conceal the<br />
meaning <strong>of</strong> what is written from all except<br />
those who possess the key, may be traced to<br />
remote antiquity. De la Guilletiere (Lacedcemon)<br />
attributes its origin to the Spartans,<br />
and Polybius says that more than two thousand<br />
years ago . Eneas Tacitus had collected<br />
more than twenty different kinds <strong>of</strong> cipher<br />
which were then m use. Kings and generals<br />
communicated their messages to <strong>of</strong>ficers in<br />
distant provinces, by means <strong>of</strong> a preconcerted<br />
cipher- and the system has always been employed<br />
wherever there was a desire or a necessity<br />
to conceal from all but those who were<br />
entitled to the knowledge the meaning <strong>of</strong> a<br />
written document .<br />
<strong>The</strong> Druids, who were not permitted by the<br />
rules <strong>of</strong> their Order to commit any part <strong>of</strong><br />
their ritual to ordinary writing, preserved the<br />
memory <strong>of</strong> it by the use <strong>of</strong> the letters <strong>of</strong> the<br />
Greek alphabet. <strong>The</strong> Kabbalists concealed<br />
many words by writing them backward : a<br />
method which is still pursued by the French<br />
Masons. <strong>The</strong> old alchemists also made use <strong>of</strong><br />
cipher writing, in order to conceal those processes<br />
the knowledge <strong>of</strong> which was intended<br />
only for the adepts . Thus Roger Bacon, who<br />
discovered the composition <strong>of</strong> gunpowder, is<br />
said to have concealed the names <strong>of</strong> the ingredients<br />
under a cipher made by a transposition<br />
<strong>of</strong> the letters .<br />
Cornelius Agrippa tells us, in his Occult<br />
Philosophy, that the ancients accounted it<br />
unlawful to write the mysteries <strong>of</strong> God with<br />
those characters with which pr<strong>of</strong>ane and vulgar<br />
things were written ; and he cites Porphyry<br />
as saying that the ancients desired to<br />
conceal God, and divine virtues, by sensible<br />
figures which were visible, yet signified invie-