Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
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COLORED<br />
COMACINE 161<br />
orado, the <strong>Grand</strong> East <strong>of</strong> which was placed at<br />
Denver. J. M . Chivington was elected first<br />
<strong>Grand</strong> Master . Chapters <strong>of</strong> Royal Arch<br />
Masons and a Commandery <strong>of</strong> Knights Templar<br />
were subsequently introduced .<br />
Colored Fraternities . <strong>The</strong> secret societies<br />
<strong>of</strong> negroes claiming to be <strong>Masonic</strong> are<br />
quite extensive, embracing <strong>Grand</strong> Lodges in<br />
practically every State . (See Negro Masonry.)<br />
Colors, Symbolism <strong>of</strong>. Wemyss, in his<br />
Clavis Symbolica, says : "Color, which is outwardly<br />
seen on the habit <strong>of</strong> the body, is symbolically<br />
used to denote the true state <strong>of</strong> the<br />
person or subject to which it is applied, according<br />
to its nature ." This definition may<br />
appropriately be borrowed on the present occasion,<br />
and applied to the system <strong>of</strong> <strong>Masonic</strong><br />
colors . <strong>The</strong> color <strong>of</strong> a vestment or <strong>of</strong> a decoration<br />
is never arbitrarily adopted in <strong>Freemasonry</strong><br />
. Every color is selected with a view to<br />
its power in the symbolic alphabet, and it<br />
teaches the initiate some instructive moral<br />
lesson, or refers to some important historical<br />
fact in the .system .<br />
Frederic Portal, a French archeologist, has<br />
written a valuable treatise on the symbolism<br />
<strong>of</strong> colors, under the title <strong>of</strong> Des Couleurs Symboliques<br />
dans l'antiquite, le moyen dge et les<br />
temps modernes, which is well worth the attention<br />
<strong>of</strong> <strong>Masonic</strong> students . <strong>The</strong> <strong>Masonic</strong><br />
colors are seven in number, namely : 1, blue ;<br />
2, purple ; 3 red ; 4, white; 5, black ; 6,<br />
green ; 7, yellow ; 8, violet. (See those respective<br />
titles .)<br />
Columbia, District <strong>of</strong>. <strong>The</strong> <strong>Grand</strong><br />
Lodge <strong>of</strong> the District <strong>of</strong> Columbia was organized<br />
December 11, 1810, by Lodges having<br />
warrants from Maryland and Virginia, and<br />
Valentine Reintzel was elected <strong>Grand</strong> Master .<br />
It has 27 Lodges under it. <strong>The</strong> <strong>Grand</strong><br />
Chapter formed, originally, a component<br />
part <strong>of</strong> the <strong>Grand</strong> Chapter <strong>of</strong> Maryland and<br />
the District <strong>of</strong> Columbia ; but the connection<br />
was dissevered in 1867, and an independent<br />
<strong>Grand</strong> Chapter formed, which has now<br />
five Chapters under its jurisdiction . <strong>The</strong>re is<br />
neither a <strong>Grand</strong> Commandery nor <strong>Grand</strong><br />
Council in the Territory, but several Commanderies<br />
subordinate to the <strong>Grand</strong> Encampment<br />
<strong>of</strong> the United States and a Council <strong>of</strong><br />
Royal and Select Masters chartered by the<br />
<strong>Grand</strong> Council <strong>of</strong> Massachusetts . <strong>The</strong> Scottish<br />
Rite has also been successfully cultivated,<br />
and there are in operation a Lodge <strong>of</strong><br />
Perfection and a Chapter <strong>of</strong> Rose Croix .<br />
Column. Around ~pillar made to supporas<br />
well as to adorn a building, whose construction<br />
varies in the different orders <strong>of</strong> architect<br />
ture. In Masonry, columns have a symbolic<br />
signification as the supports <strong>of</strong> a Lodge, and<br />
are known as the Columns <strong>of</strong> Wisdom,<br />
Strength, and Beauty. <strong>The</strong> broken column is<br />
also a symbol in Masonry . (See the titles<br />
Supports <strong>of</strong> the Lodge and Broken Column .)<br />
Comacine Masters . It has long been a<br />
theory <strong>of</strong> some writers, secular and <strong>Masonic</strong>,<br />
that there was a direct succession <strong>of</strong> the operative<br />
gilds from the Roman Colleges to those<br />
who merged into Speculative Masonry in<br />
1717, and as investigation proceeded, the<br />
pro<strong>of</strong>s became stronger and stronger until<br />
now it can no longer reasonably be doubted .<br />
At first it was not attempted to prove the<br />
succession it was only inferred, but recently<br />
more careful investigators have come to view,<br />
whose results go far in establishing the direct<br />
succession from Roman Colleges to Speculative<br />
Masonry .<br />
<strong>The</strong> principal purpose <strong>of</strong> this article is to<br />
put a link in the chain <strong>of</strong> operative gilds and<br />
establish a continuous connection from the<br />
oldest gild formation (Roman Colleges which<br />
see) through the Lombard period and lztenaissance<br />
to the formation <strong>of</strong> Speculative Masonry<br />
by the English gilds .<br />
Before beginning the description <strong>of</strong> the<br />
Comacine Masters, which, from the controversial<br />
character <strong>of</strong> the subject, must <strong>of</strong> necessity<br />
be kindred to a discussion resting heavily<br />
on citations and quoted authorities who<br />
have worked in this special field, it will be<br />
necessary to draw a fair picture <strong>of</strong> the Roman<br />
possessions and civilization at this period .<br />
When Rome had passed the zenith <strong>of</strong> her<br />
power and had begun to decline from internal<br />
and external causes, it is but natural to suppose<br />
that her neighboring enemies noticed<br />
this, and as they had long looked upon Italy<br />
with avaricious eyes, felt the time had arrived<br />
for them to attain what they had most desired<br />
. <strong>The</strong> year 476 A.D., when the last <strong>of</strong><br />
the nominal Cmsars ceased to rule in the<br />
West, is usually taken by historians as marking<br />
the fall <strong>of</strong> the Roman Empire. However<br />
true that may be, the falling began when Constantine<br />
established the seat <strong>of</strong> his empire<br />
at Constantinople, in 327 and drew much<br />
strength from Rome, thereby making it easier<br />
for the Vandals and Goths to renew their attacks.<br />
For five centuries horde after horde<br />
<strong>of</strong> barbarians flung themselves against the<br />
Roman frontiers, each striking deeper than<br />
the last, and being repelled with greater and<br />
greater difficulty, the Empire sinking beneath<br />
internal decay more than from her external<br />
enemies .<br />
When the Western Empire ceased in the<br />
fifth century and Europe was plunged into<br />
what has been called "<strong>The</strong> Dark Ages" and<br />
all progress in letters and the arts <strong>of</strong> peace is<br />
supposed to have ceased, it is refreshing to<br />
quote what John Fiske said in Old and New<br />
Ways <strong>of</strong> Treating History, when speaking <strong>of</strong><br />
that period : "In truth the dull ages which no<br />
Homer has sung or Tacitus described, have<br />
sometimes been critical ages for human<br />
progress . . This restriction <strong>of</strong> the views to<br />
literary ages has had much to do with the popular<br />
misconception <strong>of</strong> the 1,000 years that<br />
elapsed between the reign <strong>of</strong> <strong>The</strong>odoric the<br />
Great and the Discovery <strong>of</strong> America . For<br />
many reasons that period might be called the<br />
Middle Ages ; but the popular mind is apt to<br />
lump these ten centuries together, as if they<br />
were all alike, and apply to them the misleading<br />
epithet `Dark Ages .' A portion <strong>of</strong> the<br />
darkness is in the minds <strong>of</strong> those who use<br />
the epithet."