Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
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COMMUNION<br />
COMPAGNONAGE 171<br />
But it is said that the <strong>Grand</strong> Master Inigo<br />
Jones instituted quarterly communications<br />
at the beginning <strong>of</strong> the seventeenth century<br />
(Constitutions, 1738, p . 99), which were continued<br />
by his successors, the Earl <strong>of</strong> Pembroke<br />
and Sir Christopher Wren, until the infirmities<br />
<strong>of</strong> the latter compelled him to neglect<br />
them . On the revival in 1717, provision was<br />
made for their resumption ; and in the twelfth<br />
<strong>of</strong> the thirty-nine Regulations <strong>of</strong> 1721 it was<br />
declared that the <strong>Grand</strong> Lodge must have<br />
a quarterly communication about Michaelmas,<br />
Christmas, and Lady-Day . (Constitutions,<br />
1723, p . 61 .) <strong>The</strong>se quarterly communications<br />
are still retained by the <strong>Grand</strong> Lodge<br />
<strong>of</strong> England, and in America by the <strong>Grand</strong><br />
Lodge <strong>of</strong> Massachusetts, but all other American<br />
<strong>Grand</strong> Lodges have adopted the old system<br />
<strong>of</strong> annual communications .<br />
Communion <strong>of</strong> the Brethren . See<br />
Bread, Consecrated .<br />
Como. Capital <strong>of</strong> the Province <strong>of</strong> Como<br />
in northern Italy, situated at S . end <strong>of</strong> W .<br />
branch <strong>of</strong> Lake <strong>of</strong> Como, about thirty miles<br />
from Milan, and to-day is an industrial city .<br />
Its interest to Masons is on account <strong>of</strong> it<br />
being the center from which radiated the Comacme<br />
Masters, who descended from the<br />
Roman Colleges <strong>of</strong> Artificers and who built<br />
for the Lombards and others during their<br />
reign and carried their Art and influence into<br />
the Cathedral building <strong>of</strong> the Renaissance .<br />
(See Comacine Masters .)<br />
<strong>The</strong> archeologists have determined the form<br />
<strong>of</strong> the older city <strong>of</strong> Roman times to have been<br />
rectangular, enclosed by walls. Towers were<br />
constructed on<br />
walls in the<br />
twelfth century<br />
. Portions<br />
<strong>of</strong> the walls are<br />
now to be seen<br />
in the garden<br />
<strong>of</strong> Liceo Volta .<br />
Baths common<br />
in all Roman<br />
cities have<br />
been discov-<br />
PARAPET OF THE OLD CHURCH<br />
OF ST. ABBONDIO. MILAN,<br />
NINTH CENTURY.<br />
ered . Fortifications<br />
erected<br />
previous to<br />
1127 were<br />
largely constructed<br />
with<br />
Roman inscribed<br />
sepulchral<br />
urns and<br />
other remains,<br />
in which most<br />
all Roman<br />
cities were unusually<br />
rich .<br />
It is usual<br />
to record that<br />
Como was the<br />
birthplace <strong>of</strong><br />
the elder and younger Pliny . <strong>The</strong> younger<br />
Pliny had a villa here called Comedia and<br />
was much interested in building the city,<br />
having founded baths, a library, and aided in<br />
charity for the support <strong>of</strong> orphan children .<br />
Of the many letters <strong>of</strong> the younger Pliny<br />
that remain, one is to his builder, Mustio, a<br />
Comacine architect, commissioning him to<br />
restore the temple <strong>of</strong> the Eleusinian Ceres, in<br />
which, after explaining the form <strong>of</strong> design he<br />
wished it to take, he concludes : " . . at least,<br />
unless you think <strong>of</strong> something better, you,<br />
whose Art can always overcome difficulties<br />
<strong>of</strong> position."<br />
<strong>The</strong>re was an early church <strong>of</strong> SS . Peter and<br />
Paul in the fifth century that stood outside<br />
<strong>of</strong> the town, and the site is now occupied<br />
by the Romanesque church <strong>of</strong> St . Abbondio,<br />
founded 1013, and consecrated 1095 . <strong>The</strong>re<br />
are found many interesting intrecci remains<br />
<strong>of</strong> early carvings <strong>of</strong> the Comacine or Solomon's<br />
Knob . (See cut .)<br />
On a site <strong>of</strong> an earlier church stands the<br />
present Cathedral <strong>of</strong> Como, which is built<br />
entirely <strong>of</strong> marble . It was begun in 1396, but<br />
was altered in 1487-1526 into Renaissance .<br />
Authors disagree as to whether the church was<br />
restored or rebuilt. <strong>The</strong> facade, 1457-86, follows<br />
in its lines the old Lombard form but<br />
the dividing pilasters are lavishly enriched,<br />
being perpendicular niches with a statue in<br />
each.<br />
Scott says that "During the years from<br />
1468 to [492, the books <strong>of</strong> the Lodge, preserved<br />
in the archives, abound in names <strong>of</strong><br />
Magistri from the neighborhood <strong>of</strong> Como,<br />
both architects and sculptors, and among<br />
them was Tommaso Rodari, who entered the<br />
Lodge in 1490, with a letter <strong>of</strong> recommendation<br />
from the Duke, advising that he be<br />
specially trained in the Art <strong>of</strong> Sculpture .<br />
He and four others were sent to Rome to remain<br />
ten years, and perfect themselves in<br />
sculpture, to study the antique, and to return<br />
to the laborerium as fully qualified masters ."<br />
Rodari returned and sculptured a most beautiful<br />
North door <strong>of</strong> the Cathedral in rich ornate<br />
Renaissance style, although the lions<br />
are still under the columns, thus preserving a<br />
Comacine symbol so universally common in<br />
earlier times <strong>of</strong> pure Lombard style.<br />
<strong>The</strong> history <strong>of</strong> Como as a city with her various<br />
fortunes and defeats during the invasions<br />
<strong>of</strong> barbarians and her long conflicts with her<br />
old enemy, Milan, may be found elsewhere .<br />
What interests us is the early colonization by<br />
Rome and her subsequent relations to Architecture<br />
at the Renaissance .<br />
Soon after 89 B .c . Rome sent 3,000 colonists<br />
to Como, and Artificers were certainly<br />
among them, and in 59 B .C. Caesar sent 5,000<br />
more, and the place received the name Novum<br />
Comum and received Latin rights . (See<br />
Comacine Masters .)<br />
Compagnon . In French Masonry, a Fellow-Craft<br />
is so called, and the grade du Compagnon<br />
is the degree <strong>of</strong> Fellow-Craft .<br />
Compagnonage. This is the name which<br />
is given in France to certain mystical associations<br />
formed between workmen <strong>of</strong> the same<br />
or an analogous handicraft, whose object<br />
is to afford mutual assistance to the mem-