Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
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238 ELEUSINIAN<br />
ELEUSINIAN<br />
and made mystical allusions to events in<br />
the life <strong>of</strong> both, and <strong>of</strong> the infant Iacchus .<br />
<strong>The</strong>se processions were made in the daytime,<br />
but the initiation was nocturnal, and was<br />
reserved for the nights <strong>of</strong> the sixth and<br />
seventh days .<br />
<strong>The</strong> herald opened the ceremonies <strong>of</strong> initiation<br />
into the greater mysteries by the proclamation,<br />
Zads, &dS, f0'-r€ Slpnaoi, "Retire,<br />
0 ye pr<strong>of</strong>ane ." Thus were the sacred<br />
precincts tiled . <strong>The</strong> aspirant was clothed<br />
with the skin <strong>of</strong> a calf . An oath <strong>of</strong> secrecy<br />
was administered,, and he was then asked,<br />
"Have you eaten bread?" <strong>The</strong> reply to<br />
which was, "I have fasted ; I have drunk the<br />
sacred mixture ; I have taken it out <strong>of</strong> the<br />
chest; I have spun - I have placed it in the basket,<br />
and from the basket laid it in the chest ."<br />
By this reply, the aspirant showed that he<br />
had been duly prep ared by initiation into the<br />
lesser mysteries ; for Clement <strong>of</strong> Alexandria<br />
says that this formula was a shibboleth, or<br />
password, by which the mystEe, or initiates,<br />
into the lesser mysteries were known as such,<br />
and admitted to the epopteia or greater<br />
initiation . <strong>The</strong> gesture <strong>of</strong> spinning wool, in<br />
imitation <strong>of</strong> what Demeter did in the time <strong>of</strong><br />
her affliction, seemed also to be used as a sign<br />
<strong>of</strong> recognition .<br />
<strong>The</strong> aspirant. was now clothed in the sacred<br />
tunic, and awaited in the vestibule the<br />
opening <strong>of</strong> the doors <strong>of</strong> the sanctuary .<br />
What subsequently took place must be<br />
left in great part to conjecture, although<br />
modern writers have availed themselves <strong>of</strong><br />
all the allusions that are to be found in the<br />
ancients. <strong>The</strong> temple consisted <strong>of</strong> three<br />
parts : the megaron, or sanctuary, corresponding<br />
to the holy place <strong>of</strong> the Temple <strong>of</strong> Solomon<br />
; the anactoron, or holy <strong>of</strong> holies, and a<br />
subterranean apartment beneath the temple.<br />
Each <strong>of</strong> these was probably occupied at a different<br />
portion <strong>of</strong> the initiation . <strong>The</strong> representation<br />
<strong>of</strong> the infernal regions, and the<br />
punishment <strong>of</strong> the uninitiated impious was<br />
appropriated to the subterranean apartment,<br />
and was, as Sylvestre de Sacy says (Notes to<br />
St. Crbiz, i ., 360), an episode <strong>of</strong> the drama<br />
which represented the adventures <strong>of</strong> Isis,<br />
Osiris, and Typhon, or <strong>of</strong> Demeter, Persephone,<br />
and Pluto . This drama, the same<br />
author thinks, represented the carrying away<br />
<strong>of</strong> Persephone, the travels <strong>of</strong> Demeter in<br />
search <strong>of</strong> her lost daughter, her descent into<br />
hell ; the union <strong>of</strong> Pluto with Persephone, and<br />
was terminated by the return <strong>of</strong> Demeter into<br />
the upper world and the light <strong>of</strong> day . <strong>The</strong><br />
representation <strong>of</strong> this drama commenced<br />
immediately after the pr<strong>of</strong>ane had been sent<br />
from the temple. And it is easy to understand<br />
how the groans and wailings with which<br />
the tem ple at one time resounded might symbolize<br />
the sufferings and the death <strong>of</strong> man,<br />
and the subsequent rejoicin gs at the return <strong>of</strong><br />
the goddess might be typical <strong>of</strong> the joy for the<br />
restoration <strong>of</strong> the soul to eternal life . Others<br />
have conjectured that the drama <strong>of</strong> the mysteries<br />
represented, in the deportation <strong>of</strong> Persephone<br />
to Hades by Pluto, the departure, as<br />
it were, <strong>of</strong> the sun, or the deprivation <strong>of</strong> its<br />
vivific power during the winter months, and<br />
her reappearance on earth, the restoration <strong>of</strong><br />
the prolific sun in summer . Others again tell<br />
us that the last act <strong>of</strong> the mysteries represented<br />
the restoration to life <strong>of</strong> the murdered<br />
Zagreus, or Dionysus, by Demeter. Diodorus<br />
says that the members <strong>of</strong> the body <strong>of</strong><br />
Zagreus lacerated by the Titans was represented<br />
in the ceremonies <strong>of</strong> mysteries, as well<br />
as in the Orphic hymns- but he prudently<br />
adds that he was not al]owed to reveal the<br />
details to the uninitiated . Whatever was the<br />
precise method <strong>of</strong> symbolism, it is evident<br />
that the true interpretation was the restoration<br />
from death to eternal life, and that the<br />
funereal part <strong>of</strong> the initiation referred to a<br />
loss, and the exultation afterward to a recovery<br />
. Hence it was folly to deny the coincidence<br />
that exists between this Eleusinian<br />
drama and that enacted in the Third Degree<br />
<strong>of</strong> Masonry . It is not claimed that the one<br />
was the uninterrupted successor <strong>of</strong> the other<br />
but there must have been a common ideal<br />
source for the origin <strong>of</strong> both . <strong>The</strong> lesson,<br />
the dogma, the symbol, and the method <strong>of</strong> instruction<br />
are the same . Having now, as<br />
Pindar sa y s, "descended beneath the hollow<br />
earth, and beheld those mysteries," the initiate<br />
ceased to be a mystes, or blind man, and<br />
was thenceforth called an epopt, a word signifying<br />
he who beholds .<br />
<strong>The</strong> Eleusinian mysteries, which, by their<br />
splendor, surpassed all contemporary mstitutions<br />
<strong>of</strong> the kind, were deemed <strong>of</strong> so much<br />
importance as to be taken under the special<br />
protection <strong>of</strong> the state, and to the council <strong>of</strong><br />
five hundred were entrusted the observance<br />
<strong>of</strong> the ordinances which regulated them. By<br />
a law <strong>of</strong> Solon, the magistrates met every<br />
year at the close <strong>of</strong> the festival, to pass sentence<br />
upon any who had violated or transgressed<br />
any <strong>of</strong> the rules which governed the<br />
administration <strong>of</strong> the sacred rites . Any attempt<br />
to disclose the esoteric ceremonies <strong>of</strong><br />
initiation was punished with death. Plutarch<br />
tells us, in his Life <strong>of</strong> Alcibiades, that<br />
that votary <strong>of</strong> pleasure was indicted for<br />
sacrilege, because he had imitated the mysteries,<br />
and shown them to his companions in<br />
the same dress as that worn by the Hierophanti<br />
and we get from Livy (xxxi . 14), the<br />
followin g relation :<br />
Two Acarnanian youths, who had not been<br />
initiated, accidentally entered the temple <strong>of</strong><br />
Demeter during the celebration <strong>of</strong> the mysteries<br />
. <strong>The</strong>y were soon detected by their<br />
absurd questions, and being carried to the<br />
managers <strong>of</strong> the temple, although it was evident<br />
that their intrusion was accidental, they<br />
were put to death for so horrible a crime . It<br />
is not, therefore, surprising that, in the account<br />
<strong>of</strong> them we should find such uncertain<br />
and even conflicting assertions <strong>of</strong> the ancient<br />
writers, who hesitated to discuss publicly so<br />
forbidden a subject .<br />
<strong>The</strong> qualifications for initiation were maturity<br />
<strong>of</strong> age and purity <strong>of</strong> life. Such was<br />
the theory, although in practise these qualifi-