Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...
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COMACINE<br />
complete unless it was adorned in its whole<br />
height and breadth with sculpture on the outside<br />
mosaics or paintings on the inside, and<br />
in its completeness formed the peoples' Bible<br />
and dogma <strong>of</strong> religious belief, and this from<br />
the very early times <strong>of</strong> Constantine and his<br />
Byzantine mosaicists, and <strong>of</strong> Queen <strong>The</strong>olinda<br />
and her fresco-painters, up to the revival <strong>of</strong><br />
mosaics by the Cosmati and the frescopainting<br />
in the Tuscan schools, but never were<br />
these arts entirely lost .<br />
For the first, we have the identity <strong>of</strong> form<br />
and ornamentation in their works and the<br />
similarity <strong>of</strong> nomenclature and organization<br />
between the Roman Collegio and the Lombard<br />
Gild <strong>of</strong> Magistri . Besides this, the<br />
well-known fact that the free republic <strong>of</strong><br />
Como was used as a refuge by Romans who<br />
fled from barbaric invasions makes a strong<br />
argument. For the second, we may plead<br />
again the same identity <strong>of</strong> form and organization<br />
and a like similarity <strong>of</strong> ornamentation<br />
and nomenclature . Just as King<br />
Luitprand's architects were called Magistri,<br />
and the <strong>Grand</strong> Master the Gadtaldo, so<br />
we have the great architectural Gilds in<br />
Venice, in the thirteenth, fourteenth and fifteenth<br />
centuries, using the very same titles<br />
and having the very same laws.<br />
Again the hereditary descent is marked<br />
by the patron saints <strong>of</strong> the Lombard and<br />
Tuscan Lodges, being the Four Martyr<br />
Brethren from a Roman Collegio . (See Four<br />
Crowned Martyrs.)<br />
All these and other indications are surely<br />
as strong as documental pro<strong>of</strong>, and are<br />
practically the summary <strong>of</strong> the conclusions<br />
<strong>of</strong> Leder Scott and are not overdrawn, being<br />
amply borne out by facts already known .<br />
Older writers recognized the presence <strong>of</strong> a<br />
compact gild in the work, but did not<br />
connect them with the builders <strong>of</strong> the Renaissance<br />
. More recent writers, such as<br />
Rivoira Porter, and others declare the connection<br />
. this connection is probably without<br />
the field <strong>of</strong> historical architects, whose work<br />
is the study <strong>of</strong> the product <strong>of</strong> the workmen,<br />
and not the workmen themselves, while our<br />
interest is centered on the workmen and their<br />
relations to those who follow them in connected<br />
sequence and not on the product <strong>of</strong><br />
their work, further than to show and prove<br />
relationships <strong>of</strong> the building crafts .<br />
<strong>The</strong>re are many most interesting and important<br />
things pertaining to the Comacines<br />
that must be omitted in a cyclopedic article .<br />
<strong>The</strong>ir rich, varied and curious symbolism,<br />
which even Ruskin failed to understand, would<br />
furnish matter for a fair-sized volume .<br />
While it is recognized that history should<br />
always be written from as nearly original<br />
sources as is possible, it has not been realized<br />
in this instance, as I have had to rely solely<br />
on those who have made their investigations<br />
at first-hand, and while some liberties have<br />
been taken, no violence has been done to<br />
their conclusions .<br />
<strong>The</strong> reader will find a rich field in the<br />
following bibliography :<br />
COMBINATION 167<br />
<strong>The</strong> Cathedral Builders, <strong>The</strong> Story <strong>of</strong> a Great<br />
<strong>Masonic</strong> Guild, by Leder Scott .<br />
<strong>The</strong> Comacines, <strong>The</strong>ir Predecessors and their<br />
Successors, by W . Ravencr<strong>of</strong>t .<br />
Lombard Architecture, Its Origin, Development<br />
and Derivatives, by G . T . Rivoira .<br />
A History <strong>of</strong> Architecture in Italy, from the<br />
Time <strong>of</strong> Constantine to the Dawn <strong>of</strong> the Renaissance,<br />
by Charles A . Cummings.<br />
Medieval Architecture, by A . K . Porter .<br />
Architecture in Italy from the Sixth to the<br />
Eleventh Century, Historical and Critical Researches,<br />
by Raffaele Cattaneo.<br />
Historical Essay on Architecture, by Thomas<br />
Hope.<br />
<strong>The</strong>se are English works or have been trans.<br />
lated into English . From them an extensive<br />
bibliography embracing other languages will<br />
be found . [E. E . C .]<br />
Combination <strong>of</strong> Masons. <strong>The</strong> combination<br />
<strong>of</strong> the Freemasons in the fourteenth and<br />
fifteenth centuries to demand a higher rate <strong>of</strong><br />
wages, which eventually gave rise to the enactment<br />
<strong>of</strong> the Statutes <strong>of</strong> Laborers, is thus<br />
described by a writer in the Gentleman's Magazine<br />
(January, 1740, p . 17) : "King Edward<br />
III. took so great an affection to Windsor, the<br />
place <strong>of</strong> his birth, that he instituted the Order<br />
<strong>of</strong> the Garter there, and rebuilt and enlarged<br />
the castle, with the church and chapel <strong>of</strong> St .<br />
George . This was a great work and required a<br />
great many hands ; and for the carrying <strong>of</strong> it<br />
on writs were directed to the sheriffs <strong>of</strong> severall<br />
counties to send thither, under the penalty <strong>of</strong><br />
£100 each, such a number <strong>of</strong> masons by a day<br />
appointed . London sent forty, so did Devon,<br />
Somerset, and several other counties ; but several<br />
dying <strong>of</strong> the plague, and others deserting<br />
the service, new writs were issued to send up<br />
supplies. Yorkshire sent sixty, and other<br />
counties proportionably, and orders were<br />
given that no one should entertain any <strong>of</strong><br />
these runaway masons, under pain <strong>of</strong> forfeiture<br />
<strong>of</strong> all their goods . Hereupon, the Masons<br />
entered into a combination not to work, unless<br />
at higher wages . <strong>The</strong>y agreed upon tokens,<br />
etc ., to know one another by, and to assist<br />
one another against being impressed, and not<br />
to work unless free and on their own terms .<br />
Hence they called themselves Freemasons ;<br />
and this combination continued during the<br />
carrying on <strong>of</strong> these buildings for several years .<br />
<strong>The</strong> wars between the two Houses coming on<br />
in the next reign, the discontented herded together<br />
in the same manner, and the gentry also<br />
underhand supporting the malcontents, occasioned<br />
several Acts <strong>of</strong> Parliament against<br />
the combination <strong>of</strong> Masons and other persons<br />
under that denomination, the titles <strong>of</strong> which<br />
Acts are still to be seen in the printed statutes<br />
<strong>of</strong> those reigns." Ashmole in his History<br />
<strong>of</strong> the Order <strong>of</strong> the Garter (p . 801, confirms the<br />
fact <strong>of</strong> the impressment <strong>of</strong> workmen by<br />
Edward ; and the combination that follow<br />
seems but a natural consequence <strong>of</strong> this oppressive<br />
act ; but the assertion that the origin<br />
<strong>of</strong> <strong>Freemasonry</strong> as an organized institution <strong>of</strong><br />
builders is to be traced to such a combination,<br />
is not supported by the facts <strong>of</strong> history, and,