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Mackey A G - Encylopedia of Freemasonry - The Grand Masonic ...

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COMACINE<br />

complete unless it was adorned in its whole<br />

height and breadth with sculpture on the outside<br />

mosaics or paintings on the inside, and<br />

in its completeness formed the peoples' Bible<br />

and dogma <strong>of</strong> religious belief, and this from<br />

the very early times <strong>of</strong> Constantine and his<br />

Byzantine mosaicists, and <strong>of</strong> Queen <strong>The</strong>olinda<br />

and her fresco-painters, up to the revival <strong>of</strong><br />

mosaics by the Cosmati and the frescopainting<br />

in the Tuscan schools, but never were<br />

these arts entirely lost .<br />

For the first, we have the identity <strong>of</strong> form<br />

and ornamentation in their works and the<br />

similarity <strong>of</strong> nomenclature and organization<br />

between the Roman Collegio and the Lombard<br />

Gild <strong>of</strong> Magistri . Besides this, the<br />

well-known fact that the free republic <strong>of</strong><br />

Como was used as a refuge by Romans who<br />

fled from barbaric invasions makes a strong<br />

argument. For the second, we may plead<br />

again the same identity <strong>of</strong> form and organization<br />

and a like similarity <strong>of</strong> ornamentation<br />

and nomenclature . Just as King<br />

Luitprand's architects were called Magistri,<br />

and the <strong>Grand</strong> Master the Gadtaldo, so<br />

we have the great architectural Gilds in<br />

Venice, in the thirteenth, fourteenth and fifteenth<br />

centuries, using the very same titles<br />

and having the very same laws.<br />

Again the hereditary descent is marked<br />

by the patron saints <strong>of</strong> the Lombard and<br />

Tuscan Lodges, being the Four Martyr<br />

Brethren from a Roman Collegio . (See Four<br />

Crowned Martyrs.)<br />

All these and other indications are surely<br />

as strong as documental pro<strong>of</strong>, and are<br />

practically the summary <strong>of</strong> the conclusions<br />

<strong>of</strong> Leder Scott and are not overdrawn, being<br />

amply borne out by facts already known .<br />

Older writers recognized the presence <strong>of</strong> a<br />

compact gild in the work, but did not<br />

connect them with the builders <strong>of</strong> the Renaissance<br />

. More recent writers, such as<br />

Rivoira Porter, and others declare the connection<br />

. this connection is probably without<br />

the field <strong>of</strong> historical architects, whose work<br />

is the study <strong>of</strong> the product <strong>of</strong> the workmen,<br />

and not the workmen themselves, while our<br />

interest is centered on the workmen and their<br />

relations to those who follow them in connected<br />

sequence and not on the product <strong>of</strong><br />

their work, further than to show and prove<br />

relationships <strong>of</strong> the building crafts .<br />

<strong>The</strong>re are many most interesting and important<br />

things pertaining to the Comacines<br />

that must be omitted in a cyclopedic article .<br />

<strong>The</strong>ir rich, varied and curious symbolism,<br />

which even Ruskin failed to understand, would<br />

furnish matter for a fair-sized volume .<br />

While it is recognized that history should<br />

always be written from as nearly original<br />

sources as is possible, it has not been realized<br />

in this instance, as I have had to rely solely<br />

on those who have made their investigations<br />

at first-hand, and while some liberties have<br />

been taken, no violence has been done to<br />

their conclusions .<br />

<strong>The</strong> reader will find a rich field in the<br />

following bibliography :<br />

COMBINATION 167<br />

<strong>The</strong> Cathedral Builders, <strong>The</strong> Story <strong>of</strong> a Great<br />

<strong>Masonic</strong> Guild, by Leder Scott .<br />

<strong>The</strong> Comacines, <strong>The</strong>ir Predecessors and their<br />

Successors, by W . Ravencr<strong>of</strong>t .<br />

Lombard Architecture, Its Origin, Development<br />

and Derivatives, by G . T . Rivoira .<br />

A History <strong>of</strong> Architecture in Italy, from the<br />

Time <strong>of</strong> Constantine to the Dawn <strong>of</strong> the Renaissance,<br />

by Charles A . Cummings.<br />

Medieval Architecture, by A . K . Porter .<br />

Architecture in Italy from the Sixth to the<br />

Eleventh Century, Historical and Critical Researches,<br />

by Raffaele Cattaneo.<br />

Historical Essay on Architecture, by Thomas<br />

Hope.<br />

<strong>The</strong>se are English works or have been trans.<br />

lated into English . From them an extensive<br />

bibliography embracing other languages will<br />

be found . [E. E . C .]<br />

Combination <strong>of</strong> Masons. <strong>The</strong> combination<br />

<strong>of</strong> the Freemasons in the fourteenth and<br />

fifteenth centuries to demand a higher rate <strong>of</strong><br />

wages, which eventually gave rise to the enactment<br />

<strong>of</strong> the Statutes <strong>of</strong> Laborers, is thus<br />

described by a writer in the Gentleman's Magazine<br />

(January, 1740, p . 17) : "King Edward<br />

III. took so great an affection to Windsor, the<br />

place <strong>of</strong> his birth, that he instituted the Order<br />

<strong>of</strong> the Garter there, and rebuilt and enlarged<br />

the castle, with the church and chapel <strong>of</strong> St .<br />

George . This was a great work and required a<br />

great many hands ; and for the carrying <strong>of</strong> it<br />

on writs were directed to the sheriffs <strong>of</strong> severall<br />

counties to send thither, under the penalty <strong>of</strong><br />

£100 each, such a number <strong>of</strong> masons by a day<br />

appointed . London sent forty, so did Devon,<br />

Somerset, and several other counties ; but several<br />

dying <strong>of</strong> the plague, and others deserting<br />

the service, new writs were issued to send up<br />

supplies. Yorkshire sent sixty, and other<br />

counties proportionably, and orders were<br />

given that no one should entertain any <strong>of</strong><br />

these runaway masons, under pain <strong>of</strong> forfeiture<br />

<strong>of</strong> all their goods . Hereupon, the Masons<br />

entered into a combination not to work, unless<br />

at higher wages . <strong>The</strong>y agreed upon tokens,<br />

etc ., to know one another by, and to assist<br />

one another against being impressed, and not<br />

to work unless free and on their own terms .<br />

Hence they called themselves Freemasons ;<br />

and this combination continued during the<br />

carrying on <strong>of</strong> these buildings for several years .<br />

<strong>The</strong> wars between the two Houses coming on<br />

in the next reign, the discontented herded together<br />

in the same manner, and the gentry also<br />

underhand supporting the malcontents, occasioned<br />

several Acts <strong>of</strong> Parliament against<br />

the combination <strong>of</strong> Masons and other persons<br />

under that denomination, the titles <strong>of</strong> which<br />

Acts are still to be seen in the printed statutes<br />

<strong>of</strong> those reigns." Ashmole in his History<br />

<strong>of</strong> the Order <strong>of</strong> the Garter (p . 801, confirms the<br />

fact <strong>of</strong> the impressment <strong>of</strong> workmen by<br />

Edward ; and the combination that follow<br />

seems but a natural consequence <strong>of</strong> this oppressive<br />

act ; but the assertion that the origin<br />

<strong>of</strong> <strong>Freemasonry</strong> as an organized institution <strong>of</strong><br />

builders is to be traced to such a combination,<br />

is not supported by the facts <strong>of</strong> history, and,

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