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Chapter 3. Creating Your Own Sounds XP-30 Operating Environment Setup (System Parameters and Their Functions) fig.3-86 ■ Display Screen Contrast and Clock Settings (SETUP) SYSTEM SETUP LCD Contrast Adjust the contrast (brighthess) of the display. Power Up Mode Select the condition that the XP-30 will be in when the power is turned on. LAST-SET: The XP-30 will be in the condition it was in when power was last turned off. DEFAULT: The XP-30 will be ready to play Patch “USER:001.” Patch Remain (Patch Remain Switch) If you want currently-sounding notes to be turned off when a new Patch (Rhythm Set) is selected, set this parameter OFF. * Effects settings change as soon as you switch to a new Patch or Rhythm Set, without being influenced by the Patch Remain setting. Because of this, certain effects settings can cause notes that were until then sounding to no longer be heard, even though Patch Remain has been set to on. Clock Source Specify the tempo clock of the system. INT: The internal clock will be the tempo clock for the system. MIDI: An external clock will be the tempo clock for the system. System Tempo Set the system tempo. * When Clock Source is set to MIDI, the tempo will synchronize to the clock messages received from an external MIDI device, so it will not be possible to set the tempo value. The tempo of the external clock will be displayed in parentheses. Category Select Mode When searching for patches, specify the patch that will be selected when you press the numeric key. LAST-SET: The patch last-selected during the previous patch search will be selected. DEFAULT: The patch specified as the factory default will be selected. ■ Arpeggio Settings (ARPEGGIO) This is where to set Arpeggiator parameters. ARPEGGIO Style Sets the style of the arpeggio. Select from the following 43 options. For creating your own style, choose LIMITLESS. 1/4: The rhythm will be divided in quarter notes. 1/6: The rhythm will be divided in quarter note triplets. 1/8: The rhythm will be divided in eighth notes. 1/12: The rhythm will be divided in eighth note triplets. 1/16: The rhythm will be divided in 16th notes. 1/32: The rhythm will be divided in 32nd notes. PORTAMENTO A, B: A style using the portamento effect. GLISSANDO: A glissando style. SEQUENCE A–D: Styles for sequenced patterns. ECHO: An echo-like style. SYNTH BASS, SLAP BASS A, SLAP BASS B, WALK BASS: Styles appropriate for bass playing. RHYTHM GTR A–E: Styles for guitar cutting. Styles B–E are effective when 3–4 notes are held. 3 FINGER GTR: Three-finger guitar style. STRUMMING GTR: A style simulating a guitar chord strummed upward (downward). Effective when 5–6 notes are held. KBD COMPING A, B: Styles for keyboard instrument backing. KBD COMPING C, D: Styles in triple meter. KBD COMPING E: A reggae-type style. Effective when 3 notes are held. PERCUSSION: A style suitable for percussive instrument sounds. HARP: The playing style of a harp. SHAMISEN: The playing style of a Shamisen. BOUND BALL: A style suggestive of a bouncing ball. RANDOM: A style in which the notes sound in random order. BOSSANOVA: A style with bossanova guitar cutting. Hold 3–4 notes for best results. You can increase the tempo and use this as a Samba. SALSA: Typical salsa style. Hold 3–4 notes for best results. MAMBO: Typical mambo style. Hold 3–4 notes for best results. LATIN PERCUSION: A rhythm style with Latin percussion instruments such as Clave, Cowbell, Clap, Bongo, Conga, Agogo etc. SAMBA: Typical samba style. Use for rhythm patterns or bass lines. TANGO: Typical tango rhythm style. Hold the root, 3rd and 5th of a triad etc. for best results. HOUSE: A style for house piano backing. Hold 3–4 notes for best results. 108
Chapter 3. Creating Your Own Sounds LIMITLESS: The settings of all parameters can be freely combined without restriction. * Choices can be set for the Motif, Beat Pattern, Shuffle Rate and Accent Rate parameters for each style. Refer to the “Arpeggio Style List” (p. 182). Octave Range Sets the key range in octaves over which arpeggio will take place. If you want the arpeggio to sound using only the notes that you actually play, set this parameter to 0. To have the arpeggio sound using the notes you play and notes 1 octave higher, set this parameter to +1. A setting of -1 will make the arpeggio sound using the notes you play and notes l octave lower. Motif Sets the order in which notes of the chord will sound. Some settings will not be available depending on the Style parameter setting. SINGLE UP: Notes will sound singly, starting from the lowest key pressed. SINGLE DOWN: Notes will sound singly, starting from the highest key pressed. SINGLE UP&DOWN: Notes will sound singly, starting from the lowest key pressed, going up and then back down. SINGLE RANDOM: Notes will sound singly in random order. DUAL UP: Notes will sound in pairs, starting from the lowest key pressed. DUAL DOWN: Notes will sound in pairs, starting from the highest key pressed. DUAL UP&DOWN: Notes will sound in pairs, starting from the lowest key pressed, going up and then back down. DUAL RANDOM: Notes will sound in pairs, in random order. TRIPLE UP: Notes you press will sound three at a time, from low to high. TRIPLE DOWN: Notes you press will sound three at a time, from high to low. TRIPLE UP&DOWN: Notes you press will sound three at a time, from low to high and then back down from high to low. TRIPLE RANDOM: Notes you press will sound three at a time, in random order. NOTE ORDER: Notes will sound in the order that they were pressed. Up to 32 notes can be stored, so you can create melody lines by pressing keys in the appropriate order. GLISSANDO: CHORD: BASS+CHORD1–5: BASS+UP1–8: Notes will be played in an ascending and descending chromatic scale between the lowest and the highest keys that are pressed. Simply press two notes, the lowest and highest. All notes that are pressed will sound simultaneously. The lowest note that is pressed and other notes will sound as a chord. The lowest note that is pressed and other notes will sound as an arpeggio. BASS+RANDOM1–3: The lowest note that is pressed and TOP+UP1–6: BASS+UP+TOP: Beat Pattern other notes will sound randomly. The highest note that is pressed and other notes will sound as an arpeggio. Simulated fingering of folk guitar’s three-finger picking technique. Select the beat pattern from the choices below. This setting will affect the location of the accent and length of the notes to determine the beat (rhythm). Some settings will not be available depending on the Style parameter setting. 1/4, 1/6, 1/8, 1/12, 1/16 1–3, 1/32 1–3, PORTA-A 01–11, PORTA-B 01–15, SEQ-A 1–7, SEQ-B 1–5, SEQ-C 1–2, SEQ-D 1–8, ECHO 1–3, MUTE 01–16, STRUM1–8, REGGAE1–2, REFRAIN1–2, PERC1–4, WALKBS, HARP, BOUND, RANDOM, BOSSA NOVA, SALSA 1–4, MAMBO 1–2, CLAVE, REV CLA, GUIRO, AGOGO, SAMBA, TANGO 1–4, HOUSE 1–2 Accent Rate Modifies the strength of accents and the length of the notes to adjust the “groove” feel of the arpeggio. A setting of 100% will produce the most pronounced groove feel. Shuffle Rate This parameter allows you to modify the timing of an upbeat between two down-notes next to each other, to create shuffle rhythms. With a setting of 50%, the notes will be spaced evenly. Higher values will give more of a “dotted” (shuffle) feel. Key Velocity Sets the force of the chord. If you wish to use the velocity at which the notes are actually played, set this parameter to REAL. To use a constant velocity regardless of the force with which you play the keyboard, choose a desired value from 1– 127. Chapter 3 109
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OWNER’S MANUAL Thank you, and con
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Used for instructions intended to a
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Important Notes In addition to the
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Contents Main Features.............
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Contents Setting Effects for a Rhyt
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Main Features ■ High-Performance
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Front and Rear Panel F G [INC], [DE
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Quick Start Quick Start 15
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Getting Ready 1 Before installing t
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Getting Ready 9 Press [EXP D] or [E
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Getting Ready 1 Éteindre le XP-30
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Getting Ready 9 Appuyer sur [EXP D]
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Getting Ready 2 Connect supplied AC
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Getting Ready Reset to Default Fact
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Listening to the Demo Song ■ Prof
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Playing the Sounds Selecting Wave E
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Playing the Sounds 5 Turn the VALUE
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Playing the Sounds ■ Hold Pedal I
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Playing the Sounds 3 Play a chord.
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Chapter 2 Chapter 1 Advanced Use Ch
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Chapter 1. Overview of the XP-30 Pa
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Chapter 1. Overview of the XP-30 GM
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Chapter 1. Overview of the XP-30 Mo
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Chapter 2. Playing Playing in Patch
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Chapter 2. Playing The following ca
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Chapter 2. Playing Changing Sound C
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Chapter 2. Playing 6. Make sure tha
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Chapter 2. Playing Playing in Rhyth
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Parameter List MIDI Group (p. 112)
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Waveform List INT-B (Internal B) No
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Waveform List ● XP-A Menu Wavefor
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Waveform List XP-C (WAVE EXPANSION
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Waveform List 156 OHH MENU 176 CLAP
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Patch List PR-B (Preset B Group) No
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Patch List XP-A (WAVE EXPANSION A:
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Patch List XP-C (WAVE EXPANSION C:
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Patch List Original B.P.M. 120 Orig
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Rhythm Set List Note No. 35 C2 36 3
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Rhythm Set List XP-A (WAVE EXPANSIO
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Performance List USER (User Group)
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MIDI Implementation Model: XP-30 (6
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MIDI Implementation ❍Effect 1 (Re
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MIDI Implementation ● Universal R
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MIDI Implementation ❍General Purp
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MIDI Implementation | 00 33 | 0000
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MIDI Implementation ● 1-2-2.Perfo
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MIDI Implementation |————
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MIDI Implementation *1 INT, , EXP *
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MIDI Implementation 4. Supplementar
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MIDI Implementation ● Type33: ENH
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MIDI Implementation ■ Decimal/Hex
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MIDI Implementation ■ Scale Tune
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Specifications XP-30: 64 Voice Expa
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Index Symbols [+OCT] ..............
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Index K Key assign mode ...........
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Index S Save ......................
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