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Chapter 3. Creating Your Own Sounds<br />

Pan<br />

Adjust the stereo position of the Patch. A setting of L64 is far<br />

left, 0 is center, and 63R is far right.<br />

Analog Feel (Analog Feel Depth)<br />

Adjust the depth at which 1/f modulation is applied to the Patch.<br />

1/f Modulation<br />

“1/f” is a mathematical ratio that expresses the amount<br />

of “predictable randomness” occurring in natural<br />

sounds that the human ear finds pleasing, such as soft<br />

breezes or gentle brooks. The XP-30 is able to modulate<br />

the pitch and volume of sounds by this ratio to create<br />

the warmth characteristic of early analog synthesizers.<br />

Priority (Voice Priority)<br />

Specify which currently-sounding notes will take priority<br />

when notes are turned off to make room for newly-requested<br />

notes that would exceed the limit of 64 simultaneous voices.<br />

LAST: Notes played later will take priority. When the<br />

65th voice is requested, the first-played of the<br />

currently sounding notes will be turned off.<br />

LOUDEST: Louder notes will take priority. When the 65th<br />

voice is requested, the softest of the currently<br />

sounding notes will be turned off.<br />

VelRang (Velocity Range Switch)<br />

Specify whether the Velocity Range setting (see following<br />

display) will be used or not. The Velocity Range setting will<br />

be used when the VelRange parameter is ON.<br />

Octave (Octave Shift)<br />

Specify the transposition of the Patch when played on the<br />

keyboard, in units of one octave (-3–+3 octaves).<br />

Stretch (Stretch Tuning Depth)<br />

Select the stretch tuning curve. The selected curve will affect the<br />

way in which notes of a chord sound with each other. The diagram<br />

below shows the tuning curves which can be selected. In the<br />

“tuning curve,” the horizontal axis represents the scale, and the<br />

vertical axis represents pitch difference relative to equal<br />

temperament. When OFF is selected for this parameter, the notes of<br />

the keyboard will be in mathematically equal temperament. With a<br />

setting of 3, the high and low note ranges will be stretched the most.<br />

fig.3-23.e<br />

Pitch difference from<br />

equal temperament<br />

OFF<br />

1<br />

2<br />

3<br />

Low note range<br />

Parameter value<br />

3<br />

2<br />

1<br />

OFF<br />

High note range<br />

VELOCITY (Velocity Range)<br />

These parameters specify the range of velocities that will<br />

play the Tone. This can be used to make notes of different<br />

strengths play different Tones.<br />

* To make Velocity Range settings, the Velocity Range Switch in<br />

the previous display must be turned ON.<br />

Lower (Velocity Range Lower)<br />

Specify the lower velocity limit. Although it also depends on<br />

the Cross Fade settings, notes played softer than this limit will<br />

not sound the Tone, or will produce extremely quiet sounds.<br />

Upper (Velocity Range Upper)<br />

Specify the upper velocity limit. Although it also depends on<br />

the Cross Fade settings, notes played more strongly than this<br />

limit will not sound the Tone, or will produce extremely<br />

quiet sounds.<br />

* It is not possible to set Lower to a value greater than Upper, nor<br />

Upper to a value less than Lower. If you attempt to do so, the<br />

two values will change together.<br />

Cross Fade (Velocity Cross Fade)<br />

Specify the way in which the volume of the Tone will change<br />

when the velocity of a note falls outside of the specified Velocity<br />

Range. Higher settings will result in a more gradual change in<br />

volume. If you do not want the Tone to sound at all for<br />

velocities outside the specified range, set this parameter to 0.<br />

fig.3-24.e<br />

Level<br />

Chapter 3<br />

Stretched Tuning<br />

Acoustic pianos are normally tuned so that the high note<br />

range is a bit sharper and the low note range is a bit flatter<br />

than a mathematically calculated equal temperament (i.e.,<br />

where each octave would be precisely double the<br />

frequency of the previous octave). This is done simply<br />

because pianos sound better when tuned this way.<br />

1<br />

Lower<br />

parameter value<br />

Upper<br />

parameter value<br />

Velocity<br />

69

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