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Chapter 3. Creating Your Own Sounds<br />
Pan<br />
Adjust the stereo position of the Patch. A setting of L64 is far<br />
left, 0 is center, and 63R is far right.<br />
Analog Feel (Analog Feel Depth)<br />
Adjust the depth at which 1/f modulation is applied to the Patch.<br />
1/f Modulation<br />
“1/f” is a mathematical ratio that expresses the amount<br />
of “predictable randomness” occurring in natural<br />
sounds that the human ear finds pleasing, such as soft<br />
breezes or gentle brooks. The XP-30 is able to modulate<br />
the pitch and volume of sounds by this ratio to create<br />
the warmth characteristic of early analog synthesizers.<br />
Priority (Voice Priority)<br />
Specify which currently-sounding notes will take priority<br />
when notes are turned off to make room for newly-requested<br />
notes that would exceed the limit of 64 simultaneous voices.<br />
LAST: Notes played later will take priority. When the<br />
65th voice is requested, the first-played of the<br />
currently sounding notes will be turned off.<br />
LOUDEST: Louder notes will take priority. When the 65th<br />
voice is requested, the softest of the currently<br />
sounding notes will be turned off.<br />
VelRang (Velocity Range Switch)<br />
Specify whether the Velocity Range setting (see following<br />
display) will be used or not. The Velocity Range setting will<br />
be used when the VelRange parameter is ON.<br />
Octave (Octave Shift)<br />
Specify the transposition of the Patch when played on the<br />
keyboard, in units of one octave (-3–+3 octaves).<br />
Stretch (Stretch Tuning Depth)<br />
Select the stretch tuning curve. The selected curve will affect the<br />
way in which notes of a chord sound with each other. The diagram<br />
below shows the tuning curves which can be selected. In the<br />
“tuning curve,” the horizontal axis represents the scale, and the<br />
vertical axis represents pitch difference relative to equal<br />
temperament. When OFF is selected for this parameter, the notes of<br />
the keyboard will be in mathematically equal temperament. With a<br />
setting of 3, the high and low note ranges will be stretched the most.<br />
fig.3-23.e<br />
Pitch difference from<br />
equal temperament<br />
OFF<br />
1<br />
2<br />
3<br />
Low note range<br />
Parameter value<br />
3<br />
2<br />
1<br />
OFF<br />
High note range<br />
VELOCITY (Velocity Range)<br />
These parameters specify the range of velocities that will<br />
play the Tone. This can be used to make notes of different<br />
strengths play different Tones.<br />
* To make Velocity Range settings, the Velocity Range Switch in<br />
the previous display must be turned ON.<br />
Lower (Velocity Range Lower)<br />
Specify the lower velocity limit. Although it also depends on<br />
the Cross Fade settings, notes played softer than this limit will<br />
not sound the Tone, or will produce extremely quiet sounds.<br />
Upper (Velocity Range Upper)<br />
Specify the upper velocity limit. Although it also depends on<br />
the Cross Fade settings, notes played more strongly than this<br />
limit will not sound the Tone, or will produce extremely<br />
quiet sounds.<br />
* It is not possible to set Lower to a value greater than Upper, nor<br />
Upper to a value less than Lower. If you attempt to do so, the<br />
two values will change together.<br />
Cross Fade (Velocity Cross Fade)<br />
Specify the way in which the volume of the Tone will change<br />
when the velocity of a note falls outside of the specified Velocity<br />
Range. Higher settings will result in a more gradual change in<br />
volume. If you do not want the Tone to sound at all for<br />
velocities outside the specified range, set this parameter to 0.<br />
fig.3-24.e<br />
Level<br />
Chapter 3<br />
Stretched Tuning<br />
Acoustic pianos are normally tuned so that the high note<br />
range is a bit sharper and the low note range is a bit flatter<br />
than a mathematically calculated equal temperament (i.e.,<br />
where each octave would be precisely double the<br />
frequency of the previous octave). This is done simply<br />
because pianos sound better when tuned this way.<br />
1<br />
Lower<br />
parameter value<br />
Upper<br />
parameter value<br />
Velocity<br />
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