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Chapter 3. Creating Your Own Sounds BIAS Use the Bias parameter when you want keyboard position to affect the TVA level. fig.3-45.e LOWER UPPER Level + Level 0 – Key Key C-1 Bias Point G9 C-1 Bias Point G9 LOWER&UPPER Level + 0 0 – + Key Key C-1 Bias Point G9 C-1 Bias Point G9 Bias (Bias Level) Adjust the angle of the volume change that will occur in the selected Bias Direction. Higher settings will result in greater change. Negative (-) values will invert the change. Point (Bias Point) Select the key at which the volume will begin to change. Direction (Bias Direction) Select the direction in which change will occur starting from the Bias Point. LOWER: the range below the Bias Point UPPER: the range above the Bias Point LOWER&UPPER: the ranges both above and below the Bias Point ALL: the entire keyboard will be biased at the angle determined by the Bias Level, relative to the Bias Point PAN MODULATE – 0 + ALL – Level Use these parameters to affect the location of the TVA Pan. Keyfollow (Pan Key Follow) Use this parameter when you want the keyboard position to change the stereo location. Higher values will result in greater change relative to middle C (C4). Positive (+) settings will cause notes played toward the right of the keyboard to be panned right. Negative (-) settings will cause the opposite. Random (Random Pan Depth) Use this parameter when you want the stereo location to change randomly each time you press a key. Higher values will result in a greater width of change. Alternate (Alternate Pan Depth) Use this parameter when you want the stereo location to alternate between left and right each time you press a key. Higher values will result in a greater width of change. – 0 + – 0 + L or R values can be set, and this will reverse the left/right order of the panning. If you want to alternate the pan position of two Tones, set them to opposite L and R settings. TVA TIME ENV (TVA Time Envelope) These parameters determine how the keyboard will affect the time changes of the TVA envelope. V-T1 (TVF Envelope Time 1 Velocity Sensitivity) Use this parameter when you want velocity to affect T1 (time) of the TVA envelope. Higher settings will result in a greater difference between strongly and softly played notes. If you want higher velocities to speed up T1 time, use positive (+) values. If you want higher velocities to slow down T1 time, use negative (-) values. V-T4 (TVA Envelope Time 4 Velocity Sensitivity) Use this parameter when you want Key Off Velocity (the speed at which you release a key) to affect T4 (time) of the TVA envelope. Higher settings will result in a greater difference between quickly and slowly released notes. If you want a quicker release to speed up the T4 time, use positive (+) settings. If you want a quicker release to slow down the T4 time, use negative (-) settings. Time Keyfollow (TVA Envelope Time Key Follow) Use this parameter when you want keyboard position to affect TVA envelope times (T2–T4). Higher values will result in a greater change relative to middle C (C4). Positive (+) settings will result in shorter times as you play toward the right of the keyboard. Negative (-) settings will result in longer times as you play toward the right of the keyboard. TVA ENVELOPE (TVA Envelope) These parameters make settings for the TVA envelope (changes over time in the TVA level). fig.3-46.e T1 T2 T3 T4 Level L1 L2 L3 Time key is pressed key is released T1–T4 (TVA Envelope 1–4) Adjust the time over which the volume changes from one point to the next. L1–L3 (TVA Envelope 1–3) Adjust the volume level of each point relative to the basic TVA level. 82
Chapter 3. Creating Your Own Sounds Functions of Performance Parameters fig.3-11 ■ Settings Common to the Entire Performance (COMMON) This display is used when setting parameters that are not part of other groups. These include Performance Name and Key Mode. SINGLE: When you play the keyboard, only the specified Part (the Part shown in the display) will sound. MIDI messages will be transmitted from the controller section to the external MIDI devices even if the Local parameter and Tx parameter settings for each Part (PERFORM/MIDI/MIDI) are turned off. * If you have selected a Layer-type Performance, the upper right of the PERFORM PLAY display will indicate “LAYER p*” (* is the part number). If you have selected a Single-type Performance, the number of the Part that can be played from the keyboard will be displayed. PERFORM NAME (Performance Name) You can assign a name to the Performance of up to 12 characters. * For details on assigning names, refer to “Assigning a Name” (p. 46). PERFORM CLOCK Some parameters allow you to set a time value in terms of a note length which is determined by a specified tempo; Rate parameters (PATCH/LFO/LFO1, 2), Time parameter (PATCH/WAVE/TONE DELAY), and some Multi-Effects parameters. The specified tempo used by these parameters can be set for each Patch. However when a Patch is used in Performance mode, the Patch settings will be ignored, and the settings of this display will be used instead. Source (Performance Clock Source) Select the source of the Performance Clock. PERFORM: Synchronize to the Performance Tempo setting. SYSTEM: Synchronize to the tempo clock of the ststem. * The Performance Clock does not transmit clock messages from MIDI OUT connector. Tempo (Performance Tempo) Set the Performance Tempo setting. * When Source (Performance Clock Source) is set to SYSTEM, synchronization will be according to the tempo clock of the system, so it will not be possible to set the tempo value. The tempo of the system will be displayed in parentheses ( ). PERFORM COMMON Key Mode This parameter determines how the sound source will be played from the XP-30’s keyboard. LAYER: When you play the keyboard, all Parts whose Local parameter (PERFORM/MIDI/MIDI) is turned on will sound. Transmission of MIDI messages from the controller section to external MIDI devices will be determined by the Tx parameter setting (PERFORM/MIDI/MIDI) of each Part. * If LAYER has been selected and you try to play Patches of all Parts, you probably won’t be able to play many simultaneous voices. When layering Patches, be aware of the number of voices available and turn off unnecessary Parts. Making Key Range settings for each Part allows you to split the keyboard to play different Parts in separate sections. * To switch between SINGLE and LAYER from the PERFORM PLAY display, hold down [SHIFT] while you press [SOLO]. Key Range (Key Range Switch) This parameter determines whether or not the Key Range settings (next display) will be applied or not. If you want them to be applied, turn this ON. KEY RANG (Key Range) Set the range in which each Part will sound. Use this when you wish to play different Patches in different areas of the keyboard. Lower (Key Range Lower) Set the lowest note that the Part will play. Upper (Key Range Upper) Set the highest note that the Part will play. * If Key Range settings have been made for the Patch, only the notes for which the Key Range settings of the Patch and Performance overlap will play. * It is not possible to set Lower to a value greater than Upper, nor Upper to a value less than Lower. If you attempt to do so, both values will change together. * If you have used Octave Shift (System) or the Transpose parameter (SYSTEM/CONTROL/KEYBOARD) to transpose the pitch of the XP-30’s keyboard, the keyboard area specified by Key Range will also be shifted. KEYBOARD Octave Shift This parameter adjusts the pitch of each Part in units of an octave (-3–+3 octaves). Chapter 3 83
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OWNER’S MANUAL Thank you, and con
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Used for instructions intended to a
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Important Notes In addition to the
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Contents Main Features.............
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Contents Setting Effects for a Rhyt
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Main Features ■ High-Performance
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Front and Rear Panel F G [INC], [DE
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Quick Start Quick Start 15
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Getting Ready 1 Before installing t
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Getting Ready 9 Press [EXP D] or [E
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Getting Ready 1 Éteindre le XP-30
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Getting Ready 9 Appuyer sur [EXP D]
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Getting Ready 2 Connect supplied AC
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Getting Ready Reset to Default Fact
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Listening to the Demo Song ■ Prof
Page 31 and 32: Playing the Sounds Selecting Wave E
Page 33 and 34: Playing the Sounds 5 Turn the VALUE
Page 35 and 36: Playing the Sounds ■ Hold Pedal I
Page 37 and 38: Playing the Sounds 3 Play a chord.
Page 39 and 40: Chapter 2 Chapter 1 Advanced Use Ch
Page 41 and 42: Chapter 1. Overview of the XP-30 Pa
Page 43 and 44: Chapter 1. Overview of the XP-30 GM
Page 45 and 46: Chapter 1. Overview of the XP-30 Mo
Page 47 and 48: Chapter 2. Playing Playing in Patch
Page 49 and 50: Chapter 2. Playing The following ca
Page 51 and 52: Chapter 2. Playing Changing Sound C
Page 53 and 54: Chapter 2. Playing 6. Make sure tha
Page 55 and 56: Chapter 2. Playing Playing in Rhyth
Page 57 and 58: Chapter 2. Playing Playing in Regga
Page 59 and 60: Chapter 2. Playing 1. Press [SYSTEM
Page 61 and 62: Chapter 3. Creating Your Own Sounds
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Page 115 and 116: Chapter 4. Memory Settings (Utility
Page 125 and 126: Chapter 5. Using the XP-30 as the G
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Page 129 and 130: Chapter 6. Getting the Full Potenti
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Chapter 6. Getting the Full Potenti
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Appendices Appendices 139
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Troubleshooting - Does the MIDI sen
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Quick Reference of Procedures The X
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Quick Reference of Procedures Adjus
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Parameter List ■ Patch Parameters
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Parameter List PITCH Group (p. 79)
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Parameter List PART Group (p. 87) D
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Parameter List ■ GM Mode Paramete
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Parameter List 12: TREMOLO-CHORUS (
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Parameter List 29: DISTORTION→CHO
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Parameter List MIDI Group (p. 112)
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Waveform List INT-B (Internal B) No
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Waveform List ● XP-A Menu Wavefor
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Waveform List XP-C (WAVE EXPANSION
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Waveform List 156 OHH MENU 176 CLAP
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Patch List PR-B (Preset B Group) No
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Patch List XP-A (WAVE EXPANSION A:
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Patch List XP-C (WAVE EXPANSION C:
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Patch List Original B.P.M. 120 Orig
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Rhythm Set List Note No. 35 C2 36 3
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Rhythm Set List XP-A (WAVE EXPANSIO
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Performance List USER (User Group)
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MIDI Implementation Model: XP-30 (6
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MIDI Implementation ❍Effect 1 (Re
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MIDI Implementation ● Universal R
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MIDI Implementation ❍General Purp
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MIDI Implementation | 00 33 | 0000
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MIDI Implementation ● 1-2-2.Perfo
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MIDI Implementation |————
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MIDI Implementation *1 INT, , EXP *
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MIDI Implementation 4. Supplementar
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MIDI Implementation ● Type33: ENH
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MIDI Implementation ■ Decimal/Hex
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MIDI Implementation ■ Scale Tune
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Specifications XP-30: 64 Voice Expa
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Index Symbols [+OCT] ..............
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Index K Key assign mode ...........
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Index S Save ......................
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For EU Countries Apparatus containi
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