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Chapter 3. Creating Your Own Sounds Start (Portamento Start Pitch) Portamento will begin anew if you press another key during a pitch movement. This setting specifies how the new portamento will start. PITCH: Pitch will begin changing when the new key is pressed. fig.3-30.e Pitch C5 D4 C4 NOTE: Pitch will begin changing from the destination of the current movement. fig.3-31.e Pitch C5 D4 C4 press D4 key press C5 key press C4 key press D4 key press C5 key press C4 key RxSWITCH (Receive Switch) Time Time These parameters determine how Volume/Pan/Pitch Bend MIDI messages will be received by each Tone. * In general, Volume messages control the volume, Pan messages control the stereo location, and Pitch Bend messages control the pitch of. However the XP-30 allows you to use these MIDI messages to control other parameters that you specify. Thus, if you are using a message to control another (i.e., a non-standard) parameter, you should turn off reception for that MIDI message. If reception is turned on, that MIDI message will control its standard function in addition to the special assignment you have made. Pan (Receive Pan Control Switch) Specify how Pan messages will be received. OFF: Not received. CONT: Whenever a Pan message is received, it will immediately change the stereo location of the sound. KEY-ON: The stereo location of the sound will be changed when the next note is played. If a Pan message is received while a note is sounding, the current stereo location will not change until the next note. In this case, the stereo location will change only for the note played later, and the currently sounding note will not move. Pitch Bend (Receive Pitch Bend Switch) If you want Pitch Bend messages to be received, turn this parameter ON. If not, turn it OFF. DAMPER Specify how Hold 1 (sustain pedal) messages will be received by each Tone. Hold-1 RxSwitch (Receive Hold 1 Switch) If you want Hold 1 messages to be received, turn this parameter ON. If not, turn it OFF. Redamper (Redamper Switch) If a Hold 1 message is received during the time between a note-off (when you release the key) until when the sound disappears, the currently sounding sounds will be sustained if this Redamper setting is ON. If you use this function, you must also turn on the Receive Hold 1 switch. PEAK & HOLD Hold messages (Hold 1, Hold 2, Sostenuto, Soft) are used to sustain the sound. The XP-30 allows you to use these Hold messages to hold the values of specific parameters. * If you use this function, you must also turn on the Receive Hold 1 switch for the Patch (previous screen). * If you select HOLD for the following parameters, you must also set the Hold parameter (SYSTEM/CONTROL/CONTROL SOURCE) to the type of Hold message being controlled. * If you select PEAK for the following parameters, you must also set the Peak parameter (SYSTEM/CONTROL/CONTROL SOURCE) to the type of Hold message being controlled. Volume (Receive Volume Switch) If you want Volume messages to be received, turn this parameter ON. If not, turn it OFF. 74
Chapter 3. Creating Your Own Sounds EfxCtrl (EFX Control Peak/Hold) Specify how Hold messages will affect the parameters you specify in the PATCH EFX CTRL display (PATCH/ EFFECTS). OFF: Parameter values will not be held even if Hold messages are received. HOLD: Parameter values will be held when Hold messages are received. PEAK: Parameter values will be held when Hold messages are received. However if a parameter value higher than the current one is received while Hold is still on, that new value will be held. Ctrl 1 (Control 1 Peak/Hold) Specify how Hold messages will affect the parameters controlled by Control Source 1 (Modulation: MIDI controller number 1). The settings are the same as for EFX Control. Ctrl 2 (Control 2 Peak/Hold) This parameter specifies the way in which Hold messages will control the parameter selected as Control Source 2 in the following display. The range of values is the same as for EFX control. Ctrl 3 (Control 3 Peak/Hold) This parameter specifies the way in which Hold messages will control the parameter selected as Control Source 3 in the following display. The range of values is the same as for EFX control. CONTROL SOURCE If you wish to use controllers to control a specific Tone parameter, select the controller in this display. Each Patch can have up to 3 control source assigned to it, but the function of control source 1 is fixed at Modulation (MIDI controller number 1). Control 2 (Control Source 2) Assign one of the following controllers to Control Source 2. If you want to use a controller that will be common to all Patches, or to use a controller that is not available for selection here, first select SYS-CTRL 1 or SYS-CTRL 2 then set the Control 1/2 parameter (SYSTEM/CONTROL/SYS-CTRL ASSIGN) to select the controller. OFF: a controller will not be used SYS-CTRL1: System controller (Control 1) SYS-CTRL2: System controller (Control 2) MODULATION: Modulation (MIDI controller number 1) BREATH: Breath (MIDI controller number 2) FOOT: Foot (MIDI controller number 4) VOLUME: Volume (MIDI controller number 7) PAN: Pan (MIDI controller number 10) EXPRESSION: Expression (MIDI controller number 11) BENDER: Pitch bend AFTERTOUCH: Aftertouch LFO1: LFO1 rate LFO2: LFO2 rate VELOCITY: Velocity KEYFOLLOW: Key follow (adjust the parameter value depending on the keyboard location, relative to a standard value (0) at the C4 key) PLAYMATE: Playmate (adjust the parameter value depending on the time length that the key is pressed) Control 3 (Control Source 3) Assign a controller to Control Source 3. The controllers available for selection are the same as for Control Source 2. CONTROL 1–3 Specify the parameters to be controlled by Control Sources 1–3 and the depth of each parameter. The upper line of the display will show the Control Source selected in the previous display. * From the PATCH PLAY display you can switch directly to the CONTROL1 display by pressing [CONTROLLER] while holding down [SHIFT]. Destination 1–4 Select the parameters to be controlled. Up to four parameters can be specified for each controller, and controlled simultaneously. OFF: no control PCH: WG Pitch CUT: TVF Cutoff Frequency RES: TVF Resonance LEV: TVA Level PAN: TVA Pan MIX: Output level of Tone CHO: Chorus Send level of Tone REV: Reverb Send level of Tone PL1: LFO1 depth of WG Pitch PL2: LFO2 depth of WG Pitch FL1: LFO1 depth of TVF Cutoff Frequency FL2: LFO2 depth of TVF Cutoff Frequency AL1: LFO1 depth of TVA Level AL2: LFO2 depth of TVA Level pL1: LFO1 depth of TVA Pan pL2: LFO2 depth of TVA Pan L1R: LFO1 rate L2R: LFO2 rate Depth 1–4 Adjust the amount of change that will occur in response to controller movement. Higher value will cause greater change. Negative (-) values will reverse the direction of the change. For LFO rates, negative (-) values will lengthen the period (causing slower modulation), and positive (+) values will shorten the period (causing faster modulation). Chapter 3 75
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OWNER’S MANUAL Thank you, and con
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Used for instructions intended to a
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Important Notes In addition to the
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Contents Main Features.............
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Contents Setting Effects for a Rhyt
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Main Features ■ High-Performance
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Front and Rear Panel F G [INC], [DE
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Quick Start Quick Start 15
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Getting Ready 1 Before installing t
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Getting Ready 9 Press [EXP D] or [E
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Getting Ready 1 Éteindre le XP-30
Page 23 and 24: Getting Ready 9 Appuyer sur [EXP D]
Page 25 and 26: Getting Ready 2 Connect supplied AC
Page 27 and 28: Getting Ready Reset to Default Fact
Page 29 and 30: Listening to the Demo Song ■ Prof
Page 31 and 32: Playing the Sounds Selecting Wave E
Page 33 and 34: Playing the Sounds 5 Turn the VALUE
Page 35 and 36: Playing the Sounds ■ Hold Pedal I
Page 37 and 38: Playing the Sounds 3 Play a chord.
Page 39 and 40: Chapter 2 Chapter 1 Advanced Use Ch
Page 41 and 42: Chapter 1. Overview of the XP-30 Pa
Page 43 and 44: Chapter 1. Overview of the XP-30 GM
Page 45 and 46: Chapter 1. Overview of the XP-30 Mo
Page 47 and 48: Chapter 2. Playing Playing in Patch
Page 49 and 50: Chapter 2. Playing The following ca
Page 51 and 52: Chapter 2. Playing Changing Sound C
Page 53 and 54: Chapter 2. Playing 6. Make sure tha
Page 55 and 56: Chapter 2. Playing Playing in Rhyth
Page 57 and 58: Chapter 2. Playing Playing in Regga
Page 59 and 60: Chapter 2. Playing 1. Press [SYSTEM
Page 61 and 62: Chapter 3. Creating Your Own Sounds
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Page 115 and 116: Chapter 4. Memory Settings (Utility
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Chapter 5. Using the XP-30 as the G
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Chapter 5. Using the XP-30 as the G
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Chapter 6. Getting the Full Potenti
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Appendices Appendices 139
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Troubleshooting - Does the MIDI sen
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Quick Reference of Procedures The X
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Quick Reference of Procedures Adjus
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Parameter List ■ Patch Parameters
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Parameter List PITCH Group (p. 79)
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Parameter List PART Group (p. 87) D
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Parameter List ■ GM Mode Paramete
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Parameter List 12: TREMOLO-CHORUS (
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Parameter List 29: DISTORTION→CHO
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Parameter List MIDI Group (p. 112)
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Waveform List INT-B (Internal B) No
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Waveform List ● XP-A Menu Wavefor
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Waveform List XP-C (WAVE EXPANSION
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Waveform List 156 OHH MENU 176 CLAP
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Patch List PR-B (Preset B Group) No
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Patch List XP-A (WAVE EXPANSION A:
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Patch List XP-C (WAVE EXPANSION C:
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Patch List Original B.P.M. 120 Orig
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Rhythm Set List Note No. 35 C2 36 3
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Rhythm Set List XP-A (WAVE EXPANSIO
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Performance List USER (User Group)
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MIDI Implementation Model: XP-30 (6
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MIDI Implementation ❍Effect 1 (Re
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MIDI Implementation ● Universal R
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MIDI Implementation ❍General Purp
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MIDI Implementation | 00 33 | 0000
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MIDI Implementation ● 1-2-2.Perfo
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MIDI Implementation |————
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MIDI Implementation *1 INT, , EXP *
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MIDI Implementation 4. Supplementar
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MIDI Implementation ● Type33: ENH
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MIDI Implementation ■ Decimal/Hex
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MIDI Implementation ■ Scale Tune
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Specifications XP-30: 64 Voice Expa
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Index Symbols [+OCT] ..............
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Index K Key assign mode ...........
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Index S Save ......................
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For EU Countries Apparatus containi
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