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Chapter 3. Creating Your Own Sounds<br />
PATCH EFX OUT (Patch EFX Output)<br />
These parameters specify the output for the Tone for which<br />
EFX was selected in Output Assign.<br />
* For Tones which have an Output Assign setting of MIX, the<br />
settings of this display will be ignored.<br />
Mix Out (EFX Output Level)<br />
Adjust the volume level of the original sound and the Multi-<br />
Effects sound.<br />
Chorus (Chorus Send Level)<br />
Adjust the amount of Chorus for the sound that passes<br />
through Multi-Effects.<br />
Reverb (Reverb Send Level)<br />
Adjust the amount of Reverb for the sound that passes<br />
through Multi-Effects.<br />
PATCH EFX CTRL (Patch EFX Control)<br />
Use this setting when you wish to use a specific controller to<br />
control an EFX parameter. The EFX parameters available for<br />
control will depend on the selected EFX type. For details<br />
refer to “Multi-Effects Types (EFX Parameter)” (p. 93). The<br />
upper line of the display will show the EFX parameters that<br />
can be controlled. For each EFX parameter, you can specify<br />
the EFX Control Source and the EFX Control Depth.<br />
EFX Control Source 1, 2<br />
The following MIDI controllers can be used. If you wish to<br />
use a controller that will apply to all Patches, or a controller<br />
that cannot be directly specified here, select SYS-CTRL1 or<br />
SYS-CTRL2, and then select the controller using the Control<br />
1/2 parameter (SYSTEM/CONTROL/SYS-CTRL ASSIGN).<br />
OFF:<br />
controller not used<br />
SYS-CTRL1: System controller (control 1)<br />
SYS-CTRL2: System controller (control 2)<br />
MODULATION: Modulation (MIDI controller number 1)<br />
BREATH: Breath (MIDI controller number 2)<br />
FOOT: Foot (MIDI controller number 4)<br />
VOLUME: Volume (MIDI controller number 7)<br />
PAN: Pan (MIDI controller number 10)<br />
EXPRESSION: Expression (MIDI controller number 11)<br />
BENDER: Pitch bend<br />
AFTERTOUCH: Aftertouch<br />
EFX Control Depth 1, 2<br />
Adjust the amount of change that will occur in response to<br />
controller movements. Higher settings will result in greater<br />
change. Negative (-) settings will reverse the direction of<br />
change.<br />
PATCH CHORUS<br />
These parameters control the Chorus effect of the Patch.<br />
Rate (Chorus Rate)<br />
Adjust the speed of modulation for the Chorus effect.<br />
Depth (Chorus Depth)<br />
Adjust the depth of modulation for the Chorus effect.<br />
Delay (Chorus Pre Delay)<br />
Adjust the time delay after the original sound begins until<br />
the Chorus effect begins to apply. Higher settings result in a<br />
more spacious effect.<br />
Fbk (Chorus Feedback Level)<br />
Adjust the amount of sound from the Chorus output that is<br />
returned (fed back) to the Chorus. Higher settings result in a<br />
more intense effect.<br />
Level (Chorus Level)<br />
Adjust the volume of the Chorus effect.<br />
Out (Chorus Output Assign)<br />
Select the way in which the Chorus and Reverb are<br />
connected.<br />
MIX:<br />
fig.3-27.e<br />
Chorus input<br />
Reverb input<br />
The Chorus sound and the Reverb sound are mixed.<br />
REV:Apply reverb to the chorus sound.<br />
fig.3-28.e<br />
Chorus<br />
input<br />
Reverb<br />
input<br />
M+R: Mix the chorus sound to which reverb is not applied<br />
and the chorus sound to which reverb is applied.<br />
fig.3-29.e<br />
Reverb<br />
input<br />
Chorus<br />
input<br />
Reverb<br />
Chorus<br />
Chorus<br />
Chorus<br />
Reverb<br />
Reverb<br />
OUTPUT<br />
OUTPUT<br />
OUTPUT<br />
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