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Chapter 3. Creating Your Own Sounds<br />

■ Modulating Sounds (LFO)<br />

The LFO (Low Frequency Oscillator) creates cyclic change.<br />

Each Tone has two LFOs, and these can be used to apply<br />

change to the WG Pitch/TVF Cutoff Frequency/TVA Level/<br />

TVA Pan.<br />

How to Use the LFO<br />

Applying LFO to the Pitch creates vibrato, applying it to<br />

TVF Cutoff Frequency creates wah, and applying it to TVA<br />

Level creates tremolo. When LFO is applied to the TVA<br />

Pan, the stereo location of the sound will change cyclically.<br />

Depending on the settings, LFO can be used to cyclically<br />

exchange two Tones. For example if you wish to shift<br />

back and forth between Tones 1 and 2, select the same<br />

LFO settings for both, but make LFO Depth settings of<br />

opposite polarity (+/-) for their TVA Level settings.<br />

LFO1/LFO2<br />

Since both LFOs have the same parameters, there are<br />

explained here together.<br />

Form (LFO Form)<br />

Select the waveform of the LFO.<br />

fig.3-36.e<br />

TRI SIN SAW SQR<br />

triangle wave sine wave sawtooth wave square wave<br />

TRP S&H RND CHS<br />

ExtSync (LFO External Sync)<br />

Select how the LFO will be synchronized.<br />

OFF: Unsynchronized<br />

CLOCK: Synchronize the LFO to the Patch Tempo,<br />

Performance Tempo, or the tempo clock of the XP-<br />

30’s system.<br />

If you want to use a fixed tempo in Patch mode<br />

(Tempo parameter setting), set the Source<br />

parameter (PATCH/COMMON/PATCH<br />

CLOCK) to PATCH and set the desired tempo.<br />

If you want to use the system’s tempo clock in<br />

Patch mode, set the Source parameter (PATCH/<br />

COMMON/PATCH CLOCK) to SYSTEM.<br />

If you want to use a fixed tempo in Performance<br />

mode (Tempo parameter setting), set the Source<br />

parameter (PERFORM/COMMON/PERFORM<br />

CLOCK) to PERFORM and set the desired tempo.<br />

If you want to use the system’s tempo clock in<br />

Performance mode, set the Source parameter<br />

(PERFORM/COMMON/PERFORM CLOCK) to<br />

SYSTEM.<br />

Mode (LFO Fade Mode)<br />

Select how the LFO will be applied.<br />

ON-IN: The LFO will fade in after the key is pressed.<br />

fig.3-37.e<br />

high (more)<br />

WG Pitch /<br />

TVF Cutoff Frequency /<br />

TVA Level / TVA Pan<br />

low (less)<br />

Delay<br />

Time<br />

key is<br />

pressed<br />

Fade<br />

Time<br />

Depth<br />

ON-OUT: The LFO will be immediately applied when the<br />

key is pressed, and will then fade out.<br />

fig.3-38.e<br />

high (more)<br />

Delay Time<br />

Fade Time<br />

trapezoidal wave<br />

sample &<br />

hold wave<br />

random wave<br />

chaos wave<br />

Key Sync (LFO Key Sync)<br />

Specifies whether you want the LFO cycle to start in sync<br />

with the timing of a key press (ON) or not (OFF).<br />

Rate (LFO Rate)<br />

Adjust the modulation rate of the LFO.<br />

* If you have set the External Sync value to CLOCK, this<br />

parameter will indicate a note value in multiples of a quarter<br />

note, and the corresponding note value symbol will also be<br />

displayed. This allows you to set the LFO rate in terms of a note<br />

length in the synchronization tempo.<br />

WG Pitch /<br />

TVF Cutoff Frequency /<br />

TVA Level / TVA Pan<br />

OFF-IN:<br />

fig.3-39.e<br />

low (less)<br />

key is<br />

pressed<br />

The LFO will fade in after the key is released.<br />

high (more)<br />

WG Pitch /<br />

TVF Cutoff Frequency /<br />

TVA Level / TVA Pan<br />

low (less)<br />

key is<br />

pressed<br />

Delay<br />

Time<br />

key is<br />

released<br />

Fade<br />

Time<br />

Depth<br />

Depth<br />

* The Chaos waveform has no wavelength. When the Chaos<br />

waveform is selected, the Rate setting has no effect.<br />

78

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