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MIDI Implementation ● Type17: STEREO-DELAY ———————+————————————————————————————————+——————————————————————— prm1 | Feedback Mode | 0 - 1 prm2 | Delay Time Left | 0 - 126 prm3 | Delay Time Right | 0 - 126 prm4 | Feedback Phase Left | 0 - 1 prm5 | Feedback Phase Right | 0 - 1 prm6 | Feedback Level | 0 - 98 prm7 | HF Damp | 0 - 17 prm8 | Low Gain | 0 - 30 prm9 | High Gain | 0 - 30 prm10 | Effect Balance | 0 - 100 prm11 | Output Level | 0 - 127 ● Type18: MODULATION-DELAY ———————+————————————————————————————————+——————————————————————— prm1 | Feedback Mode | 0 - 1 prm2 | Delay Time Left | 0 - 126 prm3 | Delay Time Right | 0 - 126 prm4 | Feedback Level | 0 - 98 prm5 | HF Damp | 0 - 17 prm6 | Rate | 0 - 125 prm7 | Depth | 0 - 127 prm8 | Phase | 0 - 90 prm9 | Low Gain | 0 - 30 prm10 | High Gain | 0 - 30 prm11 | Effect Balance | 0 - 100 prm12 | Output Level | 0 - 127 ● Type19: TRIPLE-TAP-DELAY ———————+————————————————————————————————+——————————————————————— prm1 | Delay Time Left | 0 - 125 prm2 | Delay Time Right | 0 - 125 prm3 | Delay Time Center | 0 - 125 prm4 | Feedback Level | 0 - 98 prm5 | HF Damp | 0 - 17 prm6 | Left Level | 0 - 127 prm7 | Right Level | 0 - 127 prm8 | Center Level | 0 - 127 prm9 | Low Gain | 0 - 30 prm10 | High Gain | 0 - 30 prm11 | Effect Balance | 0 - 100 prm12 | Output Level | 0 - 127 ● Type20: QUADRUPLE-TAP-DELAY ———————+————————————————————————————————+——————————————————————— prm1 | Delay Time 1 | 0 - 125 prm2 | Delay Time 2 | 0 - 125 prm3 | Delay Time 3 | 0 - 125 prm4 | Delay Time 4 | 0 - 125 prm5 | Level 1 | 0 - 127 prm6 | Level 2 | 0 - 127 prm7 | Level 3 | 0 - 127 prm8 | Level 4 | 0 - 127 prm9 | Feedback Level | 0 - 98 prm10 | HF Damp | 0 - 17 prm11 | Effect Balance | 0 - 100 prm12 | Output Level | 0 - 127 ● Type21: TIME-CONTROL-DELAY ———————+————————————————————————————————+——————————————————————— prm1 | Delay Time | 0 - 120 prm2 | Feedback Level | 0 - 98 prm3 | Acceleration | 0 - 15 prm4 | HF Damp | 0 - 17 prm5 | Output Pan | 0 - 127 prm6 | Low Gain | 0 - 30 prm7 | High Gain | 0 - 30 prm8 | Effect Balance | 0 - 100 prm9 | Output Level | 0 - 127 ● Type22: 2VOICE-PITCH-SHIFTER ———————+————————————————————————————————+——————————————————————— prm1 | Pitch Shifter Mode | 0 - 4 prm2 | Coarse Pitch A | 0 - 36 prm3 | Coarse Pitch B | 0 - 36 prm4 | Fine Pitch A | 0 - 100 prm5 | Fine Pitch B | 0 - 100 prm6 | Pre Delay Time A | 0 - 126 prm7 | Pre Delay Time B | 0 - 126 prm8 | Output Pan A | 0 - 127 prm9 | Output Pan B | 0 - 127 prm10 | Level Balance | 0 - 100 prm11 | Effect Balance | 0 - 100 prm12 | Output Level | 0 - 127 ● Type23: FBK-PITCH-SHIFTER ———————+————————————————————————————————+——————————————————————— prm1 | Pitch Shifter Mode | 0 - 4 prm2 | Coarse Pitch | 0 - 36 prm3 | Fine Pitch | 0 - 100 prm4 | Pre Delay Time | 0 - 126 prm5 | Feedback Level | 0 - 98 prm6 | Output Pan | 0 - 127 prm7 | Low Gain | 0 - 30 prm8 | High Gain | 0 - 30 prm9 | Effect Balance | 0 - 100 prm10 | Output Level | 0 - 127 ● Type24: REVERB ———————+————————————————————————————————+——————————————————————— prm1 | Reverb Type | 0 - 5 prm2 | Pre Delay Time | 0 - 125 prm3 | Gate Time | 0 - 127 prm4 | HF Damp | 0 - 17 prm5 | Low Gain | 0 - 30 prm6 | High Gain | 0 - 30 prm7 | Effect Balance | 0 - 100 prm8 | Output Level | 0 - 127 ● Type25: GATE-REVERB ———————+————————————————————————————————+——————————————————————— prm1 | Gate-Reverb Type | 0 - 3 prm2 | Pre Delay Time | 0 - 125 prm3 | Gate Time | 0 - 99 prm4 | Low Gain | 0 - 30 prm5 | High Gain | 0 - 30 prm6 | Effect Balance | 0 - 100 prm7 | Output Level | 0 - 127 ● Type26: OVERDRIVE→CHORUS ———————+————————————————————————————————+——————————————————————— prm1 | Drive | 0 - 127 prm2 | Over Drive Pan | 0 - 127 prm3 | Chorus Pre Delay Time | 0 - 125 prm4 | Chorus Rate | 0 - 125 prm5 | Chorus Depth | 0 - 127 prm6 | (not used) | prm7 | Chorus Balance | 0 - 100 prm8 | Output Level | 0 - 127 ● Type27: OVERDRIVE→FLANGER (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Drive | 0 - 127 prm2 | Over Drive Pan | 0 - 127 prm3 | Flanger Pre Delay Time | 0 - 125 prm4 | Flanger Rate | 0 - 125 prm5 | Flanger Depth | 0 - 127 prm6 | Flanger Feedback Level | 0 - 98 prm7 | Flanger Balance | 0 - 100 prm8 | Output Level | 0 - 127 ● Type28: OVERDRIVE→DELAY (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Drive | 0 - 127 prm2 | Over Drive Pan | 0 - 127 prm3 | Delay Time | 0 - 126 prm4 | Delay Feedback Level | 0 - 98 prm5 | Delay HF Damp | 0 - 17 prm6 | Delay Balance | 0 - 100 prm7 | Output Level | 0 - 127 ● Type29: DISTORTION→CHORUS (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Distortion Drive | 0 - 127 prm2 | Distortion Pan | 0 - 127 prm3 | Chorus Pre Delay Time | 0 - 125 prm4 | Chorus Rate | 0 - 125 prm5 | Chorus Depth | 0 - 127 prm6 | (not used) | prm7 | Chorus Balance | 0 - 100 prm8 | Output Level | 0 - 127 ● Type30: DISTORTION→FLANGER (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Distortion Drive | 0 - 127 prm2 | Distortion Pan | 0 - 127 prm3 | Flanger Pre Delay Time | 0 - 125 prm4 | Flanger Rate | 0 - 125 prm5 | Flanger Depth | 0 - 127 prm6 | Flanger Feedback Level | 0 - 98 prm7 | Flanger Balance | 0 - 100 prm8 | Output Level | 0 - 127 ● Type31: DISTORTION→DELAY (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Distortion Drive | 0 - 127 prm2 | Distortion Pan | 0 - 127 prm3 | Delay Time | 0 - 126 prm4 | Delay Feedback Level | 0 - 98 prm5 | Delay HF Damp | 0 - 17 prm6 | Delay Balance | 0 - 100 prm7 | Output Level | 0 - 127 ● Type32: ENHANCER→CHORUS (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Enhancer Sens | 0 - 127 prm2 | Enhancer Mix Level | 0 - 127 prm3 | Chorus Pre Delay Time | 0 - 125 prm4 | Chorus Rate | 0 - 125 prm5 | Chorus Depth | 0 - 127 prm6 | (not used) | prm7 | Chorus Balance | 0 - 100 prm8 | Output Level | 0 - 127 200
MIDI Implementation ● Type33: ENHANCER→FLANGER (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Enhancer Sens | 0 - 127 prm2 | Enhancer Mix Level | 0 - 127 prm3 | Flanger Pre Delay Time | 0 - 125 prm4 | Flanger Rate | 0 - 125 prm5 | Flanger Depth | 0 - 127 prm6 | Flanger Feedback Level | 0 - 98 prm7 | Flanger Balance | 0 - 100 prm8 | Output Level | 0 - 127 ● Type34: ENHANCER→DELAY (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Enhancer Sens | 0 - 127 prm2 | Enhancer Mix Level | 0 - 127 prm3 | Delay Time | 0 - 126 prm4 | Delay Feedback Level | 0 - 98 prm5 | Delay HF Damp | 0 - 17 prm6 | (not used) | prm7 | Delay Balance | 0 - 100 prm8 | Output Level | 0 - 127 ● Type35: CHORUS→DELAY (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Chorus Pre Delay Time | 0 - 125 prm2 | Chorus Rate | 0 - 125 prm3 | Chorus Depth | 0 - 127 prm4 | (not used) | prm5 | Chorus Balance | 0 - 100 prm6 | Delay Time | 0 - 126 prm7 | Delay Feedback Level | 0 - 98 prm8 | Delay HF Damp | 0 - 17 prm9 | Delay Balance | 0 - 100 prm10 | Output Level | 0 - 127 ● Type36: FLANGER→DELAY (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Flanger Pre Delay Time | 0 - 125 prm2 | Flanger Rate | 0 - 125 prm3 | Flanger Depth | 0 - 127 prm4 | Flanger Feedback Level | 0 - 98 prm5 | Flanger Balance | 0 - 100 prm6 | Delay Time | 0 - 126 prm7 | Delay Feedback Level | 0 - 98 prm8 | Delay HF Damp | 0 - 17 prm9 | Delay Balance | 0 - 100 prm10 | Output Level | 0 - 127 ● Type37: CHORUS→FLANGER (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Chorus Pre Delay Time | 0 - 125 prm2 | Chorus Rate | 0 - 125 prm3 | Chorus Depth | 0 - 127 prm4 | Chorus Balance | 0 - 100 prm5 | Flanger Pre Delay Time | 0 - 125 prm6 | Flanger Rate | 0 - 125 prm7 | Flanger Depth | 0 - 127 prm8 | Flanger Feedback Level | 0 - 98 prm9 | Flanger Balance | 0 - 100 prm10 | Output Level | 0 - 127 ● Type38: CHORUS/DELAY (parallel) ———————+————————————————————————————————+——————————————————————— prm1 | Chorus Pre Delay Time | 0 - 125 prm2 | Chorus Rate | 0 - 125 prm3 | Chorus Depth | 0 - 127 prm4 | (not used) | prm5 | Chorus Balance | 0 - 100 prm6 | Delay Time | 0 - 126 prm7 | Delay Feedback Level | 0 - 98 prm8 | Delay HF Damp | 0 - 17 prm9 | Delay Balance | 0 - 100 prm10 | Output Level | 0 - 127 ● Type39: FLANGER/DELAY (parallel) ———————+————————————————————————————————+——————————————————————— prm1 | Flanger Pre Delay Time | 0 - 125 prm2 | Flanger Rate | 0 - 125 prm3 | Flanger Depth | 0 - 127 prm4 | Flanger Feedback Level | 0 - 98 prm5 | Flanger Balance | 0 - 100 prm6 | Delay Time | 0 - 126 prm7 | Delay Feedback Level | 0 - 98 prm8 | Delay HF Damp | 0 - 17 prm9 | Delay Balance | 0 - 100 prm10 | Output Level | 0 - 127 ● Type40: CHORUS/FLANGER (parallel) ———————+————————————————————————————————+——————————————————————— prm1 | Chorus Pre Delay Time | 0 - 125 prm2 | Chorus Rate | 0 - 125 prm3 | Chorus Depth | 0 - 127 prm4 | Chorus Balance | 0 - 100 prm5 | Flanger Pre Delay Time | 0 - 125 prm6 | Flanger Rate | 0 - 125 prm7 | Flanger Depth | 0 - 127 prm8 | Flanger Feedback Level | 0 - 98 prm9 | Flanger Balance | 0 - 100 prm10 | Output Level | 0 - 127 Appendices 201
Page 1 and 2:
OWNER’S MANUAL Thank you, and con
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Used for instructions intended to a
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Important Notes In addition to the
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Contents Main Features.............
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Contents Setting Effects for a Rhyt
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Main Features ■ High-Performance
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Front and Rear Panel F G [INC], [DE
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Quick Start Quick Start 15
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Getting Ready 1 Before installing t
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Getting Ready 9 Press [EXP D] or [E
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Getting Ready 1 Éteindre le XP-30
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Getting Ready 9 Appuyer sur [EXP D]
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Getting Ready 2 Connect supplied AC
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Getting Ready Reset to Default Fact
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Listening to the Demo Song ■ Prof
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Playing the Sounds Selecting Wave E
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Playing the Sounds 5 Turn the VALUE
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Playing the Sounds ■ Hold Pedal I
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Playing the Sounds 3 Play a chord.
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Chapter 2 Chapter 1 Advanced Use Ch
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Chapter 1. Overview of the XP-30 Pa
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Chapter 1. Overview of the XP-30 GM
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Chapter 1. Overview of the XP-30 Mo
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Chapter 2. Playing Playing in Patch
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Chapter 2. Playing The following ca
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Chapter 2. Playing Changing Sound C
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Chapter 2. Playing 6. Make sure tha
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Chapter 2. Playing Playing in Rhyth
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Chapter 2. Playing Playing in Regga
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Chapter 2. Playing 1. Press [SYSTEM
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Chapter 3. Creating Your Own Sounds
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Chapter 4. Memory Settings (Utility
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Chapter 5. Using the XP-30 as the G
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Chapter 5. Using the XP-30 as the G
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Chapter 6. Getting the Full Potenti
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Appendices Appendices 139
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Troubleshooting - Does the MIDI sen
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Quick Reference of Procedures The X
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Quick Reference of Procedures Adjus
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Parameter List ■ Patch Parameters
Page 149 and 150: Parameter List PITCH Group (p. 79)
Page 151 and 152: Parameter List PART Group (p. 87) D
Page 153 and 154: Parameter List ■ GM Mode Paramete
Page 155 and 156: Parameter List 12: TREMOLO-CHORUS (
Page 157 and 158: Parameter List 29: DISTORTION→CHO
Page 159 and 160: Parameter List MIDI Group (p. 112)
Page 161 and 162: Waveform List INT-B (Internal B) No
Page 163 and 164: Waveform List ● XP-A Menu Wavefor
Page 165 and 166: Waveform List XP-C (WAVE EXPANSION
Page 167 and 168: Waveform List 156 OHH MENU 176 CLAP
Page 169 and 170: Patch List PR-B (Preset B Group) No
Page 171 and 172: Patch List XP-A (WAVE EXPANSION A:
Page 173 and 174: Patch List XP-C (WAVE EXPANSION C:
Page 175 and 176: Patch List Original B.P.M. 120 Orig
Page 177 and 178: Rhythm Set List Note No. 35 C2 36 3
Page 179 and 180: Rhythm Set List XP-A (WAVE EXPANSIO
Page 181 and 182: Performance List USER (User Group)
Page 183 and 184: MIDI Implementation Model: XP-30 (6
Page 185 and 186: MIDI Implementation ❍Effect 1 (Re
Page 187 and 188: MIDI Implementation ● Universal R
Page 189 and 190: MIDI Implementation ❍General Purp
Page 191 and 192: MIDI Implementation | 00 33 | 0000
Page 193 and 194: MIDI Implementation ● 1-2-2.Perfo
Page 195 and 196: MIDI Implementation |————
Page 197 and 198: MIDI Implementation *1 INT, , EXP *
Page 199: MIDI Implementation 4. Supplementar
Page 203 and 204: MIDI Implementation ■ Decimal/Hex
Page 205 and 206: MIDI Implementation ■ Scale Tune
Page 207 and 208: Specifications XP-30: 64 Voice Expa
Page 209 and 210: Index Symbols [+OCT] ..............
Page 211 and 212: Index K Key assign mode ...........
Page 213 and 214: Index S Save ......................
Page 215 and 216: For EU Countries Apparatus containi
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