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The DARKROOM COOKBOOK, Third Edition

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Multiple Toning<br />

Toning Prints 117<br />

It is possible to selectively tone areas of a print with different toners. <strong>The</strong> trick is to<br />

cover areas not to be toned with either rubber cement or a frisket material, such as Photo<br />

Maskoid® or Grumbacher Miskit Frisket, both available from art supply stores. If you use<br />

rubber cement, dilute it 1:1 with rubber cement thinner. If you use Photo Maskoid, use the<br />

red variety as it is easier to see the areas you have covered.<br />

Using an appropriately-sized soft brush that forms a good point and does not lose its<br />

bristles, apply two or three thin coats of the material to a dry print. Smooth out each coat<br />

then coat another area or wait a few minutes before applying the next coat.<br />

After you have applied the mask, soak the print in water: Fiber-based prints for 5 minutes;<br />

RC papers for no more than two minutes. <strong>The</strong>n immerse the print in the toning solution. <strong>The</strong><br />

print might buckle or curl, but keep it immersed as much as possible. If the toner tends to<br />

bleed under the mask you may have to skip the presoak.<br />

After the print has been washed according to the toner’s instructions, you can remove<br />

the mask. Remove Photo Maskoid by touching tape to one edge and pulling it off. Remove<br />

rubber cement by carefully rubbing your fi ngers across the print surface while it is in the<br />

fi nal stages of the wash. After the print is dry any previously toned area may be masked and<br />

an entirely different area toned with a different color toner. <strong>The</strong>re is no limit to the number<br />

of colors that can be applied, or the areas that can be toned.

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