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The DARKROOM COOKBOOK, Third Edition

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Formulas 277<br />

Add 16 drops of concentrated sulfuric acid slowly with constant stirring to the cold A � B.<br />

Use the bath at 75F/24C. Prints should be toned two at a time, back-to-back and well<br />

covered with the toning solution. Agitate occasionally. Toning will take from 5 to 20 minutes.<br />

<strong>The</strong> bath may be used until exhausted. <strong>The</strong> stock solutions will keep indefi nitely, but<br />

the mixed toner will not keep for more than a few days. <strong>The</strong> toned print is permanent and<br />

will not fade or change color.<br />

If a lighter shade of blue is desired, remove the prints from the toning bath before the<br />

maximum effect is reached. After toning, treat the prints in a washing aid and wash for<br />

½ hour; dry as usual.<br />

Prints to be blue-toned should be developed in Dassonville D-3 Autotoning Developer.<br />

(Other warm-toned developers can be used, but they will probably not give as deep a blue<br />

tone. A warm-toned print will give a deeper blue than a cool-toned print; D-3 will give very<br />

warm-toned results and correspondingly deep blues.)<br />

Prints should be slightly softer and lighter than normal and should be developed for<br />

5 minutes. This long development is important. If the print is too dark, decrease exposure; do<br />

not reduce development time.<br />

After development, the prints should be fi xed in a non-hardening fi xer and thoroughly<br />

washed. Two-bath fi xing is recommended, the second being a plain hypo bath without hardener.<br />

NOTE 1: Stains are caused by incomplete washing between fi xing and toning.<br />

NOTE 2: <strong>The</strong> surface of the print will be quite soft after washing since no hardener is used<br />

in the fi xing bath. It is recommended that the prints be dried between washing and toning.<br />

This will tend to harden the emulsion slightly and help to prevent frilling in later baths (frilling<br />

separates the emulsion from the paper; this also can occur when solutions or wash water<br />

are excessively hot). Care should also be used in handling the prints after toning.<br />

NOTE 3: <strong>The</strong> stock solutions will keep indefi nitely, but the mixed toner will not keep for<br />

more than a few days.<br />

FORMULA #139<br />

Gold Chloride Blue Toner<br />

This gives a soft, grayish purple rather than a vivid blue. A green-blue tone will appear on<br />

some chlorobromide papers.<br />

SOLUTION A<br />

Water, 250.0 ml<br />

*Thiocarbamide, 3.5 g<br />

*If thiocyanate is substituted for thiocarbamide more purplish tones will appear.<br />

SOLUTION B<br />

Water, 250.0 ml<br />

Citric acid, 3.5 g

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