The DARKROOM COOKBOOK, Third Edition

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Hydroquinone, 10.0 g Water to make 1.0 liter Add the hydroquinone solution as needed to the stock solution. Formulas 251 NOTE: Maxim Muir recommends adding 5.0 grams of sodium bisulfi te to buffer the hydroquinone solution. FORMULA #83 Dassonville D-1 Charcoal Black Paper Developer Water, 500.0 ml Metol, 3.0 g Sodium sulfi te, 43.0 g Hydroquinone, 11.0 g Sodium carbonate, monohydrate, 35.0 g Potassium bromide, 2.0 g Water to make 1.0 liter Dilute 1:1. FORMULA #84 E-72 (Chris Patton) “Environmentally friendly” Dektol-type developer. Water at 125F/52C, 750.0 ml *Phenidone, 0.3 g Sodium sulfi te, anhydrous, 45.0 g Ascorbic acid, 19.0 g Sodium carbonate, monohydrate, 90.0 g Potassium bromide, 1.9 g Water to make 1.0 liter * 3.0 grams of metol may be substituted for the Phenidone. Dilute 1:1 with water for high-contrast prints, 1:2 for less contrast, or 1:3 for normal contrast. 1:4 will give a low contrast print.
252 THE <strong>DARKROOM</strong> <strong>COOKBOOK</strong> FORMULA #85 Ilford ID-20 For neutral blacks with bromide paper. Water, 500.0 ml Metol, 3.0 g Sodium sulfi te, anhydrous, 50.0 g Hydroquinone, 12.0 g Sodium carbonate, anhydous, 60.0 g Potassium bromide, 4.0 g Water to make 1.0 liter Dilute 1:1 to 1:3. FORMULA #86 Kodak D-72 This developer is similar to Kodak Dektol. Water at 125F/52C, 750.0 ml Metol, 3.0 g Sodium sulfi te, 45.0 g Hydroquinone, 12.0 g Sodium carbonate, monohydrate, 80.0 g Potassium bromide, 2.0 g Water to make 1.0 liter Dilution may vary from 1:1 to 1:4 depending upon the contrast and image tone desired. Normal dilution with chlorobromide papers is 1:2. For warmer tones, dilute 1:3 or 1:4 and add approximately 8.0 ml of 10% potassium bromide per liter. For higher contrast with bromide papers, dilute 1:1 and add 1.0 ml of 10% bromide per liter. Development times are from 1½ to 3 minutes. Toning Developers FORMULA #87 Dassonville D-3 Autotoning Developer This formula is the same as Edwal 106 and Ansco 115. Water at 125F/52C, 500.0 ml Sodium sulfi te, 82.5 g
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The Darkroom Cookbook
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The DARKROOM COOKBOOK Third Edition
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Dedication This book is dedicated t
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Table of Contents PREFACE ix ACKNOW
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Preface The Darkroom Cookbook is ba
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Preface xi Which brings us to the q
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Acknowledgments There are two husba
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Introduction Today everybody seems
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Introduction xvii coating your own
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Contributing Photographers Bruce Ba
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Contributing Photographers xxi Gord
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Contributing Photographers xxiii Jo
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List of Formulas Many of the formul
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Push-Processing Formulas 230 47. Di
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Amidol Paper Developer 261 105. Ami
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Selenium Toners 294 162. Dassonvill
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Planning a Darkroom Art does not de
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Planning a Darkroom 3 Core® availa
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Planning a Darkroom 5 available as
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Placement of Equipment and Workfl o
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Planning a Darkroom 9 Floors call f
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Planning a Darkroom 11 for modern e
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How Safe Is Your Safelight? Richard
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Equipment People are under the illu
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Equipment 17 customary models. It i
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Developers One developing agent is
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Developers 21 quantity of metol to
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Developers 23 pH Scale The pH scale
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Developers 25 Anhydrous, having no
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Potassium Iodide Developers 27 Alth
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Ascorbic Acid: Developing Agent or
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Developers 31 Alicia De Larocha, so
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Film Development It is the photogra
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Film Development 35 ● Conventiona
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Film Development 37 include Efke IR
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Film Development 39 cycle per minut
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Film Development 41 minimum. Howeve
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Film Development 43 fi rst 60 secon
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Film Development 45 Not long after
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Film Development 47 These disadvant
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REPLENISHMENT OF DEVELOPERS Film De
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Film Development 51 Flower Composit
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Film Development 53 Yvette at the C
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Monobath Film Developing 55 possibl
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Washing Monobath Film Developing 57
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Pyrogallol and Pyrocatechin 59 in A
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Pyrogallol and Pyrocatechin 61 Edwa
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Pyrogallol and Pyrocatechin 63 A la
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Crystal Springs #659, 2002. © 2008
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Broken Vase, 2002. © 2008 Gordon H
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Pyrogallol and Pyrocatechin 69 Test
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Print Developers They say my print
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Print Developers 73 when a limited
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Print Developers 75 Brett Weston &
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Printing Methods and Techniques Tak
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Printing Methods and Techniques 79
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Cold Tones (Blue-black) Printing Me
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Manipulating Exposure and Developme
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#2-5041, 1996. © 2008 Henry Gilpin
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Four French Tulips, Carmel, Califor
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Sequoias and Sunburst, 1976. © 200
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Rescuing Thin Shadows Saïd Nuseibe
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Stop Baths and Fixers Surely, it is
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Stops Baths and Fixers 105 concentr
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Stops Baths and Fixers 107 determin
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Toning Prints There is a road from
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TONER TEST STRIPS Toning Prints 111
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Toning Prints 113 gold toning for c
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Toning Prints 115 The sepia/sulfi d
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Multiple Toning Toning Prints 117 I
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Toning Prints 119 and selenium �
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K49 Jellyfi sh, 2008. © 2008 Ryuij
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Photographic Reduction and Intensif
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Pitman Arm, 2000. © 2008 Jay Dusar
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SAFELIGHT Development by inspection
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PYRO AND DEVELOPMENT BY INSPECTION
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leak light. What is important is th
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Procedure for Reversal Processing R
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Reversal Processing and Enlarged Ne
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Procedure for Making an Enlarged Ne
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Printing Out Processes You must alw
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Printing Out Processes 149 Caution:
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Printing Out Processes 151 over the
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Printing Out Processes 153 Sleeples
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Printing Out Processes 155 Add the
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Printing Out Processes 157 Camera O
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Safety in Handling Photographic Che
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Safety in Handling Photographic Che
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Chemicals Photography, in the fi na
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Chemicals 165 In this 3rd edition o
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Chemicals 167 ethylenediaminetetraa
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Pharmacopoeia The artist lives to e
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Pharmacopoeia 171 Glacial acetic ac
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Pharmacopoeia 173 Uses: Preservativ
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Pharmacopoeia 175 ALUM, POTASSIUM S
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Pharmacopoeia 177 AMMONIUM THIOSULF
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BROMIDE (see Potassium bromide) Pha
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Appearance: Greenish crystalline sc
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HYPO (see Sodium Thiosulfate) Pharm
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Pharmacopoeia 185 working. Tropical
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Pharmacopoeia 187 Uses: To precipit
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Pharmacopoeia 189 Uses: As a preser
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SODA (see Sodium carbonate) Pharmac
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Pharmacopoeia 193 Notes: Caustic al
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Pharmacopoeia 195 SODIUM SULFITE Sy
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Proofi ng for Maximum Black The cam
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Archival Print Procedure Appendix 1
Page 234 and 235: Archival Print Procedure 201 7. At
Page 236 and 237: Formulas FILM DEVELOPERS Developmen
Page 238 and 239: SOLUTION B Water at 110F/43C, 750.0
Page 240 and 241: SOLUTION B Water at 110F/43C, 750.0
Page 242 and 243: SOLUTION B Formulas 209 Water at 90
Page 244 and 245: Dilution B Distilled water at 125F/
Page 246 and 247: 4 minutes: water without agitation.
Page 248 and 249: Metol, 3.0 g Sodium sulfi te, 45.0
Page 250 and 251: Borax, granular, 7.0 g Boric acid,
Page 252 and 253: Formulas 219 Use as you would XTOL.
Page 254 and 255: SOLUTION A Water at 125F/52C, 750.0
Page 256 and 257: SOLUTION A Water at 125F/52C, 750.0
Page 258 and 259: Stock Solution B Water at 125F/52C,
Page 260 and 261: Formulas 227 Sodium hydroxide, 17.6
Page 262 and 263: FORMULA #45 Keelan’s Monobath (H.
Page 264 and 265: The development times at 68F/20C ar
Page 266 and 267: Pyro, 28.0 g Sodium sulfi te, 100.0
Page 268 and 269: Formulas 235 NOTE 1: To help preser
Page 270 and 271: SOLUTION B Distilled water, 750.0 m
Page 272 and 273: Sodium sulfi te, 90.0 g Water to ma
Page 274 and 275: Metol, 12.0 g Sodium sulfi te, 90.0
Page 276 and 277: Developing time and procedures are
Page 278 and 279: FORMULA #69 Blue-Black Developer Fo
Page 280 and 281: Formulas 247 Benzotriazole, 0.2 g G
Page 282 and 283: FORMULA #78 Gevaert G.253 Soft-Port
Page 286 and 287: Sodium carbonate, monohydrate, 138.
Page 288 and 289: Sodium sulfi te, 23.0 g *Potassium
Page 290 and 291: Formulas 257 and then processed fol
Page 292 and 293: Normal exposure should be determine
Page 294 and 295: Pyro, 4.4 g Sodium carbonate, monoh
Page 296 and 297: FORMULA #108 Amidol Teaspoon Formul
Page 298 and 299: Amidol, 16.0 g 10% potassium bromid
Page 300 and 301: Formulas 267 Add a suffi cient amou
Page 302 and 303: FORMULA #123 Acid Hypo (J. Ghislain
Page 304 and 305: Formulas 271 When the above is thor
Page 306 and 307: Formulas 273 FILM: Film should be c
Page 308 and 309: TONERS Formulas 275 ● Different p
Page 310 and 311: Formulas 277 Add 16 drops of concen
Page 312 and 313: With stirring add: Thiourea, 1.0 g
Page 314 and 315: Formulas 281 This solution should b
Page 316 and 317: SOLUTION A *Potassium bichromate, 5
Page 318 and 319: Prepare the bleaching bath as follo
Page 320 and 321: Formulas 287 Using the Toner: Print
Page 322 and 323: *Glacial acetic acid, 5.0 ml Water
Page 324 and 325: Formulas 291 the solubility of the
Page 326 and 327: FORMULA #158 Kodak GP-2 (Thanks to
Page 328 and 329: Formulas 295 Dissolve the sodium su
Page 330 and 331: Formulas 297 As with Kodak Rapid Se
Page 332 and 333: Formulas 299 After treatment in the
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FORMULA #169 Flattening Reducer For
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Formulas 303 To use, take 2 parts o
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NEGATIVE INTENSIFIERS FORMULA #176
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STOCK SOLUTION #4 Metol, 6.5 g Sodi
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Formulas 309 Add 30.0 ml of Solutio
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Keep hands in Solution A for a few
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Distilled water, 180.0 ml Potassium
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FORMULA #194 Kodak SH-5 Formulas 31
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FORMULA #197 Kodak TC-3 Stain Remov
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Formulas 319 Development time is 8-
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Sodium metabisulfi te, 10.0 g Boric
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Conversion Tables DIRECT EQUIVALENT
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Direct equivalents (Continued) Conv
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0.7 � 10 0.8 � 11.7 0.9 � 13
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225 ml � 7.2 fl oz 250 ml � 8 f
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Sodium Carbonate Conversion Table C
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Conversion Tables 333 always possib
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TABLE 5 Film Development Temperatur
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Material Sources 337 RH Designs (St
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Azo Forum, www.michaelandpaula.com/
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Bibliography 341 James, T.H. The Th
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Index A ABC Pyro formula, 231-232,
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C Cabinets, darkroom planning, 9 Ca
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fi ne-grain, 44, 211-214 general-pu
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Filters and safelights, 10-11 in th
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In-cassette processing developing,
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Panchromatic paper, and safelights,
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and development by inspection, 137
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Strong ammonium thiosulfate reducer
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Weston amidol developers, formulas,
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