The DARKROOM COOKBOOK, Third Edition

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FORMULA #78 Gevaert G.253 Soft-Portrait Paper Developer Formulas 249 Water at 125F/52C, 750.0 ml Metol, 3.0 g Sodium sulfi te, 20.0 g Sodium carbonate, monohydrate, 23.0 g *Potassium bromide, 1.0 g Water to make 1.0 liter * Warmer tones may be obtained with the addition of up to 4.0 grams of potassium bromide. Use undiluted or 1:1 and use developing times from 1 to 3 minutes. NOTE: This is a good formula for use in two-tray development where the fi rst tray is a soft developer and the second is either normal or high-contrast. For this application dilute as much as 1:4. Neutral-Tone Developers FORMULA #79 Agfa 100 Water at 125F/52C, 750.0 ml Metol, 3.0 g Sodium sulfi te, 39.0 g Hydroquinone, 9.0 g Sodium carbonate, monohydrate, 90.0 g Potassium bromide, 3.0–4.5 g Water to make 1.0 liter Dilute 1:2. Develop 1 to 2 minutes. FORMULA #80 Agfa 125 Water, 500.0 ml Metol, 3.0 g Sodium sulfi te, 44.0 g Hydroquinone, 12.0 g Sodium carbonate, monohydrate, 65.0 g Potassium bromide, 2.0 g Water to make 1.0 liter Develop prints for 2 minutes.
250 THE DARKROOM COOKBOOK FORMULA #81 Ansco 130 This is a versatile developer that is capable of beautiful gradation. The tone will vary, depending upon the paper and adjustments made to the chemistry. Water at 125F/52C, 750.0 ml Metol, 2.2 g Sodium sulfi te, 50.0 g Hydroquinone, 11.0 g Sodium carbonate, monohydrate, 78.0 g Potassium bromide, 5.5 g Glycin, 11.0 g Water to make 1.0 liter Normal dilution is 1:1 with water. For high contrast, use full strength; for low contrast, use 1:2 with water. The useful development range with bromide papers is 2 to 6 minutes. With chlorobromide papers it is 1½ to 3 minutes. NOTE: The prepared stock solution is clear but slightly colored. The coloration does not indicate the developer has deteriorated. FORMULA #82 Ansco 130, Ansel Adams’ Variation Ansel Adams created his own version of Ansco 130 by eliminating the hydroquinone and bromide and reducing the amount of sulfi te. He added bromide as needed to prevent fog. If the contrast was too low, he added, as required, a solution of hydroquinone (given below). In addition to increasing the contrast, the hydroquinone would cause a cooling of the image tone. If an even cooler image is desired, try adding a small amount of benzotriazole instead of, or in addition to, the bromide. STOCK SOLUTION Water at 125F/52C, 750.0 ml Metol, 2.2 g Sodium sulfi te, 35.0 g Sodium carbonate, monohydrate, 78.0 g Glycin, 11.0 g Water to make 1.0 liter Hydroquinone Solution Water at 125F/52C, 750.0 ml Sodium sulfi te, 25.0 g
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The Darkroom Cookbook
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The DARKROOM COOKBOOK Third Edition
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Dedication This book is dedicated t
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Table of Contents PREFACE ix ACKNOW
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Preface The Darkroom Cookbook is ba
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Preface xi Which brings us to the q
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Acknowledgments There are two husba
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Introduction Today everybody seems
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Introduction xvii coating your own
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Contributing Photographers Bruce Ba
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Contributing Photographers xxi Gord
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Contributing Photographers xxiii Jo
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List of Formulas Many of the formul
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Push-Processing Formulas 230 47. Di
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Amidol Paper Developer 261 105. Ami
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Selenium Toners 294 162. Dassonvill
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Planning a Darkroom Art does not de
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Planning a Darkroom 3 Core® availa
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Planning a Darkroom 5 available as
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Placement of Equipment and Workfl o
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Planning a Darkroom 9 Floors call f
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Planning a Darkroom 11 for modern e
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How Safe Is Your Safelight? Richard
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Equipment People are under the illu
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Equipment 17 customary models. It i
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Developers One developing agent is
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Developers 21 quantity of metol to
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Developers 23 pH Scale The pH scale
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Developers 25 Anhydrous, having no
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Potassium Iodide Developers 27 Alth
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Ascorbic Acid: Developing Agent or
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Developers 31 Alicia De Larocha, so
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Film Development It is the photogra
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Film Development 35 ● Conventiona
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Film Development 37 include Efke IR
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Film Development 39 cycle per minut
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Film Development 41 minimum. Howeve
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Film Development 43 fi rst 60 secon
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Film Development 45 Not long after
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Film Development 47 These disadvant
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REPLENISHMENT OF DEVELOPERS Film De
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Film Development 51 Flower Composit
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Film Development 53 Yvette at the C
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Monobath Film Developing 55 possibl
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Washing Monobath Film Developing 57
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Pyrogallol and Pyrocatechin 59 in A
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Pyrogallol and Pyrocatechin 61 Edwa
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Pyrogallol and Pyrocatechin 63 A la
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Crystal Springs #659, 2002. © 2008
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Broken Vase, 2002. © 2008 Gordon H
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Pyrogallol and Pyrocatechin 69 Test
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Print Developers They say my print
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Print Developers 73 when a limited
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Print Developers 75 Brett Weston &
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Printing Methods and Techniques Tak
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Printing Methods and Techniques 79
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Cold Tones (Blue-black) Printing Me
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Manipulating Exposure and Developme
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#2-5041, 1996. © 2008 Henry Gilpin
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Four French Tulips, Carmel, Califor
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Sequoias and Sunburst, 1976. © 200
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Rescuing Thin Shadows Saïd Nuseibe
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Stop Baths and Fixers Surely, it is
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Stops Baths and Fixers 105 concentr
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Stops Baths and Fixers 107 determin
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Toning Prints There is a road from
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TONER TEST STRIPS Toning Prints 111
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Toning Prints 113 gold toning for c
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Toning Prints 115 The sepia/sulfi d
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Multiple Toning Toning Prints 117 I
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Toning Prints 119 and selenium �
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K49 Jellyfi sh, 2008. © 2008 Ryuij
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Photographic Reduction and Intensif
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Pitman Arm, 2000. © 2008 Jay Dusar
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SAFELIGHT Development by inspection
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PYRO AND DEVELOPMENT BY INSPECTION
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leak light. What is important is th
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Procedure for Reversal Processing R
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Reversal Processing and Enlarged Ne
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Procedure for Making an Enlarged Ne
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Printing Out Processes You must alw
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Printing Out Processes 149 Caution:
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Printing Out Processes 151 over the
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Printing Out Processes 153 Sleeples
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Printing Out Processes 155 Add the
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Printing Out Processes 157 Camera O
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Safety in Handling Photographic Che
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Safety in Handling Photographic Che
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Chemicals Photography, in the fi na
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Chemicals 165 In this 3rd edition o
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Chemicals 167 ethylenediaminetetraa
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Pharmacopoeia The artist lives to e
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Pharmacopoeia 171 Glacial acetic ac
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Pharmacopoeia 173 Uses: Preservativ
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Pharmacopoeia 175 ALUM, POTASSIUM S
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Pharmacopoeia 177 AMMONIUM THIOSULF
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BROMIDE (see Potassium bromide) Pha
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Appearance: Greenish crystalline sc
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HYPO (see Sodium Thiosulfate) Pharm
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Pharmacopoeia 185 working. Tropical
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Pharmacopoeia 187 Uses: To precipit
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Pharmacopoeia 189 Uses: As a preser
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SODA (see Sodium carbonate) Pharmac
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Pharmacopoeia 193 Notes: Caustic al
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Pharmacopoeia 195 SODIUM SULFITE Sy
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Proofi ng for Maximum Black The cam
Page 232 and 233: Archival Print Procedure Appendix 1
Page 234 and 235: Archival Print Procedure 201 7. At
Page 236 and 237: Formulas FILM DEVELOPERS Developmen
Page 238 and 239: SOLUTION B Water at 110F/43C, 750.0
Page 240 and 241: SOLUTION B Water at 110F/43C, 750.0
Page 242 and 243: SOLUTION B Formulas 209 Water at 90
Page 244 and 245: Dilution B Distilled water at 125F/
Page 246 and 247: 4 minutes: water without agitation.
Page 248 and 249: Metol, 3.0 g Sodium sulfi te, 45.0
Page 250 and 251: Borax, granular, 7.0 g Boric acid,
Page 252 and 253: Formulas 219 Use as you would XTOL.
Page 254 and 255: SOLUTION A Water at 125F/52C, 750.0
Page 256 and 257: SOLUTION A Water at 125F/52C, 750.0
Page 258 and 259: Stock Solution B Water at 125F/52C,
Page 260 and 261: Formulas 227 Sodium hydroxide, 17.6
Page 262 and 263: FORMULA #45 Keelan’s Monobath (H.
Page 264 and 265: The development times at 68F/20C ar
Page 266 and 267: Pyro, 28.0 g Sodium sulfi te, 100.0
Page 268 and 269: Formulas 235 NOTE 1: To help preser
Page 270 and 271: SOLUTION B Distilled water, 750.0 m
Page 272 and 273: Sodium sulfi te, 90.0 g Water to ma
Page 274 and 275: Metol, 12.0 g Sodium sulfi te, 90.0
Page 276 and 277: Developing time and procedures are
Page 278 and 279: FORMULA #69 Blue-Black Developer Fo
Page 280 and 281: Formulas 247 Benzotriazole, 0.2 g G
Page 284 and 285: Hydroquinone, 10.0 g Water to make
Page 286 and 287: Sodium carbonate, monohydrate, 138.
Page 288 and 289: Sodium sulfi te, 23.0 g *Potassium
Page 290 and 291: Formulas 257 and then processed fol
Page 292 and 293: Normal exposure should be determine
Page 294 and 295: Pyro, 4.4 g Sodium carbonate, monoh
Page 296 and 297: FORMULA #108 Amidol Teaspoon Formul
Page 298 and 299: Amidol, 16.0 g 10% potassium bromid
Page 300 and 301: Formulas 267 Add a suffi cient amou
Page 302 and 303: FORMULA #123 Acid Hypo (J. Ghislain
Page 304 and 305: Formulas 271 When the above is thor
Page 306 and 307: Formulas 273 FILM: Film should be c
Page 308 and 309: TONERS Formulas 275 ● Different p
Page 310 and 311: Formulas 277 Add 16 drops of concen
Page 312 and 313: With stirring add: Thiourea, 1.0 g
Page 314 and 315: Formulas 281 This solution should b
Page 316 and 317: SOLUTION A *Potassium bichromate, 5
Page 318 and 319: Prepare the bleaching bath as follo
Page 320 and 321: Formulas 287 Using the Toner: Print
Page 322 and 323: *Glacial acetic acid, 5.0 ml Water
Page 324 and 325: Formulas 291 the solubility of the
Page 326 and 327: FORMULA #158 Kodak GP-2 (Thanks to
Page 328 and 329: Formulas 295 Dissolve the sodium su
Page 330 and 331: Formulas 297 As with Kodak Rapid Se
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Formulas 299 After treatment in the
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FORMULA #169 Flattening Reducer For
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Formulas 303 To use, take 2 parts o
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NEGATIVE INTENSIFIERS FORMULA #176
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STOCK SOLUTION #4 Metol, 6.5 g Sodi
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Formulas 309 Add 30.0 ml of Solutio
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Keep hands in Solution A for a few
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Distilled water, 180.0 ml Potassium
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FORMULA #194 Kodak SH-5 Formulas 31
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FORMULA #197 Kodak TC-3 Stain Remov
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Formulas 319 Development time is 8-
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Sodium metabisulfi te, 10.0 g Boric
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Conversion Tables DIRECT EQUIVALENT
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Direct equivalents (Continued) Conv
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0.7 � 10 0.8 � 11.7 0.9 � 13
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225 ml � 7.2 fl oz 250 ml � 8 f
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Sodium Carbonate Conversion Table C
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Conversion Tables 333 always possib
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TABLE 5 Film Development Temperatur
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Material Sources 337 RH Designs (St
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Azo Forum, www.michaelandpaula.com/
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Bibliography 341 James, T.H. The Th
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Index A ABC Pyro formula, 231-232,
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C Cabinets, darkroom planning, 9 Ca
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fi ne-grain, 44, 211-214 general-pu
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Filters and safelights, 10-11 in th
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In-cassette processing developing,
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Panchromatic paper, and safelights,
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and development by inspection, 137
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Strong ammonium thiosulfate reducer
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Weston amidol developers, formulas,
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