Strong ammonium thiosulfate reducer, formula, 300 Submersion, for dry powder mixing, 161 Sulfamic acid, properties and uses, 173 Sulfi de/hypo-alum toners, characteristics, 115–116 Sulfi de sepia toner, formula, 284–285 Sulfi te-free developers, examples, 30 Sulfi tes, developer effects, 30 Sulfocyanate, see Potassium thiocyanate Sulfurated potash, see Potassa sulfurated Sulfuric acid, properties and uses, 173 Superadditivity developing agents, 20–21 traditional ingredients, 29 Superfi ne grain developers characteristics, 46–47 formulas, 238–241 Super-proportional reducers characteristics, 124 formula, 302–303 Surface enhancements, silver gelatin prints, 100–101 T Tabular-grain fi lms, FX 37 formula, 216 Tanning developers, as developing agents, 61 Tartaric acid, properties and uses, 173 TEA, see Triethylanolamine (TEA) Teaspoon conversions, chemicals, 332–333 Technical Pan, 45 Temperature, conversion chart, 335 Temporary darkrooms, preparing, 11–12 Tertiary butyl alcohol, properties and uses, 174 Testing, fi lm developers, 203 Test print, fi nal printmaking, 90–91 TF-2, formula, 274 TF-3, formula, 274 TFX-2, for stand development, 40 <strong>The</strong>rmometer scales, comparison, 334 Thin shadows, rescuing, 97–98 Thiocarbamide, properties and uses, 196 Thiocyanate fi xer, formula, 270 Thiocyanate toning bath, formula, 322 Thiourea, properties and uses, 196 Thomas Sodium Vapor Duplex Safelight, 11 T-Max, vs. Tri-X, 36 Toners Index 357 autotoning developer, 252–253 bath formula, 322 Berg Selenium Toner®, 114 blue, 275–279 blue-black, 81, 245 blue gold, 276 bright red, 258–259 brown-black, 260 Brown Copper Toner®, 114 brown toners, 255, 279–287 catechol warm-toners, 256–257 for cold tones, 81, 112–113, 243–244 copper, 113–114, 287–288 crimson, 294 direct, 294–297 DuPont Toning System, 116, 297–299 dyes, 288–290 Flemish, 114, 295 formulary thiourea toner, 280–281 formulas, 252–254 gold, 116, 152, 286–287 gold-bicarbonate, 152 gold chloride blue, 277–278 green, 290–292, 291–292 hypo-alum, 280, 283–284 iron, 278 iron blue, 113, 275–276 multiple toning, 117 organic dye, 116 polysulfi de, 285 polytoners, 121 print manipulation, 78–79 protective, 114–116, 292–293 purple, 114 red, 114, 293–294 red-brown, 260 reddish-brown, 114 safety precautions, 275 selenium, 114, 115–116, 200–201, 294–297 sepia, 281–282 sepia toner, 258–259, 261, 279–282, 284–285 single-solution dye, 288–290 special warm-tone, 253 sulfi de/hypo-alum, 115–116 sulfi de sepia, 284–285 two-solution dye, 289–290 types, 111–112 warm tones, 80, 113, 244, 255–261, 321–322
358 INDEX Toning prints check list, 109–110 cold tones, 112–113 copper toners, 113–114 DuPont 6-T toning system, 116 multiple toning, 117 organic dye toners, 116 printing out processes, 151 protective toning, 114–116 purplish to reddish-brown tones, 114 red tones, 114 split toning, 121 toner types, 111–112 warm tones, 113 workfl ow, 118–119 T/O XDR-4, formula, 224 Transmission, fi lm density judging, 135 Tray cleaner, formula, 316 Tray development, with stock ABC Pyro, 59–60 Trays print developer life, 72–73 stain removers, 317 Tribasic, properties and uses, 194 Triethylanolamine (TEA) PCTEA, 30 properties and uses, 196 Trisodium phosphate, see Sodium phosphate Tri-X, vs. T-Max, 36 Troop, Bill, 274 Tropical developers characteristics, 47–48 formulas, 241–243 Tropical hardener bath, formula, 267 Two-solution dye toner, formula, 289–290 Two-solution pyro developer, formula, 236 Two-tray development, in print manipulation, 82 U Universal developers, formulas, 265–266 U.S. Customary Liquid Measures, conversions, 323–324 U.S. Customary Solid Measures, conversions, 323 V Vanishing Points: Shadows along North Riwaq, Umayyad Mosque, Damascus, 99 Variable contrast print developers formula, 254–255 in print manipulation, 81–82 Velcro® strip, darkroom lighting, 2 Ventilation, in darkroom planning, 3 Vestal, David, 206–207 Viscid, defi nition, 169 Vitamin C, see Ascorbic acid Volume, developing agents, 40–41 W Walls, darkroom planning, 7–8 Warm-tone developers characteristics, 244 formulas, 255–261 and image color, 80 methods, 113 Warm-tone printing-out papers, formula, 321–322 Washing, in fi lm development, 41 Water and chemical preparation, 166–167 in darkroom planning, 1–2 Water-bath developers formulas, 204–209 in print manipulation, 82 technique, 43 Water softener, developing agents, 27 Water temperature control (WTC), in darkroom planning, 1–2 Water temperature monitor (WTM), in darkroom planning, 2 W130B, formula, 246–247 WD2H�, formula, 64, 236–237 Weights and measures, chemicals, 164–165 Weston, Brett ABC Pyro, 58 amidol formula, 84–85, 264 darkroom cleanliness, 5 equipment opinions, 15 inspiration quote, 138 late-night darkroom work, 2 on technique, 76 Weston, Cole, 84–85, 264–265 Weston, Edward ABC Pyro variation, 58, 61 amidol formula, 84–85, 264
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The Darkroom Cookbook
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The DARKROOM COOKBOOK Third Edition
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Dedication This book is dedicated t
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Table of Contents PREFACE ix ACKNOW
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Preface The Darkroom Cookbook is ba
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Preface xi Which brings us to the q
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Acknowledgments There are two husba
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Introduction Today everybody seems
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Introduction xvii coating your own
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Contributing Photographers Bruce Ba
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Contributing Photographers xxi Gord
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Contributing Photographers xxiii Jo
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List of Formulas Many of the formul
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Push-Processing Formulas 230 47. Di
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Amidol Paper Developer 261 105. Ami
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Selenium Toners 294 162. Dassonvill
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Planning a Darkroom Art does not de
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Planning a Darkroom 3 Core® availa
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Planning a Darkroom 5 available as
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Placement of Equipment and Workfl o
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Planning a Darkroom 9 Floors call f
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Planning a Darkroom 11 for modern e
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How Safe Is Your Safelight? Richard
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Equipment People are under the illu
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Equipment 17 customary models. It i
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Developers One developing agent is
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Developers 21 quantity of metol to
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Developers 23 pH Scale The pH scale
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Developers 25 Anhydrous, having no
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Potassium Iodide Developers 27 Alth
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Ascorbic Acid: Developing Agent or
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Developers 31 Alicia De Larocha, so
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Film Development It is the photogra
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Film Development 35 ● Conventiona
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Film Development 37 include Efke IR
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Film Development 39 cycle per minut
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Film Development 41 minimum. Howeve
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Film Development 43 fi rst 60 secon
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Film Development 45 Not long after
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Film Development 47 These disadvant
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REPLENISHMENT OF DEVELOPERS Film De
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Film Development 51 Flower Composit
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Film Development 53 Yvette at the C
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Monobath Film Developing 55 possibl
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Washing Monobath Film Developing 57
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Pyrogallol and Pyrocatechin 59 in A
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Pyrogallol and Pyrocatechin 61 Edwa
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Pyrogallol and Pyrocatechin 63 A la
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Crystal Springs #659, 2002. © 2008
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Broken Vase, 2002. © 2008 Gordon H
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Pyrogallol and Pyrocatechin 69 Test
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Print Developers They say my print
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Print Developers 73 when a limited
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Print Developers 75 Brett Weston &
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Printing Methods and Techniques Tak
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Printing Methods and Techniques 79
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Cold Tones (Blue-black) Printing Me
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Manipulating Exposure and Developme
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Printing Methods and Techniques 85
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#2-5041, 1996. © 2008 Henry Gilpin
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Four French Tulips, Carmel, Califor
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Printing Methods and Techniques 91
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Sequoias and Sunburst, 1976. © 200
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Printing Methods and Techniques 95
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Rescuing Thin Shadows Saïd Nuseibe
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Printing Methods and Techniques 99
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Printing Methods and Techniques 101
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Stop Baths and Fixers Surely, it is
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Stops Baths and Fixers 105 concentr
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Stops Baths and Fixers 107 determin
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Toning Prints There is a road from
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TONER TEST STRIPS Toning Prints 111
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Toning Prints 113 gold toning for c
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Toning Prints 115 The sepia/sulfi d
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Multiple Toning Toning Prints 117 I
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Toning Prints 119 and selenium �
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K49 Jellyfi sh, 2008. © 2008 Ryuij
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Photographic Reduction and Intensif
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Photographic Reduction and Intensif
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Photographic Reduction and Intensif
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Photographic Reduction and Intensif
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Photographic Reduction and Intensif
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Pitman Arm, 2000. © 2008 Jay Dusar
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SAFELIGHT Development by inspection
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PYRO AND DEVELOPMENT BY INSPECTION
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leak light. What is important is th
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Procedure for Reversal Processing R
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Reversal Processing and Enlarged Ne
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Procedure for Making an Enlarged Ne
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Printing Out Processes You must alw
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Printing Out Processes 149 Caution:
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Printing Out Processes 151 over the
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Printing Out Processes 153 Sleeples
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Printing Out Processes 155 Add the
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Printing Out Processes 157 Camera O
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Safety in Handling Photographic Che
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Safety in Handling Photographic Che
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Chemicals Photography, in the fi na
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Chemicals 165 In this 3rd edition o
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Chemicals 167 ethylenediaminetetraa
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Pharmacopoeia The artist lives to e
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Pharmacopoeia 171 Glacial acetic ac
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Pharmacopoeia 173 Uses: Preservativ
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Pharmacopoeia 175 ALUM, POTASSIUM S
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Pharmacopoeia 177 AMMONIUM THIOSULF
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BROMIDE (see Potassium bromide) Pha
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Appearance: Greenish crystalline sc
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HYPO (see Sodium Thiosulfate) Pharm
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Pharmacopoeia 185 working. Tropical
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Pharmacopoeia 187 Uses: To precipit
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Pharmacopoeia 189 Uses: As a preser
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SODA (see Sodium carbonate) Pharmac
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Pharmacopoeia 193 Notes: Caustic al
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Pharmacopoeia 195 SODIUM SULFITE Sy
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Proofi ng for Maximum Black The cam
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Archival Print Procedure Appendix 1
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Archival Print Procedure 201 7. At
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Formulas FILM DEVELOPERS Developmen
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SOLUTION B Water at 110F/43C, 750.0
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SOLUTION B Water at 110F/43C, 750.0
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SOLUTION B Formulas 209 Water at 90
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Dilution B Distilled water at 125F/
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4 minutes: water without agitation.
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Metol, 3.0 g Sodium sulfi te, 45.0
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Borax, granular, 7.0 g Boric acid,
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Formulas 219 Use as you would XTOL.
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SOLUTION A Water at 125F/52C, 750.0
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SOLUTION A Water at 125F/52C, 750.0
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Stock Solution B Water at 125F/52C,
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Formulas 227 Sodium hydroxide, 17.6
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FORMULA #45 Keelan’s Monobath (H.
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The development times at 68F/20C ar
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Pyro, 28.0 g Sodium sulfi te, 100.0
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Formulas 235 NOTE 1: To help preser
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SOLUTION B Distilled water, 750.0 m
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Sodium sulfi te, 90.0 g Water to ma
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Metol, 12.0 g Sodium sulfi te, 90.0
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Developing time and procedures are
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FORMULA #69 Blue-Black Developer Fo
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Formulas 247 Benzotriazole, 0.2 g G
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FORMULA #78 Gevaert G.253 Soft-Port
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Hydroquinone, 10.0 g Water to make
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Sodium carbonate, monohydrate, 138.
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Sodium sulfi te, 23.0 g *Potassium
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Formulas 257 and then processed fol
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Normal exposure should be determine
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Pyro, 4.4 g Sodium carbonate, monoh
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FORMULA #108 Amidol Teaspoon Formul
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Amidol, 16.0 g 10% potassium bromid
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Formulas 267 Add a suffi cient amou
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FORMULA #123 Acid Hypo (J. Ghislain
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Formulas 271 When the above is thor
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Formulas 273 FILM: Film should be c
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TONERS Formulas 275 ● Different p
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Formulas 277 Add 16 drops of concen
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With stirring add: Thiourea, 1.0 g
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Formulas 281 This solution should b
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SOLUTION A *Potassium bichromate, 5
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Prepare the bleaching bath as follo
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Formulas 287 Using the Toner: Print
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*Glacial acetic acid, 5.0 ml Water
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Formulas 291 the solubility of the
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FORMULA #158 Kodak GP-2 (Thanks to
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Formulas 295 Dissolve the sodium su
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Formulas 297 As with Kodak Rapid Se
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Formulas 299 After treatment in the
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FORMULA #169 Flattening Reducer For
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Formulas 303 To use, take 2 parts o
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NEGATIVE INTENSIFIERS FORMULA #176
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- Page 348 and 349: FORMULA #194 Kodak SH-5 Formulas 31
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- Page 354 and 355: Sodium metabisulfi te, 10.0 g Boric
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- Page 358 and 359: Direct equivalents (Continued) Conv
- Page 360 and 361: 0.7 � 10 0.8 � 11.7 0.9 � 13
- Page 362 and 363: 225 ml � 7.2 fl oz 250 ml � 8 f
- Page 364 and 365: Sodium Carbonate Conversion Table C
- Page 366 and 367: Conversion Tables 333 always possib
- Page 368 and 369: TABLE 5 Film Development Temperatur
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- Page 372 and 373: Azo Forum, www.michaelandpaula.com/
- Page 374 and 375: Bibliography 341 James, T.H. The Th
- Page 376 and 377: Index A ABC Pyro formula, 231-232,
- Page 378 and 379: C Cabinets, darkroom planning, 9 Ca
- Page 380 and 381: fi ne-grain, 44, 211-214 general-pu
- Page 382 and 383: Filters and safelights, 10-11 in th
- Page 384 and 385: In-cassette processing developing,
- Page 386 and 387: Panchromatic paper, and safelights,
- Page 388 and 389: and development by inspection, 137
- Page 392: Weston amidol developers, formulas,