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The DARKROOM COOKBOOK, Third Edition

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leak light. What is important is the lens. Use either a process lens made for copy work or an<br />

apochromatic (APO) lens. Either of these will make excellent reproductions.<br />

<strong>The</strong> other two methods both require a positive image, which is then projected onto<br />

another piece of fi lm of the desired fi nal size using an enlarger. This second piece of fi lm is<br />

developed as a negative.<br />

<strong>The</strong> fi rst of these two methods involves processing the original fi lm as a positive. <strong>The</strong><br />

drawback to this method is that your original 35 mm, 120, or 4 � 5 inch image will always be a<br />

positive should you later wish to use traditional silver-gelatin enlarging techniques. However,<br />

if you are dedicated to contact printing processes then this is the best method to obtain high<br />

quality originals from which to work.<br />

<strong>The</strong>re are a number of ways to process your fi lm as a positive; the easiest would be to<br />

send it to a lab such as .dr5 Chrome Lab (see Resources) and the next would be to purchase<br />

a reversal processing kit from Photographers’ Formulary or Kodak and follow the<br />

directions.<br />

<strong>The</strong> second method for creating a positive requires an interpositive (also known as diapositive)<br />

to be made from the original negative. <strong>The</strong> interpositive is made by contact printing<br />

the original negative onto another piece of fi lm.<br />

REVERSAL FILM DEVELOPMENT<br />

Reversal Processing and Enlarged Negatives 139<br />

Reversal processing to create a positive image is possible due to the fact that most emulsions<br />

contain a percentage of silver grains that at normal exposure levels remain unaffected<br />

by both light and development. By developing the normally exposed silver grains and then<br />

bleaching them away it is possible to redevelop the formerly undeveloped grains that remain<br />

to create a positive image.<br />

● <strong>The</strong> fi rst stage is known as primary development. In this stage, the exposed fi lm is developed<br />

using an energetic developer to ensure that every exposed grain in the emulsion is developed.<br />

At this stage, the fi lm is in the form of a negative.<br />

● <strong>The</strong> second stage is known as bleaching. This stage uses a silver solvent to dissolve all of the<br />

exposed grains of fi lm from the fi rst stage.<br />

● <strong>The</strong> third and fi nal stage is known as the reversal stage. This is where the negative is reversed<br />

into a positive. This is accomplished by either re-exposing to light or through chemical reversal<br />

followed by secondary development. <strong>The</strong> second developer reduces all of the silver bromide not<br />

affected by the initial fi lm exposure and left behind in the second stage. At the completion of<br />

secondary development the fi lm is a positive.<br />

<strong>The</strong> nature and quality of the fi nal image will be determined by the quantity and structure<br />

of the silver bromide left behind after the removal of the primary silver image during<br />

the bleaching stage. If the primary image was dense, as in an overexposed negative, then the<br />

exposure will have extended well into the emulsion and the image left behind after secondary<br />

development will be thin.

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