The DARKROOM COOKBOOK, Third Edition

More documents

Recommendations

Info

Sodium carbonate, monohydrate, 138.0 g Glycin, 26.5 g Hydroquinone, 8.5 g Potassium bromide, 3.7 g Water to make 1.0 liter Formulas 253 For warm black tones with bromide papers dilute 1:3. For brown blacks dilute 1:7 and develop for 2 to 3 minutes and 4 to 6 minutes with slow chlorobromide papers. At a dilution of 1:15, Dassonville D-3 produces tones known as “gravurebrown.” At this dilution, develop for 3 to 5 minutes. The image should not begin to show for at least 1½ minutes. With slow chlorobromide papers D-3 produces tones that vary from greenish brown to sepia and are useful in high-key work where the predominate tones are lighter than middle gray. With fast chlorobromide papers, it produces delicate tones that are also exceptional for high-key images. FORMULA #88 Gevaert G.262 Special Warm-Tone Paper Developer This is a special warm-color paper developer. The image color tends toward red as the dilution is increased or as development time is extended. Water at 125F/52C, 750.0 ml Sodium sulfi te, 70.0 g Hydroquinone, 25.0 g *Potassium carbonate, 90.0 g Potassium bromide, 2.0 g Water to make 1.0 liter * For slightly less warm tones, 81.0 grams of sodium carbonate, monohydrate, can be substituted for the potassium salt. Development times are between 1½ and 6 minutes. The relationship between image color and solution strength is as follows: ● Undiluted, the image will be brown-black. ● Diluted 1:2, the image will be brown. ● Diluted 1:4, the image will be brown-red. ● Diluted 1:6, the image will be red. NOTE: Some papers will react in unusual and inconsistent ways to this developer.
254 THE DARKROOM COOKBOOK FORMULA #89 Toning Developer (1943) (Bürki and Jenny) Produces tones varying from brown to red on chlorobromide papers. SOLUTION A Water at 70F/21C, 750.0 ml Pyrocatechol, 20.0 g Sodium sulfi te, 100.0 g Potassium carbonate, 100.0 g Potassium bromide, 2.0 g Water to make 1.0 liter SOLUTION B Ammonium sulfate, 2% solution Normal working solution Solution A: 200.0 ml Solution 250.0 ml Water: 250.0 ml Expose the print so the desired density is reached in 2½ minutes at 68F/20C. To increase redbrown tones take equal parts of A and B. To increase cold brown tones decrease B, and for red tones increase B. Variable Contrast Developer FORMULA #90 Beers Two-Solution Variable Contrast Developer (Dr. Roland F. Beers) SOLUTION A Water at 125F/52C, 750.0 ml Metol, 8.0 g Sodium sulfi te, 23.0 g *Potassium carbonate, 21.0 g Potassium bromide, 10% solution, 11.0 ml Water to make 1.0 liter SOLUTION B Water at 125F/52C, 750.0 ml Hydroquinone, 8.0 g
Page 2 and 3:
The Darkroom Cookbook
Page 4 and 5:
The DARKROOM COOKBOOK Third Edition
Page 6 and 7:
Dedication This book is dedicated t
Page 8 and 9:
Table of Contents PREFACE ix ACKNOW
Page 10 and 11:
Preface The Darkroom Cookbook is ba
Page 12 and 13:
Preface xi Which brings us to the q
Page 14 and 15:
Acknowledgments There are two husba
Page 16 and 17:
Introduction Today everybody seems
Page 18 and 19:
Introduction xvii coating your own
Page 20 and 21:
Contributing Photographers Bruce Ba
Page 22 and 23:
Contributing Photographers xxi Gord
Page 24 and 25:
Contributing Photographers xxiii Jo
Page 26 and 27:
List of Formulas Many of the formul
Page 28 and 29:
Push-Processing Formulas 230 47. Di
Page 30 and 31:
Amidol Paper Developer 261 105. Ami
Page 32 and 33:
Selenium Toners 294 162. Dassonvill
Page 34 and 35:
Planning a Darkroom Art does not de
Page 36 and 37:
Planning a Darkroom 3 Core® availa
Page 38 and 39:
Planning a Darkroom 5 available as
Page 40 and 41:
Placement of Equipment and Workfl o
Page 42 and 43:
Planning a Darkroom 9 Floors call f
Page 44 and 45:
Planning a Darkroom 11 for modern e
Page 46 and 47:
How Safe Is Your Safelight? Richard
Page 48 and 49:
Equipment People are under the illu
Page 50 and 51:
Equipment 17 customary models. It i
Page 52 and 53:
Developers One developing agent is
Page 54 and 55:
Developers 21 quantity of metol to
Page 56 and 57:
Developers 23 pH Scale The pH scale
Page 58 and 59:
Developers 25 Anhydrous, having no
Page 60 and 61:
Potassium Iodide Developers 27 Alth
Page 62 and 63:
Ascorbic Acid: Developing Agent or
Page 64 and 65:
Developers 31 Alicia De Larocha, so
Page 66 and 67:
Film Development It is the photogra
Page 68 and 69:
Film Development 35 ● Conventiona
Page 70 and 71:
Film Development 37 include Efke IR
Page 72 and 73:
Film Development 39 cycle per minut
Page 74 and 75:
Film Development 41 minimum. Howeve
Page 76 and 77:
Film Development 43 fi rst 60 secon
Page 78 and 79:
Film Development 45 Not long after
Page 80 and 81:
Film Development 47 These disadvant
Page 82 and 83:
REPLENISHMENT OF DEVELOPERS Film De
Page 84 and 85:
Film Development 51 Flower Composit
Page 86 and 87:
Film Development 53 Yvette at the C
Page 88 and 89:
Monobath Film Developing 55 possibl
Page 90 and 91:
Washing Monobath Film Developing 57
Page 92 and 93:
Pyrogallol and Pyrocatechin 59 in A
Page 94 and 95:
Pyrogallol and Pyrocatechin 61 Edwa
Page 96 and 97:
Pyrogallol and Pyrocatechin 63 A la
Page 98 and 99:
Crystal Springs #659, 2002. © 2008
Page 100 and 101:
Broken Vase, 2002. © 2008 Gordon H
Page 102 and 103:
Pyrogallol and Pyrocatechin 69 Test
Page 104 and 105:
Print Developers They say my print
Page 106 and 107:
Print Developers 73 when a limited
Page 108 and 109:
Print Developers 75 Brett Weston &
Page 110 and 111:
Printing Methods and Techniques Tak
Page 112 and 113:
Printing Methods and Techniques 79
Page 114 and 115:
Cold Tones (Blue-black) Printing Me
Page 116 and 117:
Manipulating Exposure and Developme
Page 118 and 119:
Page 120 and 121:
#2-5041, 1996. © 2008 Henry Gilpin
Page 122 and 123:
Four French Tulips, Carmel, Califor
Page 124 and 125:
Page 126 and 127:
Sequoias and Sunburst, 1976. © 200
Page 128 and 129:
Page 130 and 131:
Rescuing Thin Shadows Saïd Nuseibe
Page 132 and 133:
Page 134 and 135:
Page 136 and 137:
Stop Baths and Fixers Surely, it is
Page 138 and 139:
Stops Baths and Fixers 105 concentr
Page 140 and 141:
Stops Baths and Fixers 107 determin
Page 142 and 143:
Toning Prints There is a road from
Page 144 and 145:
TONER TEST STRIPS Toning Prints 111
Page 146 and 147:
Toning Prints 113 gold toning for c
Page 148 and 149:
Toning Prints 115 The sepia/sulfi d
Page 150 and 151:
Multiple Toning Toning Prints 117 I
Page 152 and 153:
Toning Prints 119 and selenium �
Page 154 and 155:
K49 Jellyfi sh, 2008. © 2008 Ryuij
Page 156 and 157:
Photographic Reduction and Intensif
Page 158 and 159:
Page 160 and 161:
Page 162 and 163:
Page 164 and 165:
Page 166 and 167:
Pitman Arm, 2000. © 2008 Jay Dusar
Page 168 and 169:
SAFELIGHT Development by inspection
Page 170 and 171:
PYRO AND DEVELOPMENT BY INSPECTION
Page 172 and 173:
leak light. What is important is th
Page 174 and 175:
Procedure for Reversal Processing R
Page 176 and 177:
Reversal Processing and Enlarged Ne
Page 178 and 179:
Procedure for Making an Enlarged Ne
Page 180 and 181:
Printing Out Processes You must alw
Page 182 and 183:
Printing Out Processes 149 Caution:
Page 184 and 185:
Printing Out Processes 151 over the
Page 186 and 187:
Printing Out Processes 153 Sleeples
Page 188 and 189:
Printing Out Processes 155 Add the
Page 190 and 191:
Printing Out Processes 157 Camera O
Page 192 and 193:
Safety in Handling Photographic Che
Page 194 and 195:
Safety in Handling Photographic Che
Page 196 and 197:
Chemicals Photography, in the fi na
Page 198 and 199:
Chemicals 165 In this 3rd edition o
Page 200 and 201:
Chemicals 167 ethylenediaminetetraa
Page 202 and 203:
Pharmacopoeia The artist lives to e
Page 204 and 205:
Pharmacopoeia 171 Glacial acetic ac
Page 206 and 207:
Pharmacopoeia 173 Uses: Preservativ
Page 208 and 209:
Pharmacopoeia 175 ALUM, POTASSIUM S
Page 210 and 211:
Pharmacopoeia 177 AMMONIUM THIOSULF
Page 212 and 213:
BROMIDE (see Potassium bromide) Pha
Page 214 and 215:
Appearance: Greenish crystalline sc
Page 216 and 217:
HYPO (see Sodium Thiosulfate) Pharm
Page 218 and 219:
Pharmacopoeia 185 working. Tropical
Page 220 and 221:
Pharmacopoeia 187 Uses: To precipit
Page 222 and 223:
Pharmacopoeia 189 Uses: As a preser
Page 224 and 225:
SODA (see Sodium carbonate) Pharmac
Page 226 and 227:
Pharmacopoeia 193 Notes: Caustic al
Page 228 and 229:
Pharmacopoeia 195 SODIUM SULFITE Sy
Page 230 and 231:
Proofi ng for Maximum Black The cam
Page 232 and 233:
Archival Print Procedure Appendix 1
Page 234 and 235:
Archival Print Procedure 201 7. At
Page 236 and 237: Formulas FILM DEVELOPERS Developmen
Page 238 and 239: SOLUTION B Water at 110F/43C, 750.0
Page 240 and 241: SOLUTION B Water at 110F/43C, 750.0
Page 242 and 243: SOLUTION B Formulas 209 Water at 90
Page 244 and 245: Dilution B Distilled water at 125F/
Page 246 and 247: 4 minutes: water without agitation.
Page 248 and 249: Metol, 3.0 g Sodium sulfi te, 45.0
Page 250 and 251: Borax, granular, 7.0 g Boric acid,
Page 252 and 253: Formulas 219 Use as you would XTOL.
Page 254 and 255: SOLUTION A Water at 125F/52C, 750.0
Page 256 and 257: SOLUTION A Water at 125F/52C, 750.0
Page 258 and 259: Stock Solution B Water at 125F/52C,
Page 260 and 261: Formulas 227 Sodium hydroxide, 17.6
Page 262 and 263: FORMULA #45 Keelan’s Monobath (H.
Page 264 and 265: The development times at 68F/20C ar
Page 266 and 267: Pyro, 28.0 g Sodium sulfi te, 100.0
Page 268 and 269: Formulas 235 NOTE 1: To help preser
Page 270 and 271: SOLUTION B Distilled water, 750.0 m
Page 272 and 273: Sodium sulfi te, 90.0 g Water to ma
Page 274 and 275: Metol, 12.0 g Sodium sulfi te, 90.0
Page 276 and 277: Developing time and procedures are
Page 278 and 279: FORMULA #69 Blue-Black Developer Fo
Page 280 and 281: Formulas 247 Benzotriazole, 0.2 g G
Page 282 and 283: FORMULA #78 Gevaert G.253 Soft-Port
Page 284 and 285: Hydroquinone, 10.0 g Water to make
Page 288 and 289: Sodium sulfi te, 23.0 g *Potassium
Page 290 and 291: Formulas 257 and then processed fol
Page 292 and 293: Normal exposure should be determine
Page 294 and 295: Pyro, 4.4 g Sodium carbonate, monoh
Page 296 and 297: FORMULA #108 Amidol Teaspoon Formul
Page 298 and 299: Amidol, 16.0 g 10% potassium bromid
Page 300 and 301: Formulas 267 Add a suffi cient amou
Page 302 and 303: FORMULA #123 Acid Hypo (J. Ghislain
Page 304 and 305: Formulas 271 When the above is thor
Page 306 and 307: Formulas 273 FILM: Film should be c
Page 308 and 309: TONERS Formulas 275 ● Different p
Page 310 and 311: Formulas 277 Add 16 drops of concen
Page 312 and 313: With stirring add: Thiourea, 1.0 g
Page 314 and 315: Formulas 281 This solution should b
Page 316 and 317: SOLUTION A *Potassium bichromate, 5
Page 318 and 319: Prepare the bleaching bath as follo
Page 320 and 321: Formulas 287 Using the Toner: Print
Page 322 and 323: *Glacial acetic acid, 5.0 ml Water
Page 324 and 325: Formulas 291 the solubility of the
Page 326 and 327: FORMULA #158 Kodak GP-2 (Thanks to
Page 328 and 329: Formulas 295 Dissolve the sodium su
Page 330 and 331: Formulas 297 As with Kodak Rapid Se
Page 332 and 333: Formulas 299 After treatment in the
Page 334 and 335: FORMULA #169 Flattening Reducer For
Page 336 and 337:
Formulas 303 To use, take 2 parts o
Page 338 and 339:
NEGATIVE INTENSIFIERS FORMULA #176
Page 340 and 341:
STOCK SOLUTION #4 Metol, 6.5 g Sodi
Page 342 and 343:
Formulas 309 Add 30.0 ml of Solutio
Page 344 and 345:
Keep hands in Solution A for a few
Page 346 and 347:
Distilled water, 180.0 ml Potassium
Page 348 and 349:
FORMULA #194 Kodak SH-5 Formulas 31
Page 350 and 351:
FORMULA #197 Kodak TC-3 Stain Remov
Page 352 and 353:
Formulas 319 Development time is 8-
Page 354 and 355:
Sodium metabisulfi te, 10.0 g Boric
Page 356 and 357:
Conversion Tables DIRECT EQUIVALENT
Page 358 and 359:
Direct equivalents (Continued) Conv
Page 360 and 361:
0.7 � 10 0.8 � 11.7 0.9 � 13
Page 362 and 363:
225 ml � 7.2 fl oz 250 ml � 8 f
Page 364 and 365:
Sodium Carbonate Conversion Table C
Page 366 and 367:
Conversion Tables 333 always possib
Page 368 and 369:
TABLE 5 Film Development Temperatur
Page 370 and 371:
Material Sources 337 RH Designs (St
Page 372 and 373:
Azo Forum, www.michaelandpaula.com/
Page 374 and 375:
Bibliography 341 James, T.H. The Th
Page 376 and 377:
Index A ABC Pyro formula, 231-232,
Page 378 and 379:
C Cabinets, darkroom planning, 9 Ca
Page 380 and 381:
fi ne-grain, 44, 211-214 general-pu
Page 382 and 383:
Filters and safelights, 10-11 in th
Page 384 and 385:
In-cassette processing developing,
Page 386 and 387:
Panchromatic paper, and safelights,
Page 388 and 389:
and development by inspection, 137
Page 390 and 391:
Strong ammonium thiosulfate reducer
Page 392:
Weston amidol developers, formulas,
show all

The DARKROOM COOKBOOK, Third Edition

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?