The DARKROOM COOKBOOK, Third Edition

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Push-Processing Formulas 230 47. Diafi ne Type 230 48. FX 11 (1961) 230 Pyro Developers 231 49. 510-Pyro (2006) 231 50. Kodak D-l, ABC Pyro (circa 1890) 231 51. Orwo 41 (1986) 232 52. Orwo 62 (1986) 233 53. PMHQ (1949) 233 54. PMK (1991) (PF) 234 55. Rollo Pyro (AB C� Pyro) (1997) (PF) 235 56. Two-Solution Pyro Developer (1950) 236 57. WD2H� (2003) (PF) 236 Pyrocatechin Developers 237 58. Hypercat 237 59. Pyrocat-HD 238 Superfi ne-Grain Developers 238 60. DuPont No. 3 238 61. Edwal No. 12 239 62. FX 10 (1961) 239 63. MCM 100 240 64. Windisch Superfi ne-Grain Developer (PF) 240 Tropical Developers 241 65. Agfa 16 241 66. Kodak DK-15 241 67. Kodak DK-15a 242 PAPER DEVELOPERS 243 Cold-Tone Developers 244 68. Ansco 103 244 69. Blue-Black Developer 245 70. Cold-Tone Developer 245 71. Defender 54-D 246 72. W130B 246 High-Contrast Developers 247 73. Agfa 108 247 74. Edwal 120 247 List of Formulas xxvii
xxviii LIST OF FORMULAS Low-Contrast Developers 248 75. Agfa 105 248 76. Ansco 120 248 77. Defender 59-D Soft-Working Developer 248 78. Gevaert G.253 Soft-Portrait Developer 249 Neutral-Tone Developers 249 79. Agfa 100 249 80. Agfa 125 249 81. Ansco 130 (PF) 250 82. Ansco 130, Ansel Adams’s Variation 250 83. Dassonville D-1 251 84. E-72 251 85. Ilford ID-20 252 86. Kodak D-72 252 Toning Developers 252 87. Dassonville D-3 Autotoning Developer 252 88. Gevaert G.262 Special Warm-Tone Paper Developer 253 89. Toning Developer (1943) 254 Variable Contrast Developer 254 90. Beers Two-Solution Variable Contrast Developer (PF) 254 Warm-Tone Developers 255 91. Agfa 120 Brown Tone Developer 255 92. Ansco 110 Direct Brown-Black Developer 256 93. Catechol Copper-Tone Developer 256 94. Catechol Warm-Tone Developer 256 95. Defender 55-D Professional Portrait Developer 257 96. DuPont 51-D 257 97. Gevaert G.261 Brown-Black Paper Developer 258 98. Ilford ID-24 258 99. Ilford ID-78 (1960) 259 100. Kodak D-52 Selectol-type 259 101. Kodak D-155 Very Warm Paper Developer 260 102. Kodak D-166 Red Brown Paper Developer 260 103. Pyro Warm-Tone Developer 260 104. Sepia-Tone Paper Developer 261
Page 2 and 3: The Darkroom Cookbook
Page 4 and 5: The DARKROOM COOKBOOK Third Edition
Page 6 and 7: Dedication This book is dedicated t
Page 8 and 9: Table of Contents PREFACE ix ACKNOW
Page 10 and 11: Preface The Darkroom Cookbook is ba
Page 12 and 13: Preface xi Which brings us to the q
Page 14 and 15: Acknowledgments There are two husba
Page 16 and 17: Introduction Today everybody seems
Page 18 and 19: Introduction xvii coating your own
Page 20 and 21: Contributing Photographers Bruce Ba
Page 22 and 23: Contributing Photographers xxi Gord
Page 24 and 25: Contributing Photographers xxiii Jo
Page 26 and 27: List of Formulas Many of the formul
Page 30 and 31: Amidol Paper Developer 261 105. Ami
Page 32 and 33: Selenium Toners 294 162. Dassonvill
Page 34 and 35: Planning a Darkroom Art does not de
Page 36 and 37: Planning a Darkroom 3 Core® availa
Page 38 and 39: Planning a Darkroom 5 available as
Page 40 and 41: Placement of Equipment and Workfl o
Page 42 and 43: Planning a Darkroom 9 Floors call f
Page 44 and 45: Planning a Darkroom 11 for modern e
Page 46 and 47: How Safe Is Your Safelight? Richard
Page 48 and 49: Equipment People are under the illu
Page 50 and 51: Equipment 17 customary models. It i
Page 52 and 53: Developers One developing agent is
Page 54 and 55: Developers 21 quantity of metol to
Page 56 and 57: Developers 23 pH Scale The pH scale
Page 58 and 59: Developers 25 Anhydrous, having no
Page 60 and 61: Potassium Iodide Developers 27 Alth
Page 62 and 63: Ascorbic Acid: Developing Agent or
Page 64 and 65: Developers 31 Alicia De Larocha, so
Page 66 and 67: Film Development It is the photogra
Page 68 and 69: Film Development 35 ● Conventiona
Page 70 and 71: Film Development 37 include Efke IR
Page 72 and 73: Film Development 39 cycle per minut
Page 74 and 75: Film Development 41 minimum. Howeve
Page 76 and 77: Film Development 43 fi rst 60 secon
Page 78 and 79:
Film Development 45 Not long after
Page 80 and 81:
Film Development 47 These disadvant
Page 82 and 83:
REPLENISHMENT OF DEVELOPERS Film De
Page 84 and 85:
Film Development 51 Flower Composit
Page 86 and 87:
Film Development 53 Yvette at the C
Page 88 and 89:
Monobath Film Developing 55 possibl
Page 90 and 91:
Washing Monobath Film Developing 57
Page 92 and 93:
Pyrogallol and Pyrocatechin 59 in A
Page 94 and 95:
Pyrogallol and Pyrocatechin 61 Edwa
Page 96 and 97:
Pyrogallol and Pyrocatechin 63 A la
Page 98 and 99:
Crystal Springs #659, 2002. © 2008
Page 100 and 101:
Broken Vase, 2002. © 2008 Gordon H
Page 102 and 103:
Pyrogallol and Pyrocatechin 69 Test
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Print Developers They say my print
Page 106 and 107:
Print Developers 73 when a limited
Page 108 and 109:
Print Developers 75 Brett Weston &
Page 110 and 111:
Printing Methods and Techniques Tak
Page 112 and 113:
Printing Methods and Techniques 79
Page 114 and 115:
Cold Tones (Blue-black) Printing Me
Page 116 and 117:
Manipulating Exposure and Developme
Page 118 and 119:
Page 120 and 121:
#2-5041, 1996. © 2008 Henry Gilpin
Page 122 and 123:
Four French Tulips, Carmel, Califor
Page 124 and 125:
Page 126 and 127:
Sequoias and Sunburst, 1976. © 200
Page 128 and 129:
Page 130 and 131:
Rescuing Thin Shadows Saïd Nuseibe
Page 132 and 133:
Page 134 and 135:
Page 136 and 137:
Stop Baths and Fixers Surely, it is
Page 138 and 139:
Stops Baths and Fixers 105 concentr
Page 140 and 141:
Stops Baths and Fixers 107 determin
Page 142 and 143:
Toning Prints There is a road from
Page 144 and 145:
TONER TEST STRIPS Toning Prints 111
Page 146 and 147:
Toning Prints 113 gold toning for c
Page 148 and 149:
Toning Prints 115 The sepia/sulfi d
Page 150 and 151:
Multiple Toning Toning Prints 117 I
Page 152 and 153:
Toning Prints 119 and selenium �
Page 154 and 155:
K49 Jellyfi sh, 2008. © 2008 Ryuij
Page 156 and 157:
Photographic Reduction and Intensif
Page 158 and 159:
Page 160 and 161:
Page 162 and 163:
Page 164 and 165:
Page 166 and 167:
Pitman Arm, 2000. © 2008 Jay Dusar
Page 168 and 169:
SAFELIGHT Development by inspection
Page 170 and 171:
PYRO AND DEVELOPMENT BY INSPECTION
Page 172 and 173:
leak light. What is important is th
Page 174 and 175:
Procedure for Reversal Processing R
Page 176 and 177:
Reversal Processing and Enlarged Ne
Page 178 and 179:
Procedure for Making an Enlarged Ne
Page 180 and 181:
Printing Out Processes You must alw
Page 182 and 183:
Printing Out Processes 149 Caution:
Page 184 and 185:
Printing Out Processes 151 over the
Page 186 and 187:
Printing Out Processes 153 Sleeples
Page 188 and 189:
Printing Out Processes 155 Add the
Page 190 and 191:
Printing Out Processes 157 Camera O
Page 192 and 193:
Safety in Handling Photographic Che
Page 194 and 195:
Safety in Handling Photographic Che
Page 196 and 197:
Chemicals Photography, in the fi na
Page 198 and 199:
Chemicals 165 In this 3rd edition o
Page 200 and 201:
Chemicals 167 ethylenediaminetetraa
Page 202 and 203:
Pharmacopoeia The artist lives to e
Page 204 and 205:
Pharmacopoeia 171 Glacial acetic ac
Page 206 and 207:
Pharmacopoeia 173 Uses: Preservativ
Page 208 and 209:
Pharmacopoeia 175 ALUM, POTASSIUM S
Page 210 and 211:
Pharmacopoeia 177 AMMONIUM THIOSULF
Page 212 and 213:
BROMIDE (see Potassium bromide) Pha
Page 214 and 215:
Appearance: Greenish crystalline sc
Page 216 and 217:
HYPO (see Sodium Thiosulfate) Pharm
Page 218 and 219:
Pharmacopoeia 185 working. Tropical
Page 220 and 221:
Pharmacopoeia 187 Uses: To precipit
Page 222 and 223:
Pharmacopoeia 189 Uses: As a preser
Page 224 and 225:
SODA (see Sodium carbonate) Pharmac
Page 226 and 227:
Pharmacopoeia 193 Notes: Caustic al
Page 228 and 229:
Pharmacopoeia 195 SODIUM SULFITE Sy
Page 230 and 231:
Proofi ng for Maximum Black The cam
Page 232 and 233:
Archival Print Procedure Appendix 1
Page 234 and 235:
Archival Print Procedure 201 7. At
Page 236 and 237:
Formulas FILM DEVELOPERS Developmen
Page 238 and 239:
SOLUTION B Water at 110F/43C, 750.0
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SOLUTION B Water at 110F/43C, 750.0
Page 242 and 243:
SOLUTION B Formulas 209 Water at 90
Page 244 and 245:
Dilution B Distilled water at 125F/
Page 246 and 247:
4 minutes: water without agitation.
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Metol, 3.0 g Sodium sulfi te, 45.0
Page 250 and 251:
Borax, granular, 7.0 g Boric acid,
Page 252 and 253:
Formulas 219 Use as you would XTOL.
Page 254 and 255:
SOLUTION A Water at 125F/52C, 750.0
Page 256 and 257:
SOLUTION A Water at 125F/52C, 750.0
Page 258 and 259:
Stock Solution B Water at 125F/52C,
Page 260 and 261:
Formulas 227 Sodium hydroxide, 17.6
Page 262 and 263:
FORMULA #45 Keelan’s Monobath (H.
Page 264 and 265:
The development times at 68F/20C ar
Page 266 and 267:
Pyro, 28.0 g Sodium sulfi te, 100.0
Page 268 and 269:
Formulas 235 NOTE 1: To help preser
Page 270 and 271:
SOLUTION B Distilled water, 750.0 m
Page 272 and 273:
Sodium sulfi te, 90.0 g Water to ma
Page 274 and 275:
Metol, 12.0 g Sodium sulfi te, 90.0
Page 276 and 277:
Developing time and procedures are
Page 278 and 279:
FORMULA #69 Blue-Black Developer Fo
Page 280 and 281:
Formulas 247 Benzotriazole, 0.2 g G
Page 282 and 283:
FORMULA #78 Gevaert G.253 Soft-Port
Page 284 and 285:
Hydroquinone, 10.0 g Water to make
Page 286 and 287:
Sodium carbonate, monohydrate, 138.
Page 288 and 289:
Sodium sulfi te, 23.0 g *Potassium
Page 290 and 291:
Formulas 257 and then processed fol
Page 292 and 293:
Normal exposure should be determine
Page 294 and 295:
Pyro, 4.4 g Sodium carbonate, monoh
Page 296 and 297:
FORMULA #108 Amidol Teaspoon Formul
Page 298 and 299:
Amidol, 16.0 g 10% potassium bromid
Page 300 and 301:
Formulas 267 Add a suffi cient amou
Page 302 and 303:
FORMULA #123 Acid Hypo (J. Ghislain
Page 304 and 305:
Formulas 271 When the above is thor
Page 306 and 307:
Formulas 273 FILM: Film should be c
Page 308 and 309:
TONERS Formulas 275 ● Different p
Page 310 and 311:
Formulas 277 Add 16 drops of concen
Page 312 and 313:
With stirring add: Thiourea, 1.0 g
Page 314 and 315:
Formulas 281 This solution should b
Page 316 and 317:
SOLUTION A *Potassium bichromate, 5
Page 318 and 319:
Prepare the bleaching bath as follo
Page 320 and 321:
Formulas 287 Using the Toner: Print
Page 322 and 323:
*Glacial acetic acid, 5.0 ml Water
Page 324 and 325:
Formulas 291 the solubility of the
Page 326 and 327:
FORMULA #158 Kodak GP-2 (Thanks to
Page 328 and 329:
Formulas 295 Dissolve the sodium su
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Formulas 297 As with Kodak Rapid Se
Page 332 and 333:
Formulas 299 After treatment in the
Page 334 and 335:
FORMULA #169 Flattening Reducer For
Page 336 and 337:
Formulas 303 To use, take 2 parts o
Page 338 and 339:
NEGATIVE INTENSIFIERS FORMULA #176
Page 340 and 341:
STOCK SOLUTION #4 Metol, 6.5 g Sodi
Page 342 and 343:
Formulas 309 Add 30.0 ml of Solutio
Page 344 and 345:
Keep hands in Solution A for a few
Page 346 and 347:
Distilled water, 180.0 ml Potassium
Page 348 and 349:
FORMULA #194 Kodak SH-5 Formulas 31
Page 350 and 351:
FORMULA #197 Kodak TC-3 Stain Remov
Page 352 and 353:
Formulas 319 Development time is 8-
Page 354 and 355:
Sodium metabisulfi te, 10.0 g Boric
Page 356 and 357:
Conversion Tables DIRECT EQUIVALENT
Page 358 and 359:
Direct equivalents (Continued) Conv
Page 360 and 361:
0.7 � 10 0.8 � 11.7 0.9 � 13
Page 362 and 363:
225 ml � 7.2 fl oz 250 ml � 8 f
Page 364 and 365:
Sodium Carbonate Conversion Table C
Page 366 and 367:
Conversion Tables 333 always possib
Page 368 and 369:
TABLE 5 Film Development Temperatur
Page 370 and 371:
Material Sources 337 RH Designs (St
Page 372 and 373:
Azo Forum, www.michaelandpaula.com/
Page 374 and 375:
Bibliography 341 James, T.H. The Th
Page 376 and 377:
Index A ABC Pyro formula, 231-232,
Page 378 and 379:
C Cabinets, darkroom planning, 9 Ca
Page 380 and 381:
fi ne-grain, 44, 211-214 general-pu
Page 382 and 383:
Filters and safelights, 10-11 in th
Page 384 and 385:
In-cassette processing developing,
Page 386 and 387:
Panchromatic paper, and safelights,
Page 388 and 389:
and development by inspection, 137
Page 390 and 391:
Strong ammonium thiosulfate reducer
Page 392:
Weston amidol developers, formulas,
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