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The DARKROOM COOKBOOK, Third Edition

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144 THE <strong>DARKROOM</strong> <strong>COOKBOOK</strong><br />

ENLARGED NEGATIVES<br />

Don’t have an Enlarger?<br />

No problem. Pick up a drop cord light from the hardware store, the kind mechanics<br />

and builders use when they have to work in tight spaces. Suspend it from a swag hook<br />

(the kind used for potted plants) from the ceiling at about 4 feet above your work surface<br />

(in the 1970s I would do this to make contact prints from 8 � 10 inch negatives).<br />

If possible plug the light into a timer. Start with a 15-watt tungsten bulb and using the<br />

same method as described above, turn the light on to expose a series of negatives for<br />

1 second, 2 seconds, 3 seconds, 4 seconds, and 6 seconds. If this turns out to be too<br />

much or too little light, switch to a lower or higher wattage bulb or cover the bulb with<br />

layers of tissue paper, a trick Edward Weston used to control his printing light.<br />

Of course, you will still need an enlarger to make the enlarged negative, but at least<br />

you can get this part done before going to a lab or borrowing a friend’s darkroom.<br />

Don’t have a proofi ng frame?<br />

No problem. Use a piece of glass with beveled edges and tape one of the long edges<br />

to a piece of smooth-fi nish plywood to create a hinge.<br />

Now that you have your original positive or your interpositive you are ready to make an<br />

enlarged negative. Using an enlarger the original positive or interpositive can be projected<br />

onto any size or type of negative material, including ortho fi lm. Kodak T-Max 100 is widely<br />

used for enlarged negatives as it has high resolution and good reciprocity characteristics.<br />

Because it has an ISO of 100 you may wish to use a neutral density fi lter under the lens to<br />

increase the exposure time from a fraction of a second at f/16 to one or more full seconds.<br />

● Try to keep your f-stop between f/11 and f/16 for sharpness, with an enlarging time of 1.5 to<br />

6 seconds to avoid reciprocity.<br />

● Times less than 1.5 seconds (for example, 1 second, 0.5 second, 0.25 second) may lead to inconsistent<br />

results because of variables in lamp warm-up. Use neutral density (ND) fi lters to adjust the<br />

EI as necessary and allow for longer exposure times.<br />

● Make three negatives, with a one-stop increment difference between each, for example, 1.5 seconds,<br />

3 seconds, and 6 seconds. 1<br />

1 At the time of this writing a single sheet of 8 � 10 inch T-Max 100 costs $4.00, which means each<br />

enlarged negative will cost $12.00 if you make three. However, consider how much your time is worth if<br />

you have to set up and do another negative.

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