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The DARKROOM COOKBOOK, Third Edition

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6 THE <strong>DARKROOM</strong> <strong>COOKBOOK</strong><br />

Air Inlet<br />

Air Flow<br />

DRY SIDE<br />

WET SIDE<br />

Trimmer<br />

Enlarger<br />

Dev. Stop Fix<br />

Filter<br />

Faucet<br />

Filter<br />

Fan<br />

Air Flow<br />

Paper<br />

Safe<br />

Figure 1-2 A possible darkroom confi guration. <strong>The</strong> enlarger may be placed in the middle or at either end and the trays arranged accordingly. Fresh air should<br />

enter from a passive vent over the dry side or in the door. (Thanks to Brian MacNeil of Canada.)<br />

Another photographer whom I know has a small, walk-in closet. He built shelves, put<br />

his enlarger at one end, stacked trays on a tray ladder, and added a paper safe and rotating<br />

drafting stool. He turns from his enlarger to his trays and back. When a print is fi nished, he<br />

carries it outside and places it in a washer which sits on a plywood board with a 2 � 4 foot<br />

frame over the bathtub. <strong>The</strong> washer and frame are stored in the darkroom when he’s not<br />

printing.<br />

From a practical point of view, a permanent darkroom should not be much smaller than<br />

6 � 7 feet. For safety and comfort, the minimum open space to stand and move about should<br />

be at least 30 inches wide.<br />

Figures 1-2 and 1-3 show two possible darkroom confi gurations. <strong>The</strong> size of either darkroom<br />

can be increased to accommodate a longer sink, drying cabinet, and the addition of a<br />

utility bench.<br />

Archival<br />

Washer

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