The DARKROOM COOKBOOK, Third Edition

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<strong>The</strong> Darkroom Cookbook
Henry and Steve, 1999. © 2008 Donna Conrad. All rights reserved. Courtesy of the artist.
Page 4 and 5: The DARKROOM COOKBOOK Third Edition
Page 6 and 7: Dedication This book is dedicated t
Page 8 and 9: Table of Contents PREFACE ix ACKNOW
Page 10 and 11: Preface The Darkroom Cookbook is ba
Page 12 and 13: Preface xi Which brings us to the q
Page 14 and 15: Acknowledgments There are two husba
Page 16 and 17: Introduction Today everybody seems
Page 18 and 19: Introduction xvii coating your own
Page 20 and 21: Contributing Photographers Bruce Ba
Page 22 and 23: Contributing Photographers xxi Gord
Page 24 and 25: Contributing Photographers xxiii Jo
Page 26 and 27: List of Formulas Many of the formul
Page 28 and 29: Push-Processing Formulas 230 47. Di
Page 30 and 31: Amidol Paper Developer 261 105. Ami
Page 32 and 33: Selenium Toners 294 162. Dassonvill
Page 34 and 35: Planning a Darkroom Art does not de
Page 36 and 37: Planning a Darkroom 3 Core® availa
Page 38 and 39: Planning a Darkroom 5 available as
Page 40 and 41: Placement of Equipment and Workfl o
Page 42 and 43: Planning a Darkroom 9 Floors call f
Page 44 and 45: Planning a Darkroom 11 for modern e
Page 46 and 47: How Safe Is Your Safelight? Richard
Page 48 and 49: Equipment People are under the illu
Page 50 and 51: Equipment 17 customary models. It i
Page 52 and 53:
Developers One developing agent is
Page 54 and 55:
Developers 21 quantity of metol to
Page 56 and 57:
Developers 23 pH Scale The pH scale
Page 58 and 59:
Developers 25 Anhydrous, having no
Page 60 and 61:
Potassium Iodide Developers 27 Alth
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Ascorbic Acid: Developing Agent or
Page 64 and 65:
Developers 31 Alicia De Larocha, so
Page 66 and 67:
Film Development It is the photogra
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Film Development 35 ● Conventiona
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Film Development 37 include Efke IR
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Film Development 39 cycle per minut
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Film Development 41 minimum. Howeve
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Film Development 43 fi rst 60 secon
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Film Development 45 Not long after
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Film Development 47 These disadvant
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REPLENISHMENT OF DEVELOPERS Film De
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Film Development 51 Flower Composit
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Film Development 53 Yvette at the C
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Monobath Film Developing 55 possibl
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Washing Monobath Film Developing 57
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Pyrogallol and Pyrocatechin 59 in A
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Pyrogallol and Pyrocatechin 61 Edwa
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Pyrogallol and Pyrocatechin 63 A la
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Crystal Springs #659, 2002. © 2008
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Broken Vase, 2002. © 2008 Gordon H
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Pyrogallol and Pyrocatechin 69 Test
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Print Developers They say my print
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Print Developers 73 when a limited
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Print Developers 75 Brett Weston &
Page 110 and 111:
Printing Methods and Techniques Tak
Page 112 and 113:
Printing Methods and Techniques 79
Page 114 and 115:
Cold Tones (Blue-black) Printing Me
Page 116 and 117:
Manipulating Exposure and Developme
Page 118 and 119:
Page 120 and 121:
#2-5041, 1996. © 2008 Henry Gilpin
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Four French Tulips, Carmel, Califor
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Page 126 and 127:
Sequoias and Sunburst, 1976. © 200
Page 128 and 129:
Page 130 and 131:
Rescuing Thin Shadows Saïd Nuseibe
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Page 134 and 135:
Page 136 and 137:
Stop Baths and Fixers Surely, it is
Page 138 and 139:
Stops Baths and Fixers 105 concentr
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Stops Baths and Fixers 107 determin
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Toning Prints There is a road from
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TONER TEST STRIPS Toning Prints 111
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Toning Prints 113 gold toning for c
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Toning Prints 115 The sepia/sulfi d
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Multiple Toning Toning Prints 117 I
Page 152 and 153:
Toning Prints 119 and selenium �
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K49 Jellyfi sh, 2008. © 2008 Ryuij
Page 156 and 157:
Photographic Reduction and Intensif
Page 158 and 159:
Page 160 and 161:
Page 162 and 163:
Page 164 and 165:
Page 166 and 167:
Pitman Arm, 2000. © 2008 Jay Dusar
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SAFELIGHT Development by inspection
Page 170 and 171:
PYRO AND DEVELOPMENT BY INSPECTION
Page 172 and 173:
leak light. What is important is th
Page 174 and 175:
Procedure for Reversal Processing R
Page 176 and 177:
Reversal Processing and Enlarged Ne
Page 178 and 179:
Procedure for Making an Enlarged Ne
Page 180 and 181:
Printing Out Processes You must alw
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Printing Out Processes 149 Caution:
Page 184 and 185:
Printing Out Processes 151 over the
Page 186 and 187:
Printing Out Processes 153 Sleeples
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Printing Out Processes 155 Add the
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Printing Out Processes 157 Camera O
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Safety in Handling Photographic Che
Page 194 and 195:
Safety in Handling Photographic Che
Page 196 and 197:
Chemicals Photography, in the fi na
Page 198 and 199:
Chemicals 165 In this 3rd edition o
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Chemicals 167 ethylenediaminetetraa
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Pharmacopoeia The artist lives to e
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Pharmacopoeia 171 Glacial acetic ac
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Pharmacopoeia 173 Uses: Preservativ
Page 208 and 209:
Pharmacopoeia 175 ALUM, POTASSIUM S
Page 210 and 211:
Pharmacopoeia 177 AMMONIUM THIOSULF
Page 212 and 213:
BROMIDE (see Potassium bromide) Pha
Page 214 and 215:
Appearance: Greenish crystalline sc
Page 216 and 217:
HYPO (see Sodium Thiosulfate) Pharm
Page 218 and 219:
Pharmacopoeia 185 working. Tropical
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Pharmacopoeia 187 Uses: To precipit
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Pharmacopoeia 189 Uses: As a preser
Page 224 and 225:
SODA (see Sodium carbonate) Pharmac
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Pharmacopoeia 193 Notes: Caustic al
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Pharmacopoeia 195 SODIUM SULFITE Sy
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Proofi ng for Maximum Black The cam
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Archival Print Procedure Appendix 1
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Archival Print Procedure 201 7. At
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Formulas FILM DEVELOPERS Developmen
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SOLUTION B Water at 110F/43C, 750.0
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SOLUTION B Water at 110F/43C, 750.0
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SOLUTION B Formulas 209 Water at 90
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Dilution B Distilled water at 125F/
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4 minutes: water without agitation.
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Metol, 3.0 g Sodium sulfi te, 45.0
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Borax, granular, 7.0 g Boric acid,
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Formulas 219 Use as you would XTOL.
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SOLUTION A Water at 125F/52C, 750.0
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SOLUTION A Water at 125F/52C, 750.0
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Stock Solution B Water at 125F/52C,
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Formulas 227 Sodium hydroxide, 17.6
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FORMULA #45 Keelan’s Monobath (H.
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The development times at 68F/20C ar
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Pyro, 28.0 g Sodium sulfi te, 100.0
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Formulas 235 NOTE 1: To help preser
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SOLUTION B Distilled water, 750.0 m
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Sodium sulfi te, 90.0 g Water to ma
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Metol, 12.0 g Sodium sulfi te, 90.0
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Developing time and procedures are
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FORMULA #69 Blue-Black Developer Fo
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Formulas 247 Benzotriazole, 0.2 g G
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FORMULA #78 Gevaert G.253 Soft-Port
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Hydroquinone, 10.0 g Water to make
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Sodium carbonate, monohydrate, 138.
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Sodium sulfi te, 23.0 g *Potassium
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Formulas 257 and then processed fol
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Normal exposure should be determine
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Pyro, 4.4 g Sodium carbonate, monoh
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FORMULA #108 Amidol Teaspoon Formul
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Amidol, 16.0 g 10% potassium bromid
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Formulas 267 Add a suffi cient amou
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FORMULA #123 Acid Hypo (J. Ghislain
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Formulas 271 When the above is thor
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Formulas 273 FILM: Film should be c
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TONERS Formulas 275 ● Different p
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Formulas 277 Add 16 drops of concen
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With stirring add: Thiourea, 1.0 g
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Formulas 281 This solution should b
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SOLUTION A *Potassium bichromate, 5
Page 318 and 319:
Prepare the bleaching bath as follo
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Formulas 287 Using the Toner: Print
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*Glacial acetic acid, 5.0 ml Water
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Formulas 291 the solubility of the
Page 326 and 327:
FORMULA #158 Kodak GP-2 (Thanks to
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Formulas 295 Dissolve the sodium su
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Formulas 297 As with Kodak Rapid Se
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Formulas 299 After treatment in the
Page 334 and 335:
FORMULA #169 Flattening Reducer For
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Formulas 303 To use, take 2 parts o
Page 338 and 339:
NEGATIVE INTENSIFIERS FORMULA #176
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STOCK SOLUTION #4 Metol, 6.5 g Sodi
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Formulas 309 Add 30.0 ml of Solutio
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Keep hands in Solution A for a few
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Distilled water, 180.0 ml Potassium
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FORMULA #194 Kodak SH-5 Formulas 31
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FORMULA #197 Kodak TC-3 Stain Remov
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Formulas 319 Development time is 8-
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Sodium metabisulfi te, 10.0 g Boric
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Conversion Tables DIRECT EQUIVALENT
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Direct equivalents (Continued) Conv
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0.7 � 10 0.8 � 11.7 0.9 � 13
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225 ml � 7.2 fl oz 250 ml � 8 f
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Sodium Carbonate Conversion Table C
Page 366 and 367:
Conversion Tables 333 always possib
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TABLE 5 Film Development Temperatur
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Material Sources 337 RH Designs (St
Page 372 and 373:
Azo Forum, www.michaelandpaula.com/
Page 374 and 375:
Bibliography 341 James, T.H. The Th
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Index A ABC Pyro formula, 231-232,
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C Cabinets, darkroom planning, 9 Ca
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fi ne-grain, 44, 211-214 general-pu
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Filters and safelights, 10-11 in th
Page 384 and 385:
In-cassette processing developing,
Page 386 and 387:
Panchromatic paper, and safelights,
Page 388 and 389:
and development by inspection, 137
Page 390 and 391:
Strong ammonium thiosulfate reducer
Page 392:
Weston amidol developers, formulas,
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