The DARKROOM COOKBOOK, Third Edition

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Film Development 51 Flower Composition, 2007. © 2008 Steve Anchell. All rights reserved. This image was made using Ilford FP4� fi lm exposed for approximately one hour and stand developed in Photographers’ Formulary TFX-2 1:1 for approximately 90 minutes. Notice the extremely high acutance as a result of minimal agitation. Photographed with an Agfa Ansco 5 � 7 inch view camera with a 4 � 5 inch reducing back.
52 THE DARKROOM COOKBOOK Highway 10 to Idyllwild, 1979. © 2008 Steve Anchell. All rights reserved. The scene represents a 10� stop range. The Kodak Super XX negative was developed in Windisch Extreme Compensating Developer. Photographed with an Agfa Ansco 8 � 10 inch view camera.
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The Darkroom Cookbook
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The DARKROOM COOKBOOK Third Edition
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Dedication This book is dedicated t
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Table of Contents PREFACE ix ACKNOW
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Preface The Darkroom Cookbook is ba
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Preface xi Which brings us to the q
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Acknowledgments There are two husba
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Introduction Today everybody seems
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Introduction xvii coating your own
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Contributing Photographers Bruce Ba
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Contributing Photographers xxi Gord
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Contributing Photographers xxiii Jo
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List of Formulas Many of the formul
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Push-Processing Formulas 230 47. Di
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Amidol Paper Developer 261 105. Ami
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Selenium Toners 294 162. Dassonvill
Page 34 and 35: Planning a Darkroom Art does not de
Page 36 and 37: Planning a Darkroom 3 Core® availa
Page 38 and 39: Planning a Darkroom 5 available as
Page 40 and 41: Placement of Equipment and Workfl o
Page 42 and 43: Planning a Darkroom 9 Floors call f
Page 44 and 45: Planning a Darkroom 11 for modern e
Page 46 and 47: How Safe Is Your Safelight? Richard
Page 48 and 49: Equipment People are under the illu
Page 50 and 51: Equipment 17 customary models. It i
Page 52 and 53: Developers One developing agent is
Page 54 and 55: Developers 21 quantity of metol to
Page 56 and 57: Developers 23 pH Scale The pH scale
Page 58 and 59: Developers 25 Anhydrous, having no
Page 60 and 61: Potassium Iodide Developers 27 Alth
Page 62 and 63: Ascorbic Acid: Developing Agent or
Page 64 and 65: Developers 31 Alicia De Larocha, so
Page 66 and 67: Film Development It is the photogra
Page 68 and 69: Film Development 35 ● Conventiona
Page 70 and 71: Film Development 37 include Efke IR
Page 72 and 73: Film Development 39 cycle per minut
Page 74 and 75: Film Development 41 minimum. Howeve
Page 76 and 77: Film Development 43 fi rst 60 secon
Page 78 and 79: Film Development 45 Not long after
Page 80 and 81: Film Development 47 These disadvant
Page 82 and 83: REPLENISHMENT OF DEVELOPERS Film De
Page 86 and 87: Film Development 53 Yvette at the C
Page 88 and 89: Monobath Film Developing 55 possibl
Page 90 and 91: Washing Monobath Film Developing 57
Page 92 and 93: Pyrogallol and Pyrocatechin 59 in A
Page 94 and 95: Pyrogallol and Pyrocatechin 61 Edwa
Page 96 and 97: Pyrogallol and Pyrocatechin 63 A la
Page 98 and 99: Crystal Springs #659, 2002. © 2008
Page 100 and 101: Broken Vase, 2002. © 2008 Gordon H
Page 102 and 103: Pyrogallol and Pyrocatechin 69 Test
Page 104 and 105: Print Developers They say my print
Page 106 and 107: Print Developers 73 when a limited
Page 108 and 109: Print Developers 75 Brett Weston &
Page 110 and 111: Printing Methods and Techniques Tak
Page 112 and 113: Printing Methods and Techniques 79
Page 114 and 115: Cold Tones (Blue-black) Printing Me
Page 116 and 117: Manipulating Exposure and Developme
Page 120 and 121: #2-5041, 1996. © 2008 Henry Gilpin
Page 122 and 123: Four French Tulips, Carmel, Califor
Page 126 and 127: Sequoias and Sunburst, 1976. © 200
Page 130 and 131: Rescuing Thin Shadows Saïd Nuseibe
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Printing Methods and Techniques 101
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Stop Baths and Fixers Surely, it is
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Stops Baths and Fixers 105 concentr
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Stops Baths and Fixers 107 determin
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Toning Prints There is a road from
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TONER TEST STRIPS Toning Prints 111
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Toning Prints 113 gold toning for c
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Toning Prints 115 The sepia/sulfi d
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Multiple Toning Toning Prints 117 I
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Toning Prints 119 and selenium �
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K49 Jellyfi sh, 2008. © 2008 Ryuij
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Photographic Reduction and Intensif
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Pitman Arm, 2000. © 2008 Jay Dusar
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SAFELIGHT Development by inspection
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PYRO AND DEVELOPMENT BY INSPECTION
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leak light. What is important is th
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Procedure for Reversal Processing R
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Reversal Processing and Enlarged Ne
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Procedure for Making an Enlarged Ne
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Printing Out Processes You must alw
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Printing Out Processes 149 Caution:
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Printing Out Processes 151 over the
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Printing Out Processes 153 Sleeples
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Printing Out Processes 155 Add the
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Printing Out Processes 157 Camera O
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Safety in Handling Photographic Che
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Safety in Handling Photographic Che
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Chemicals Photography, in the fi na
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Chemicals 165 In this 3rd edition o
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Chemicals 167 ethylenediaminetetraa
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Pharmacopoeia The artist lives to e
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Pharmacopoeia 171 Glacial acetic ac
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Pharmacopoeia 173 Uses: Preservativ
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Pharmacopoeia 175 ALUM, POTASSIUM S
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Pharmacopoeia 177 AMMONIUM THIOSULF
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BROMIDE (see Potassium bromide) Pha
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Appearance: Greenish crystalline sc
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HYPO (see Sodium Thiosulfate) Pharm
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Pharmacopoeia 185 working. Tropical
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Pharmacopoeia 187 Uses: To precipit
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Pharmacopoeia 189 Uses: As a preser
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SODA (see Sodium carbonate) Pharmac
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Pharmacopoeia 193 Notes: Caustic al
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Pharmacopoeia 195 SODIUM SULFITE Sy
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Proofi ng for Maximum Black The cam
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Archival Print Procedure Appendix 1
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Archival Print Procedure 201 7. At
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Formulas FILM DEVELOPERS Developmen
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SOLUTION B Water at 110F/43C, 750.0
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SOLUTION B Water at 110F/43C, 750.0
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SOLUTION B Formulas 209 Water at 90
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Dilution B Distilled water at 125F/
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4 minutes: water without agitation.
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Metol, 3.0 g Sodium sulfi te, 45.0
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Borax, granular, 7.0 g Boric acid,
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Formulas 219 Use as you would XTOL.
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SOLUTION A Water at 125F/52C, 750.0
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SOLUTION A Water at 125F/52C, 750.0
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Stock Solution B Water at 125F/52C,
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Formulas 227 Sodium hydroxide, 17.6
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FORMULA #45 Keelan’s Monobath (H.
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The development times at 68F/20C ar
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Pyro, 28.0 g Sodium sulfi te, 100.0
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Formulas 235 NOTE 1: To help preser
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SOLUTION B Distilled water, 750.0 m
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Sodium sulfi te, 90.0 g Water to ma
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Metol, 12.0 g Sodium sulfi te, 90.0
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Developing time and procedures are
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FORMULA #69 Blue-Black Developer Fo
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Formulas 247 Benzotriazole, 0.2 g G
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FORMULA #78 Gevaert G.253 Soft-Port
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Hydroquinone, 10.0 g Water to make
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Sodium carbonate, monohydrate, 138.
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Sodium sulfi te, 23.0 g *Potassium
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Formulas 257 and then processed fol
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Normal exposure should be determine
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Pyro, 4.4 g Sodium carbonate, monoh
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FORMULA #108 Amidol Teaspoon Formul
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Amidol, 16.0 g 10% potassium bromid
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Formulas 267 Add a suffi cient amou
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FORMULA #123 Acid Hypo (J. Ghislain
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Formulas 271 When the above is thor
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Formulas 273 FILM: Film should be c
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TONERS Formulas 275 ● Different p
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Formulas 277 Add 16 drops of concen
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With stirring add: Thiourea, 1.0 g
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Formulas 281 This solution should b
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SOLUTION A *Potassium bichromate, 5
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Prepare the bleaching bath as follo
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Formulas 287 Using the Toner: Print
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*Glacial acetic acid, 5.0 ml Water
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Formulas 291 the solubility of the
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FORMULA #158 Kodak GP-2 (Thanks to
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Formulas 295 Dissolve the sodium su
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Formulas 297 As with Kodak Rapid Se
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Formulas 299 After treatment in the
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FORMULA #169 Flattening Reducer For
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Formulas 303 To use, take 2 parts o
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NEGATIVE INTENSIFIERS FORMULA #176
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STOCK SOLUTION #4 Metol, 6.5 g Sodi
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Formulas 309 Add 30.0 ml of Solutio
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Keep hands in Solution A for a few
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Distilled water, 180.0 ml Potassium
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FORMULA #194 Kodak SH-5 Formulas 31
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FORMULA #197 Kodak TC-3 Stain Remov
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Formulas 319 Development time is 8-
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Sodium metabisulfi te, 10.0 g Boric
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Conversion Tables DIRECT EQUIVALENT
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Direct equivalents (Continued) Conv
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0.7 � 10 0.8 � 11.7 0.9 � 13
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225 ml � 7.2 fl oz 250 ml � 8 f
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Sodium Carbonate Conversion Table C
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Conversion Tables 333 always possib
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TABLE 5 Film Development Temperatur
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Material Sources 337 RH Designs (St
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Azo Forum, www.michaelandpaula.com/
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Bibliography 341 James, T.H. The Th
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Index A ABC Pyro formula, 231-232,
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C Cabinets, darkroom planning, 9 Ca
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fi ne-grain, 44, 211-214 general-pu
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Filters and safelights, 10-11 in th
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In-cassette processing developing,
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Panchromatic paper, and safelights,
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and development by inspection, 137
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Strong ammonium thiosulfate reducer
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Weston amidol developers, formulas,
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