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Themis, a study of the social origins of Greek ... - Warburg Institute

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162 The Dithyramb, Spring-Festival, etc. [ch.<br />

sequel <strong>of</strong> <strong>the</strong> sacrifice. There is, as before said, no hint <strong>of</strong> a<br />

sacramental banquet ; but <strong>the</strong>re are o<strong>the</strong>r means <strong>of</strong> contact, <strong>of</strong><br />

sacramental communion, besides eating and drinking. The blood<br />

<strong>of</strong> <strong>the</strong> bull is not drunk by <strong>the</strong> worshippers ; it is brought and<br />

poured—<strong>the</strong> liquid is red—by a woman dressed in sacramental<br />

raiment, from a situla into a great two-handled krater which<br />

stands between two obelisks again surmounted by double axe and<br />

bird. The woman celebrant is followed by ano<strong>the</strong>r woman bearing<br />

two situlae on a pole over her shoulders, and by a man playing<br />

on a lyre. At this point <strong>the</strong> scene clearly ends. The next figure,<br />

carrying a calf, turns his back and walks in <strong>the</strong> contrary direction.<br />

The distinction between <strong>the</strong> two scenes is, in <strong>the</strong> original, made<br />

clearer by <strong>the</strong> differing colours <strong>of</strong> <strong>the</strong> background 1 .<br />

As to <strong>the</strong> double cultus-objects, two points must be carefully<br />

noted. The two sets <strong>of</strong> double axes, or ra<strong>the</strong>r double-double axes,<br />

are not quite <strong>the</strong> same. The one to <strong>the</strong> right is decorated with<br />

cross stripes, that to <strong>the</strong> left is plain. The double axe on <strong>the</strong><br />

red obelisk on <strong>the</strong> o<strong>the</strong>r side <strong>of</strong> <strong>the</strong> sarcophagos has similar cross<br />

markings. Fur<strong>the</strong>r <strong>the</strong> obelisk to <strong>the</strong> right is considerably taller<br />

than <strong>the</strong> obelisk to <strong>the</strong> left. This is I think intentional, not due<br />

to ei<strong>the</strong>r accident or perspective, but to <strong>the</strong> fact that <strong>the</strong>y stand for<br />

male and female potencies. The most surprising and significant<br />

difference in <strong>the</strong> cultus-objects <strong>of</strong> <strong>the</strong> two sides yet remains.<br />

The obelisk in Fig. 30 is merely an obelisk painted red ; <strong>the</strong><br />

two obelisks in Fig. 31 are burgeoning out into leaves, and<br />

<strong>the</strong>y are painted green ; <strong>the</strong>y are trees alive and blossoming.<br />

They are not indeed actual trees 2 , but mimic trees, obelisks decked<br />

for ritual purposes with cypress leaves.<br />

The blood, <strong>the</strong> fievo

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