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Themis, a study of the social origins of Greek ... - Warburg Institute

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'<br />

xi] Dike in Hades 519<br />

him like a sort <strong>of</strong> moralized Kratos and Bia. The nurse says <strong>of</strong><br />

Medea 1<br />

,<br />

'Did ye hear her cry<br />

To <strong>the</strong>m that guard man's faith forsworn,<br />

<strong>Themis</strong> and Zeus ?<br />

It was <strong>the</strong> boast <strong>of</strong> ^Egina that more than any o<strong>the</strong>r city she<br />

honoured<br />

Saviour <strong>Themis</strong> who sitteth by Zeus, God <strong>of</strong> Strangers 2 .<br />

Hesiod as we have seen makes her succeed Thetis as second<br />

wife <strong>of</strong> Zeus.<br />

The real truth comes out in <strong>the</strong> fragment <strong>of</strong> a hymn <strong>of</strong><br />

Pindar's 3 in which he describes this Olympian wedding.<br />

And first did <strong>the</strong> Moirai 4 4ead Heavenly <strong>Themis</strong> <strong>of</strong> <strong>the</strong> Good Counsels<br />

with golden horses along <strong>the</strong> springs <strong>of</strong> Okeanos, up <strong>the</strong> holy ladder <strong>of</strong><br />

Olympos, along <strong>the</strong> shining way.<br />

She who was <strong>of</strong> earth, she who was Earth herself, leaves her<br />

home and goes <strong>the</strong> way <strong>of</strong> all things divine, up to Olympos. But,<br />

in <strong>the</strong> very pomp and pageant <strong>of</strong> her going, we feel she is entering<br />

on an alien kingdom. Hers are human conventions, and it is only<br />

by constraint <strong>of</strong> <strong>the</strong> Moirai that she goes skyward, <strong>the</strong>re to wed<br />

Zeus and to summon his councils.<br />

Not less clearly and with more inherent propriety does Dike<br />

belong to Hades, <strong>the</strong> kingdom <strong>of</strong> Plouton. When Antigone 5 is<br />

1 Eur. Med. 169<br />

And again, 208<br />

eTripoaTai<br />

Q^/juv evKTaiav Zijvd 6\<br />

rav Zrjvos bpniav Qipav.<br />

2 Pind. 01. viii. 21<br />

hda Hipreipa Aids £ei>iov<br />

3 Christ, Erg. 29, 30, v.<br />

irdpedpos dcr/ceiVcu Qifus.<br />

7. This hymn, like <strong>the</strong> Paean quoted above, may very<br />

probably have been written for <strong>the</strong> Daphnephoria to accompany <strong>the</strong> procession <strong>of</strong><br />

<strong>the</strong> Kopo. See supra, p. 438.<br />

4 In a lyric fragment (Bergk, adesp. 139) <strong>the</strong> Fates are made to escort <strong>the</strong> three<br />

Horai, Eunomia, Dike and Eirene.<br />

K\u)6ili Adjects r' ev&Xevoi<br />

Kovpai Nukt6s,<br />

evxo/J-ivuv ewaKovaar\ ovpdviai x^^ VL0LL Te Saifiovev<br />

w wavSelfxavroi, W/XTreT' ap-ixiv<br />

pohoKoKirov 'Evv<strong>of</strong>ilav \nrapodpovovs t d5e\0ds, Aikzv<br />

KO.I GTe

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