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Themis, a study of the social origins of Greek ... - Warburg Institute

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502 <strong>Themis</strong> [ch.<br />

and again 1<br />

, even more significantly, he links Zeus, A<strong>the</strong>ne, and<br />

Apollo toge<strong>the</strong>r as <strong>the</strong> typical happy family:<br />

Would that indeed I were for ever as surely <strong>the</strong> son <strong>of</strong> aegis-bearing Zeus,<br />

at.d that my mo<strong>the</strong>r were lady Hera, and that I were held in such honour as<br />

Apollo and A<strong>the</strong>ne, as verily this day is to bring utter evil on all <strong>the</strong> Argives<br />

Apollo and A<strong>the</strong>na <strong>the</strong>n are linked toge<strong>the</strong>r as Phratrioi and<br />

this conjunction is found in <strong>the</strong> patrilinear Homer and in <strong>the</strong><br />

Eumenides where all <strong>the</strong> emphasis is patriarchal. Elsewhere<br />

Apollo is linked with quite ano<strong>the</strong>r goddess, with Artemis, and in<br />

this conjunction we see a survival, though altered and disfigured,<br />

<strong>of</strong> matriarchal structure. In Homer a great effort is made to<br />

affiliate Artemis as one <strong>of</strong> <strong>the</strong> patriarchal family, but, in her<br />

ancient aspect as Tlorvia 6r]pa>v, she is manifestly but a form<br />

<strong>of</strong> <strong>the</strong> Great Mo<strong>the</strong>r :<br />

at Delphi, where Apollo reigns supreme, his<br />

' sister ' Artemis is strangely, significantly absent. What has<br />

happened is fairly obvious. Artemis, as Mo<strong>the</strong>r, had a male-god<br />

as son or subordinate consort, just as Aphrodite had Adonis. When<br />

patriarchy ousted matriarchy, <strong>the</strong> relationship between <strong>the</strong> pair is<br />

first spiritualized as we find it in Artemis and Hippolytos ; next<br />

<strong>the</strong> pair are conceived <strong>of</strong> in <strong>the</strong> barren relation <strong>of</strong> sister and<br />

bro<strong>the</strong>r. Finally <strong>the</strong> female figure dwindles altoge<strong>the</strong>r and <strong>the</strong><br />

male-consort emerges as merely son <strong>of</strong> his fa<strong>the</strong>r or utterer <strong>of</strong> his<br />

fa<strong>the</strong>r's w r ill—Ato

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