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Themis, a study of the social origins of Greek ... - Warburg Institute

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vni] Analysis <strong>of</strong> Term 'Mythos' 327<br />

first received or purified him on his entry into A<strong>the</strong>ns. The real<br />

functional tribal eponym, Phytalos, fades before <strong>the</strong> saga-personality<br />

Theseus.<br />

Theseus indeed marks, as already noted, <strong>the</strong> period <strong>of</strong> transi-<br />

tion between <strong>the</strong> group and <strong>the</strong> individual, <strong>the</strong> functionary, <strong>the</strong><br />

basileus and <strong>the</strong> individual historic or saga-chief. Theseus is a<br />

king's son, but he lets go <strong>the</strong> kingship (ftcurikeiav a^et?). He is<br />

<strong>the</strong> hero <strong>of</strong> <strong>the</strong> new democracy whose basis is individuality. It<br />

is this swift transit from <strong>the</strong> group to <strong>the</strong> individual, from <strong>the</strong><br />

function to <strong>the</strong> person, that is, as will later become clear, at once<br />

<strong>the</strong> weakness and <strong>the</strong> strength <strong>of</strong> <strong>the</strong> religion <strong>of</strong> <strong>the</strong> <strong>Greek</strong>. The<br />

individual is a frail light bark to launch upon a perilous sea.<br />

But <strong>the</strong> Sibyl bade <strong>the</strong> A<strong>the</strong>nian, who let <strong>the</strong> kingship slip, take<br />

courage<br />

:<br />

The wine-skin wins its way upon <strong>the</strong> waves 1 .<br />

Theseus, <strong>the</strong>n, <strong>the</strong> saga-hero, <strong>the</strong> quasi-historical personality,<br />

took on <strong>the</strong> life-history, <strong>the</strong> year-history <strong>of</strong> a fertility-daimon, that<br />

daimon himself, figured by <strong>the</strong> youth with <strong>the</strong> Eiresione, having as-<br />

similated ano<strong>the</strong>r daimon, him <strong>of</strong> <strong>the</strong> grape—Dionysos. It remains<br />

to ask—What are <strong>the</strong> factors, <strong>the</strong> actual elements, <strong>the</strong> events in<br />

<strong>the</strong> life-history <strong>of</strong> an Eniautos-daimon* ? What is his mythosl<br />

And first, what precisely do we mean by a mythos ?<br />

The Mythos.<br />

A myth is to us now-a-days a ' purely fictitious narrative 15 .'<br />

When we say a thing is ' we mythical '<br />

mean it is non-existent.<br />

We have travelled in this matter far from ancient thinking and<br />

1 Pint. VU. Thrs. XXIV.<br />

&(tk6s yap iv ot'5/xan irovToiropevaai.<br />

ToOro 8e /ecu 2i/3uX\ae varepov air<strong>of</strong>fTOixaTiaai wp'os ttjv ttoKiv IdTopovaiv ava^dty^a/xiv^v<br />

'A'Tkos /3a7rrij"77 ' Bvvai 54 tol ov $ep.is eariv.<br />

- To avoid misunderstanding I ought perhaps to state clearly at this point that<br />

<strong>the</strong> phrase eviavrbs daL/xwv is so far as I know never used by <strong>the</strong> <strong>Greek</strong>s. They<br />

called <strong>the</strong>ir year-daimones by different names in different places. In Boeotia he<br />

wus Agathos Daimon, in Crete Mer/intos Kouros, at Eleusis Plouton. Our earliest<br />

literary evidence for Eniautos as a definite personality is probably Pindar, Paean,<br />

I. 5 TravreXris 'EiViaiiTds, 'ilpai re Qepuyovot. See infra, chapter xi.<br />

:i See <strong>the</strong> excellent definition in Murrav's English Dictionary. 'A purely<br />

fictitious narrative usually involving supernaturnl persons, actions or events,<br />

and embodying some popular idea concerning natural or historical phenomena.'<br />

A myth is essentially 'popular,' i.e collective, not <strong>the</strong> product <strong>of</strong> an individual<br />

brain, it has to do with daimones, i.e. involves <strong>the</strong> 'supernatural,' it blends <strong>the</strong><br />

historical and <strong>the</strong> natural in a waj* to be observed later.

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