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Themis, a study of the social origins of Greek ... - Warburg Institute

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IX] Apollo and <strong>the</strong> Omphalos 411<br />

on as ' birthday gift ' from Phoibe <strong>the</strong> fertility <strong>of</strong> <strong>the</strong> moon ra<strong>the</strong>r<br />

than <strong>the</strong> earth.<br />

On <strong>the</strong> red-figured vase-painting in Fig. 123 1 we see <strong>the</strong><br />

Fig. 128.<br />

Olympian Apollo seated on <strong>the</strong> omphalos 2 .<br />

The scene is certainly<br />

at Delphi, for <strong>the</strong> figure approaching on <strong>the</strong> left and holding a<br />

shea<strong>the</strong>d sword is Orestes balanced to <strong>the</strong> right by Pylades. Apollo<br />

looks triumphant holding lyre and laurel branch, and if we think<br />

<strong>of</strong> him as dethroning Gaia from her ancient seat we find his<br />

intrusion hard to bear, but, remembering Aguieus, it may be that<br />

<strong>the</strong> seated Olympian is no parvenu but only <strong>the</strong> fully humanized<br />

form <strong>of</strong> <strong>the</strong> ancient fertility cone, surmounting <strong>the</strong> grave-mound.<br />

The grave-cone took shape in Aguieus, but naturally <strong>the</strong><br />

omphalos-cult was not confined to Delphi or associated only with<br />

Apollo. It might arise anywhere where <strong>the</strong>re was a hero-grave<br />

or a worship <strong>of</strong> Earth-Spirits 3 . We have seen that Asklepios had<br />

1 Eaoul Rochette, Man. Med. pi. 37. Naples Museum, Heydeinann Cat. 108.<br />

2 For <strong>the</strong> type in sculpture see Mr Wace's article in B.S.A. 1902-3 (ix.), p. 211.<br />

3 An instructive parallel to <strong>the</strong> omphalos-cult I believe to be <strong>the</strong> ceremonial <strong>of</strong><br />

<strong>the</strong> Latin mwndus, covered by <strong>the</strong> lapis manalis. But <strong>the</strong> examination <strong>of</strong> this<br />

would take me too far for present limits. I will only note that <strong>the</strong> two elements <strong>of</strong><br />

<strong>the</strong> omphalos-cult, ghosts or fertility, are very clearly present, though <strong>the</strong>ir connection<br />

is not expressly stated. Varro (op. Macrob. i. 16. 18) says 'Mundus cum patet,<br />

deorum tristium atque inferum ianua patet.' Plutarch, Vit. Rom. 11, notes that<br />

<strong>the</strong> mundus was, as it were, <strong>the</strong> penus or storehouse <strong>of</strong> <strong>the</strong> new city, dirapxai- re<br />

TravTwv oaois v<strong>of</strong>xu fitv (is /caAois exp&vTo, (pvatL 5k ws dvayKaioLS, dweTeQ^crav evrauOa.<br />

As <strong>of</strong>ten with <strong>the</strong> Latins, we have <strong>the</strong> <strong>social</strong> fact presented clearly because unmythologized.<br />

For 'Mundus patet' see Mr Warde Fowler, Roman Festivals, p. 211,<br />

and for Tellus and <strong>the</strong> Manes see his Religious Experience <strong>of</strong> <strong>the</strong> Roman People,<br />

1911, p. 121.

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