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Themis, a study of the social origins of Greek ... - Warburg Institute

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378 From Daimon to Olympian [CH.<br />

The relief 1<br />

chance we know it.<br />

in Fig. 104 enables us to give to <strong>the</strong> figure <strong>of</strong><br />

Herakles a local habitation and a<br />

name. The inscription on <strong>the</strong> basis<br />

<strong>of</strong> <strong>the</strong> little shrine is clear— ' Of<br />

Herakles Alexikakos'V As ' Defender<br />

from Evil ' Herakles was worshipped<br />

in <strong>the</strong> deme <strong>of</strong> Melite, <strong>the</strong> Pnyx<br />

region <strong>of</strong> A<strong>the</strong>ns. Again <strong>the</strong> hero<br />

stands close to and overtopping his<br />

little shrine. The shrine is sur-<br />

mounted by a great krater on a<br />

pedestal. Krater and pedestal to-<br />

ge<strong>the</strong>r are about half <strong>the</strong> height <strong>of</strong><br />

<strong>the</strong> shrine itself. Whom is Herakles<br />

to defend from evil ? The worshipper<br />

only approaches; an ephebos, like in<br />

age and stature to Herakles himself,<br />

save that he wears cloak and petasos.<br />

Is <strong>the</strong>re any link between <strong>the</strong> great<br />

krater and <strong>the</strong> youth and Herakles<br />

'Defender from Evil'? It happens<br />

that, in very singular and instructive<br />

fashion <strong>the</strong>re is, and by a happy<br />

Photius 3 in a priceless gloss thus explains <strong>the</strong> word olvi\a\ar^pLa<br />

'wine-doings':<br />

Fig. 103.<br />

A libation to Herakles performed by <strong>the</strong> epheboi before <strong>the</strong> cutting <strong>of</strong> <strong>the</strong>ir<br />

hair.<br />

Photius gives as his authority a play <strong>of</strong> Eupolis, <strong>the</strong> Demoi.<br />

We should guess <strong>the</strong>refore that <strong>the</strong> custom was A<strong>the</strong>nian, but<br />

1 A. Mitt, xxxvi. 1911, Taf. n.<br />

2 For Herakles in Melite. see my Primitive A<strong>the</strong>ns, pp. 146— 152. Dr Frickenhaus<br />

holds that <strong>the</strong> triangular precinct with <strong>the</strong> wine-press, excavated by Dr Dorpfeld,<br />

and by him explained as <strong>the</strong> old sanctuary <strong>of</strong> Dionysos-in-<strong>the</strong>-Marshes, is <strong>the</strong><br />

Herakieion in Melite. I followed Dr Dorpfeld, and this is not <strong>the</strong> place to re-examine<br />

a question mainly topographical, but if Dr Frickenhaus's most interesting <strong>the</strong>ory<br />

be true, and we have a Herakieion close to <strong>the</strong> old orchestra, it may, as Pr<strong>of</strong>. Murray<br />

suggested to me, throw an odd light on <strong>the</strong> Herakles disguise assumed by <strong>the</strong><br />

Dionysos <strong>of</strong> <strong>the</strong> Frogs. Both are Kouroi; both, as will immediately be seen, have<br />

a wine- service. So <strong>the</strong> shift from one to ano<strong>the</strong>r is not as great as it seems.<br />

3 s.v. oit>i[a]crTT}pta ' airovby} tiZ "HpaKXei eTriTeXovfJ.tvr) inrb tQiv i(pr)^wv trplv<br />

aTTOKeipacrdai.. Ei

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