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Themis, a study of the social origins of Greek ... - Warburg Institute

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418 From Daimon to Olympian [ch.<br />

As to <strong>the</strong> aetiological myth Pausanias is rightly sceptical.<br />

Happily he adds<br />

:<br />

The women <strong>of</strong> Megara to this day perform rites that are analogous to <strong>the</strong><br />

story told.<br />

Did <strong>the</strong> ' Bringing up <strong>of</strong> Semele ' take place at an omphalos-<br />

sanctuary ? At Delphi we cannot say for certain. It is possible<br />

that in <strong>the</strong> fragmentary Paean, ' For <strong>the</strong> Delphians,' Pindar 1 may<br />

allude to some such ceremonial. He goes gladly to Pytho we<br />

are told<br />

:<br />

to Apollo's grove, nurse <strong>of</strong> wreaths and feasts, where <strong>of</strong>t by <strong>the</strong> shadowed<br />

omphalos <strong>of</strong> Earth <strong>the</strong> maidens <strong>of</strong> Delphi beat <strong>the</strong> ground with swift feet, as<br />

<strong>the</strong>y sing <strong>of</strong> <strong>the</strong> son <strong>of</strong> Leto.<br />

But <strong>the</strong> reference is too vague to be <strong>of</strong> much use as evidence.<br />

At A<strong>the</strong>ns we are more fortunate. Pindar we remember 2 , in<br />

his spring Dithyramb, bids <strong>the</strong> very Olympians come to <strong>the</strong><br />

omphalos 3 <strong>of</strong> A<strong>the</strong>ns, where, as on an altar, incense smokes and<br />

where many feet are treading. So insistent is he on <strong>the</strong> flowers<br />

and <strong>the</strong> '<br />

fragrant spring ' that we can scarcely doubt that his<br />

song was written for <strong>the</strong> An<strong>the</strong>steria. We are sure it was written<br />

for a ' Bringing up <strong>of</strong> Semele,' for<br />

Then, <strong>the</strong>n are. flung over <strong>the</strong> immortal Earth lovely petals <strong>of</strong> pansies,<br />

and roses are amid our hair ; and voices <strong>of</strong> song are loud among <strong>the</strong> pipes,<br />

<strong>the</strong> dancing-floors are loud with <strong>the</strong> calling <strong>of</strong> croimed Semele*.<br />

On Gaia worship as seen in ' The Bringing up <strong>of</strong> Semele<br />

much light is thrown by <strong>the</strong> familiar ' Anodos ' vases 5 . The<br />

design in Fig. 124 6 shows <strong>the</strong> Anodos. We have a great mound<br />

<strong>of</strong> earth artificially covered in with a thick coat <strong>of</strong> white. On it<br />

1 Paeans, frg. vi. 15, Grenfell and Hunt, Oxyrhynch. Pap. Part v. p. 41.<br />

Kare^av GTecpavwv<br />

Kal OaXidv Tpb

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