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Themis, a study of the social origins of Greek ... - Warburg Institute

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302<br />

family sanctities<br />

C<br />

FlG -<br />

81-<br />

t/\ (**<br />

Daimon and Hero [CH.<br />

The great fertility-snake in front, all sur-<br />

rounded by herbage and ap-<br />

proaching a small altar, is <strong>the</strong><br />

genius <strong>of</strong> <strong>the</strong> house in animal<br />

form 1 . Above<br />

is <strong>the</strong> head <strong>of</strong> <strong>the</strong><br />

house himself, <strong>the</strong> human genius,<br />

to ei<strong>the</strong>r side <strong>of</strong> him a dancing<br />

Lar holding a cornucopia.<br />

Similar in feeling is <strong>the</strong> design<br />

in Fig. 81, from a relief in <strong>the</strong><br />

Villa Medici 2 . The snake genius<br />

this time is twined actually<br />

round <strong>the</strong> household altar and<br />

<strong>the</strong> head <strong>of</strong> <strong>the</strong> house himself<br />

holds <strong>the</strong> cornucopia. The snake<br />

") is omnipresent. It is not till Rome falls under <strong>Greek</strong> influence<br />

that we get <strong>the</strong> family daimon abstracted from <strong>the</strong> hearth and<br />

fully anthropomorphic. The Bonus Eventus <strong>of</strong> <strong>the</strong> blue glass<br />

cameo plaque 3 in Fig. 82 is a <strong>Greek</strong> for all his name 4 , a goodly<br />

human youth with no hint <strong>of</strong> divinity but his patera and corn<br />

ears, a /xejLaTooni Eventus dextra pateram, sinistra spicam ac<br />

papaverem teuens.<br />

5 Cf. <strong>the</strong> lectus genialis. Paul <strong>the</strong> Dea on<br />

nuptiis sternitur in honorem genii, unde et<br />

says (p. 94), Lectus genialis qui<br />

appellatus, a statement which,<br />

reversed, just hits <strong>the</strong> mark.

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