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Themis, a study of the social origins of Greek ... - Warburg Institute

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ix] The Slaying <strong>of</strong> <strong>the</strong> Python 393<br />

<strong>the</strong> sun will lend him a wheel or a chariot or a golden cup.<br />

Such a view is not sun-mythology or moon-mythology, it is<br />

common human psychology. What a man attends to, feels about,<br />

provided it be <strong>social</strong>ly enforced and perpetuated, that is his<br />

religion, <strong>the</strong>nce are his gods.<br />

But what iEschylus envisaged as a divine sequence, and what<br />

modern psychology and anthropology know to be a necessary<br />

development, looked quite o<strong>the</strong>rwise to <strong>the</strong> popular mind. A<br />

gradual evolution seen from beginning and end only is apt to be<br />

conceived as a fight between <strong>the</strong> two poles. So it was at Delphi.<br />

The natural sequence <strong>of</strong> cults from Gaia to Apollo was seen by<br />

<strong>the</strong> man in <strong>the</strong> street as a fight between Earth and <strong>the</strong> Sun,<br />

between Darkness and Light, between <strong>the</strong> dream-oracle and <strong>the</strong><br />

truth <strong>of</strong> heaven. All this for ritual reasons that will appear later<br />

crystallized in <strong>the</strong> form <strong>of</strong> a myth, <strong>the</strong> slaying <strong>of</strong> <strong>the</strong> Python by<br />

Apollo.<br />

iEschylus has given us <strong>the</strong> peaceful evolution. The fight,<br />

though probably a fiction, is <strong>of</strong> great importance to us because it<br />

helps us to realize one cardinal factor in <strong>the</strong> making <strong>of</strong> an<br />

Olympian. Euripides 1 gives us <strong>the</strong> fight in two traditional forms :<br />

first <strong>the</strong> slaying <strong>of</strong> <strong>the</strong> snake, and second <strong>the</strong> dream -oracle <strong>of</strong><br />

Earth and Night as against Phoibos <strong>the</strong> Sun. The chorus <strong>of</strong><br />

captive maidens, handmaidens to Iphigeneia, think with longing<br />

<strong>of</strong> Delos and tell <strong>of</strong> Apollo's birth <strong>the</strong>re and his passing to<br />

Delphi. Euripides as was natural in an A<strong>the</strong>nian, accepts <strong>the</strong><br />

version that Apollo came from Delos, not from Crete.<br />

Oh fair <strong>the</strong> fruits <strong>of</strong> Leto blow ; Strophe.<br />

A Virgin, one, with joyous bow,<br />

And one a Lord <strong>of</strong> flashing locks,<br />

/ Wise in <strong>the</strong> harp, Apollo<br />

She bore <strong>the</strong>m amid Delian rocks,<br />

Hid in a fruited hollow.<br />

But forth she fared from that low reef,<br />

Sea-cradle <strong>of</strong> her joy and grief,<br />

A crag she knew more near <strong>the</strong> skies<br />

And lit with wilder water,<br />

That leaps with joy <strong>of</strong> Dionyse<br />

There brought she son and daughter.<br />

1 I. in T. 1235.<br />

:<br />

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