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Themis, a study of the social origins of Greek ... - Warburg Institute

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VIIl] The<br />

l<br />

Hero-Feasts' 309<br />

On past interpretations, beginning with Winckelmann and<br />

probably not yet ended with Pr<strong>of</strong>. Gardner 1<br />

, it is not necessary<br />

long to dwell. All early interpretations fall under four heads.<br />

The scenes on <strong>the</strong> reliefs are explained ei<strong>the</strong>r as<br />

(a) Mythological, e.g. Winckelmann interprets <strong>the</strong> banqueting<br />

scene as <strong>the</strong> loves <strong>of</strong> Demeter-Erinys and Poseidon. These<br />

mythological interpretations are now completely discredited.<br />

(b) Retrospective and commemorative. They represent domestic<br />

scenes in <strong>the</strong> daily life <strong>of</strong> <strong>the</strong> dead man, and thus are in line with<br />

<strong>the</strong> scenes on ordinary A<strong>the</strong>nian grave-reliefs. The snake is<br />

supposed to be a 'household snake.'<br />

(c) Representative <strong>of</strong> <strong>the</strong> bliss <strong>of</strong> Elysium where <strong>the</strong> dead<br />

Shall sit at endless feast.<br />

1 I borrow my summary <strong>of</strong> <strong>the</strong>se views from Pr<strong>of</strong>. Gardner's admirable paper.<br />

A Sepulchral Relief from Tarentum, in J. H. S., 1884, v. p. 105, where a full<br />

bibliography <strong>of</strong> <strong>the</strong> subject will be found.

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