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Themis, a study of the social origins of Greek ... - Warburg Institute

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24 The Hymn <strong>of</strong> <strong>the</strong> Kouretes [ch.<br />

m„e- S in armour; it is especially as inspired dancers that<br />

<strong>the</strong>y fulfil <strong>the</strong>ir function as ministers in sacred rites. lhey<br />

Sire terror by armed dances accompaniedi by no.se and hubbub<br />

<strong>of</strong> timbrels and clashing arms and also by <strong>the</strong> sound o <strong>the</strong> flute<br />

and shouting.' Nursing young children or even dnllmg young<br />

boys are function* that seem to us scarcely congruous with <strong>the</strong><br />

daneino- <strong>of</strong> armed dances. On <strong>the</strong> terracotta relief in Fig. 3 we<br />

ove<br />

see <strong>the</strong>\ouretes armed with shields and short spears dancing :<br />

<strong>the</strong> infant Zeus, and if we try to realise <strong>the</strong> scene «d«M<br />

to us absurd, calculated ra<strong>the</strong>r to scare <strong>the</strong> child to death than<br />

to defend him. But <strong>the</strong> Kouretes as Initiators continue <strong>the</strong>n<br />

'<br />

c ngruous functions. Pantomimic dancing is <strong>of</strong> <strong>the</strong> essence <strong>of</strong><br />

each and every mystery function. To disclose <strong>the</strong> mysteryM. as<br />

to dance out <strong>the</strong> mysteries.' Instruction among<br />

Lucian' puts it '<br />

savage peoples is always imparted in more or less mimetic dances .<br />

It initiation you learn certain dances which confer on you defini<br />

<strong>social</strong> status. When a man is too old to dance, he hands over his<br />

dance to ano<strong>the</strong>r and a younger, and he <strong>the</strong>n among som tube.<br />

ceases to exist <strong>social</strong>ly. His funeral when he dies is celeb ated<br />

with scanty and perfunctory rites; having lost his dance he is<br />

, a negligible <strong>social</strong> unit 4 .<br />

The dances taught to boys at initiation are frequently if not<br />

always armed dances. These are not necessarily warhke. The<br />

accoutrement <strong>of</strong> spear and shield was m part decorative in part a<br />

pro usion for making <strong>the</strong> necessary hubbub. What a Koures in<br />

Lieut days must have looked like may be ga<strong>the</strong>red from F,g. 4<br />

a photograph taken <strong>of</strong> <strong>the</strong> peculiar dance with song (j^Kjr,) <strong>of</strong><br />

<strong>the</strong> neophytes among <strong>the</strong> Akikfiyu prior to <strong>the</strong>ir initiation a<br />

men Conspicuous in <strong>the</strong>ir dancing gear are <strong>the</strong> great ceremonial<br />

dancing shields and <strong>the</strong> long staves. They are painted in zigzag<br />

with white paint, and wear tails and skins <strong>of</strong> monkey and wild<br />

cat. To be allowed to dance it is essential that a boy be painted<br />

. ima« i. In,,. *n.

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