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Themis, a study of the social origins of Greek ... - Warburg Institute

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vi] The Salii and <strong>the</strong> Kouretes 195<br />

each man, he says, is girt with a sword, and in his right hand<br />

wields ' a spear or a staff or something <strong>of</strong> that sort 1 ,' in his left is<br />

a Thracian shield. We think <strong>of</strong> <strong>the</strong> Salii as clashing <strong>the</strong>ir swords<br />

on <strong>the</strong>ir shields, but <strong>the</strong> Salii seen by Denys seem to have had<br />

some implement as to <strong>the</strong> exact nature <strong>of</strong> which Denys is uncer-<br />

tain.<br />

The design in Fig. 49 from a relief found at Anagni 2 may throw<br />

some light on this uncertainty. The Salii are shown in long<br />

priestly robes with shields in <strong>the</strong>ir left hands. In <strong>the</strong>ir right is<br />

not, as we should expect, a spear or a sword, but an unmistakable<br />

drumstick. Some such implements Denys must have seen. It<br />

looks back to <strong>the</strong> old days when <strong>the</strong> shield was not <strong>of</strong> metal but<br />

<strong>of</strong> skin. Euripides 3 , speaking <strong>of</strong> Crete, sa} r s that <strong>the</strong>re <strong>the</strong> triple-<br />

crested Korybantes found for Dionysos and his Bacchants <strong>the</strong>ir<br />

' skin-stretched orb.' In a word timbrel and shield were one and<br />

<strong>the</strong> same, a skin stretched on a circular or oval frame and played<br />

on with a drumstick ; <strong>the</strong> gear <strong>of</strong> Salii and Korybantes alike was,<br />

to begin with, musical as well as military.<br />

The helmets worn by <strong>the</strong> Salii on <strong>the</strong> relief may also be noted.<br />

They are not <strong>of</strong> <strong>the</strong> form we should expect as representing <strong>the</strong><br />

canonical apex. They have three projections, and in this respect<br />

recall <strong>the</strong> ' triple-crested ' Korybants <strong>of</strong> Euripides. Possibly <strong>the</strong><br />

central knob may have been originally <strong>of</strong> greater length and<br />

prominence and may have given its name to <strong>the</strong> apex. The shields<br />

carried on <strong>the</strong> Anagni relief are slightly oblong but not indented.<br />

1 Loc. cit. TrapefaffTdi 5' ^Kacrros avrCov £i0os Kai rrj p.ev de^iq, x el P L Xoyx 7)" V p&§dov<br />

f) ti toiovO' erepov Kparel, rrj 5' fiiuvv/jup Karix^- ire\Tijv Qpq.Kiav.<br />

2 Annali d. Inst, 1869, Tav. d' agg. E. Beundorf, who publishes <strong>the</strong> relief, does<br />

not say where it now is. That <strong>the</strong> relief should have been found at Anagni (<strong>the</strong><br />

ancient Anagnia) is a fact <strong>of</strong> singular interest. Marcus Aurelius, in going through<br />

Anagnia on his way to his Signian villa writes thus to Fronto (Frontonis et Aurelii<br />

Epistulae, Naber 1867, pp. 66, 67):<br />

Priusquam ad villain venimus Anagniam devertimus mille fere passus a via.<br />

Deinde id oppidum anticum vidimus, minutulum quidem sed multas res in se<br />

antiquas habet, aedes sanctasque caerimonias supra modum. Nullus angulus fuit,<br />

ubi delubrum aut fanum aut templum non sit. Praeterea multi libri linitei, quod<br />

ad sacra adtinet. Deinde in porta cum eximus ibi scriptum erat bifariam sic:<br />

fiamen sume samentum. Kogavi aliquem ex popularibus quid ilium verbum esset?<br />

Ait lingua hernica pelliculam de hostia quam in apicem suum flamen cum in<br />

urbem introeat inponit.<br />

I owe this interesting reference to <strong>the</strong> kindness <strong>of</strong> Mr Spenser Farquharson.<br />

3 Bacch. 123<br />

Zvda rpiKopvdes avrpois<br />

fivpaoTovov kvkXw/jlo. rode<br />

[moi Kopi/ftavres rjvpov.<br />

13—2

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