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Themis, a study of the social origins of Greek ... - Warburg Institute

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i] The Titanes as Initiators 17<br />

This I had long suspected because <strong>of</strong> <strong>the</strong> white-clay-men.<br />

These I have already fully discussed elsewhere 1 and I need now<br />

only briefly resume what is necessary for <strong>the</strong> immediate argument.<br />

The word Titanes (white-clay-men) comes <strong>of</strong> course from Tirdvos,<br />

w hite earth or play gypsHJZL. ^he Titanes, <strong>the</strong> white-clay-men,<br />

were later, regardless <strong>of</strong> quantity, mythologized into Titanes,<br />

Titans, giants. Harpocration 2 , explaining <strong>the</strong> word diro/jbaTrcov,<br />

says that <strong>the</strong> Titans, when <strong>the</strong>y tore Dionysos to pieces, were<br />

covered with a coat <strong>of</strong> gypsum in order that <strong>the</strong>y might not be<br />

recognized. Later, people when <strong>the</strong>y were initiated went on<br />

doing <strong>the</strong> same thing and for <strong>the</strong> same reason that most people<br />

do most things nowadays, because 'it was <strong>the</strong> thing to do.'<br />

Nonnus 3 also says that <strong>the</strong> Titans were ' whitened with mystic<br />

gypsum.'<br />

A coat <strong>of</strong> white paint was a means <strong>of</strong> making yourself up as a<br />

bogev or ghost : by disguising your real character as a common<br />

human man you reinforced your normal personality. A coat <strong>of</strong><br />

white or sometimes black paint is <strong>the</strong> frequent disguise <strong>of</strong> savages<br />

to-day when in ceremonies <strong>of</strong> initiation for <strong>the</strong> edification <strong>of</strong> <strong>the</strong>ir<br />

juniors <strong>the</strong>y counterfeit <strong>the</strong>ir tribal ancestors.<br />

The Titans <strong>the</strong>n, <strong>the</strong> white-clay-men, are real men dressed up<br />

as bogies to perform initiation rites. It is only later when t heir<br />

meaning isjbrgotten that <strong>the</strong>y are ex- plained as Titanes mytm><br />

logical giants. Thus much was clear to me years ago : i.e. that<br />

under <strong>the</strong> myth <strong>of</strong> Zagreus lay some form <strong>of</strong> initiation rite. What<br />

I <strong>the</strong>n did not see, though my blindness seems to me now almost<br />

incredible, was <strong>the</strong> significance <strong>of</strong> <strong>the</strong> child and <strong>the</strong> toys 4 and<br />

above all why <strong>the</strong> child was first killed and <strong>the</strong>n brought back<br />

to- life.<br />

Again light came to me unexpectedly from a paper kindly sent<br />

1 Prolegomena, p. 492.<br />

2 eKp.ip.oijp.evot. ra pvdo\oyovpeva irap' evicts, ilis tipa oi Tiraves rbv Aiovvcrov<br />

eXvp-qvavro yvipiii KarairXao-dpevoi eirl ru) pri yvdiptfxoi yevtaOai. tovto pev ovv to<br />

ZOvos €K\iweiv, ttt]\u) de varepov KaTaTrXaTreadai vop.ip.ov 1 x^P "-<br />

3 Nonn. Dionys. xxvu. 228<br />

eXevKaivovTO de yvij/ip<br />

pvcmiroXu).<br />

4 A child's ' toys ' in antiquity were apt to be much more than mere playthings..<br />

They were charms inductive <strong>of</strong> good, prophylactic against evil, influences. Thus<br />

crepundia, from crepere 'to rattle,' served to amuse <strong>the</strong> child but also to protect<br />

him. For this whole subject see E. Wiinsch, Charm* and Amulets, in Hastings'<br />

Encyclopaedia <strong>of</strong> Keligion and Ethics.<br />

H. 2

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