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Themis, a study of the social origins of Greek ... - Warburg Institute

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376 From Daimon to Olympian [CH.<br />

as being more recent in sanctity wine is <strong>of</strong>fered. All this is true,<br />

but not <strong>the</strong> whole, nor even I think <strong>the</strong> main truth. The real<br />

distinction is that heroes and chthonic divinities are Year-daimones<br />

who die to rise again. The Olympians are, and, as will presently 1<br />

be seen, it is nowise to <strong>the</strong>ir credit, Immortals (dOdvaroi). It is<br />

as Year-daimones that Heroes have chthonic ritual with all its<br />

characteristic apparatus <strong>of</strong> low-lying altars, <strong>of</strong> sunset sacrifices, and<br />

above all <strong>of</strong> <strong>the</strong> pankarpia.<br />

Herakles as Alexikakos <strong>of</strong> Epheboi.<br />

We return to Herakles whose content is not yet exhausted.<br />

The relief- on Fig. 101 shows<br />

Fig. 101.<br />

us <strong>the</strong> Hero in front <strong>of</strong> his<br />

own Heroon, a small shrine on<br />

a stepped basis and consisting<br />

only <strong>of</strong> four pillars and a ro<strong>of</strong>.<br />

'// The shrine is not large enough<br />

to hold <strong>the</strong> great humanized<br />

hero, and probably at first it<br />

held no figure at all, only a<br />

sacred pot, a kadis/cos, with a<br />

panspermia, or perhaps again<br />

a slab with a holy snake.<br />

Around <strong>the</strong> shrine is a sacred<br />

grove as befits a daimon <strong>of</strong> fertility. The worshippers approach<br />

bringing a bull. The bull will be sacrificed to <strong>the</strong> hero whose<br />

animal shape he once was 3 . The character <strong>of</strong> a Herakleion is<br />

shown very clearly in Fig. 102, from a Lower Italy amphora 4 . The<br />

design also emphasizes in singular fashion <strong>the</strong> somewhat strained<br />

relations between saga and daimon-cult. The scene is from a lost<br />

tragedy <strong>the</strong> plot <strong>of</strong> which is preserved for us by Hyginus 5 .<br />

Haemon is bidden to kill Antigone ; he saves her and she bears<br />

1 Infra, chapter x.<br />

2 A. Frickenhaus, Das Herakleion von Melite, A. Mitt, xxxvi. 1911, Taf. n. 2.<br />

The reliefs in Figs. 101 and 104 are reproduced by kind permission <strong>of</strong> Dr Frickenhaus.<br />

3 Cf. C.I.G. 1688, 32 tov /3oos tl/hol tov Tjpwos enarbv crra-r^pes Aiyivcuoi. I do not<br />

feel certain whe<strong>the</strong>r this is to be construed '<strong>the</strong> price <strong>of</strong> <strong>the</strong> Hero-Ox' or '<strong>the</strong> price<br />

<strong>of</strong> <strong>the</strong> ox <strong>of</strong> <strong>the</strong> hero,' but in any case hero and ox are intimately linked.<br />

4 In <strong>the</strong> Ruvo coll., Mon. d. Inst. x. 1848, Tav. xxvi., and Klugmann, Annali,<br />

1848, p. 177.<br />

5 Fab. lxxii. ...hunc Creon rex, quod ex draconteo genere omnes in corpore<br />

insigne habebant, cognovit, cum Hercules pro Haemone deprecatur ut ei ignosceret<br />

non impetravit.

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