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Themis, a study of the social origins of Greek ... - Warburg Institute

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vn] The Victor and <strong>the</strong> Hero 259<br />

worshippers who painted and repainted this altar did not know<br />

whe<strong>the</strong>r it belonged to one ' hero ' or to many : <strong>the</strong>y inscribed<br />

it now ' Of <strong>the</strong> Hero,' now ' Of <strong>the</strong> Heroes.' Their doubt is<br />

instructive. ' The Hero '<br />

is not a dead man with a known name<br />

and history commemorated by funeral games. His title stands<br />

not for a personality, but for an <strong>of</strong>fice, denned by its functions and<br />

capable <strong>of</strong> being filled by a series <strong>of</strong> representatives 1<br />

. At one<br />

time Sosipolis might be ' <strong>the</strong> hero ; at ano<strong>the</strong>r Pelops, <strong>the</strong><br />

'<br />

mythical ancestor <strong>of</strong> an incoming people ; at ano<strong>the</strong>r <strong>the</strong> Idaean<br />

Herakles or his Dorian homonym. Even as late as Macedonian<br />

times, a Philip could build a round shrine—<strong>the</strong> Philippeum—in<br />

deliberate imitation <strong>of</strong> <strong>the</strong> old round chamber with <strong>the</strong> Hero altar,<br />

and thus pose as ' <strong>the</strong> Hero ' <strong>of</strong> Olympia for <strong>the</strong> time being 2 . In<br />

view <strong>of</strong> <strong>the</strong>se considerations, <strong>the</strong> establishment <strong>of</strong> Games and<br />

' hero-worship ' in honour <strong>of</strong> historic personages, like Miltiades or<br />

Brasidas, lends no support to <strong>the</strong> funeral <strong>the</strong>ory <strong>of</strong> <strong>the</strong> origin<br />

<strong>of</strong> <strong>the</strong> Olympic Games. Before any one <strong>of</strong> <strong>the</strong>se individuals could<br />

be worshipped as <strong>the</strong> Hero <strong>of</strong> a city, <strong>the</strong> conception <strong>of</strong> what <strong>the</strong><br />

Hero or Saviour <strong>of</strong> <strong>the</strong> City is, must first have been clear 1)<br />

defined. The title and functions <strong>of</strong> a Hero are a blank frame,<br />

which may be filled by a succession <strong>of</strong> representatives, chosen each<br />

for his ' year,' or by this or that historic personality, as <strong>the</strong> changes<br />

and chances <strong>of</strong> time and <strong>of</strong> politics may determine.<br />

To <strong>the</strong> analysis <strong>of</strong> <strong>the</strong> idea <strong>of</strong> a Hero <strong>the</strong> next chapter will be<br />

devoted.<br />

brought from Mount Kronios where a similar soil is found. It has been inferred<br />

that <strong>the</strong> sanctuary was transferred from <strong>the</strong> hill, with some <strong>of</strong> <strong>the</strong> sacred soil,<br />

to its present site. Dr Frazer regards this inference as uncertain.<br />

1 The same holds <strong>of</strong> <strong>the</strong> octennial kingship—<strong>the</strong> <strong>of</strong>fice to which <strong>the</strong> winner<br />

<strong>of</strong> <strong>the</strong> race, according to Dr Frazer's final <strong>the</strong>ory (G. B. 3 , Part m. p. 104), became<br />

entitled. Dr Frazer speaks <strong>of</strong> combining this view with <strong>the</strong> funeral <strong>the</strong>ory by<br />

supposing that '<strong>the</strong> spirits <strong>of</strong> <strong>the</strong>se divine kings... were worshipped with sacrifices<br />

at <strong>the</strong>ir graves, and were thought to delight in <strong>the</strong> spectacle <strong>of</strong> <strong>the</strong> games which<br />

reminded <strong>the</strong>m <strong>of</strong> <strong>the</strong> laurels which <strong>the</strong>y had <strong>the</strong>mselves won long ago....' But it<br />

must be clearly pointed out that this is not <strong>the</strong> funeral <strong>the</strong>ory as advocated by<br />

Pr<strong>of</strong>. Ridgeway, who will have <strong>the</strong> whole festival start from <strong>the</strong> obsequies <strong>of</strong> one<br />

individual chief— a historic or quasi-historic personality—whereas Dr Frazer's view<br />

(rightly, as we think) makes <strong>the</strong> <strong>of</strong>fice and its functions, not any individual holder<br />

<strong>of</strong> it and his personal exploits, <strong>the</strong> central factor. This is an essential point <strong>of</strong><br />

difference between <strong>the</strong> two <strong>the</strong>ories.<br />

2 I owe this to Mr Cook, who points out that <strong>the</strong> Philippeum is built <strong>of</strong> stone,<br />

painted to look like brick, because <strong>the</strong> old chamber in <strong>the</strong> Gaeum was <strong>of</strong> brick.<br />

17—2

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