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Themis, a study of the social origins of Greek ... - Warburg Institute

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I towards<br />

290 Daimon and Hero [ch.<br />

souls'; 'ghosts' is perhaps as close a translation as we can get, for<br />

<strong>the</strong> word carries with it a sense <strong>of</strong> dread. The word Keres is<br />

obscure in origin and its career is a downward one, tending always<br />

evil, disease and death 1 . Among <strong>the</strong> <strong>Greek</strong>s, as, it would<br />

seem, among many primitive peoples, <strong>the</strong> fear <strong>of</strong> <strong>the</strong> dead seems to<br />

precede <strong>the</strong>ir worship 2 . The<br />

have already seen 3 ,<br />

'feare <strong>of</strong> things invisible' is, as we<br />

in part '<strong>the</strong> naturall seed <strong>of</strong> Religion.'<br />

This fear <strong>of</strong> ghosts is natural enough and needs no emphasis.<br />

It is not indeed at first a disembodied soul that is dreaded, but<br />

ra<strong>the</strong>r <strong>the</strong> whole condition <strong>of</strong> death, which involves <strong>the</strong> immediate<br />

family and <strong>of</strong>ten <strong>the</strong> whole tribe in a state <strong>of</strong> contagious infection.<br />

But, to totemistic thinkers, <strong>the</strong> fear is always mixed with a sure<br />

and certain hope, <strong>the</strong> hope <strong>of</strong> re incarnation. Once <strong>the</strong> body<br />

fairly decayed and <strong>the</strong> death ceremonies complete, <strong>the</strong> dead man<br />

is free to go back to his totem ancestors and begin again <strong>the</strong><br />

cycle <strong>of</strong> life as a new tribesman or a totem animal. This is<br />

} <strong>of</strong>ten clearly indicated by funeral rites 4 . Thus<br />

among <strong>the</strong> Bororo,<br />

<strong>the</strong> dead man is trimmed up with fea<strong>the</strong>rs <strong>of</strong> <strong>the</strong> parroquet, in<br />

order that he may take <strong>the</strong> form <strong>of</strong> <strong>the</strong> parroquet totem. Till<br />

<strong>the</strong> second funeral is over, <strong>the</strong> dead man among <strong>the</strong> Hindoos is a<br />

preta, that is a fearful revenant : after that he can enter <strong>the</strong> world<br />

<strong>of</strong> Pitaras or fa<strong>the</strong>rs, <strong>the</strong> equivalents <strong>of</strong> <strong>the</strong> Alcheringa totem-<br />

ancestors. For this entry, rites <strong>of</strong> initiation, rites de passage, are<br />

necessary.<br />

'<br />

This double nature <strong>of</strong> <strong>the</strong> <strong>Greek</strong> attitude towards <strong>the</strong> dead is<br />

very simply and clearly expressed in <strong>the</strong> vase-painting in Fig. 77.<br />

The design comes from an archaic vase 5 <strong>of</strong> <strong>the</strong> 'pro<strong>the</strong>sis' type, a<br />

vase used in funeral ceremonies and decorated with funeral subjects.<br />

Two mourners stand in attitudes <strong>of</strong> grief on ei<strong>the</strong>r side <strong>of</strong> a<br />

1 I have discussed <strong>the</strong> development and degradation <strong>of</strong> <strong>the</strong> idea <strong>of</strong> <strong>the</strong> Keres<br />

fully in Prolegomena, chapter v.<br />

- This was very fully exemplified by Dr Frazer in a series <strong>of</strong> lectures delivered<br />

at Trinity College during <strong>the</strong> Lent and May terms <strong>of</strong> 1911 on <strong>the</strong> 'Fear and Worship<br />

<strong>of</strong> <strong>the</strong> Dead.<br />

3 Supra, p. 61.<br />

4 The <strong>social</strong> attitude <strong>of</strong> savages towards death as expressed in funeral rites has<br />

been very ably and fully analysed by R. Hertz, Representation collective de. la<br />

Mori, in Annee Sociologique, x. 1905-6, p. 48.<br />

5 In <strong>the</strong> Museum at A<strong>the</strong>ns, see J. H. S. xix. 1899, p. 219, tig. i. In discussing<br />

this vase before (Prolegomena, p. 235) I made <strong>the</strong> mistake <strong>of</strong> saying 'Snake and,<br />

eidolon are but two ways <strong>of</strong> saying <strong>the</strong> same thing.' I now realize that <strong>the</strong> two<br />

forms express ideas <strong>of</strong> widely different, almost contradictory import. The ghosts<br />

<strong>of</strong> dead men constantly pass over into <strong>the</strong> good daimon, <strong>the</strong> collective ancestor, but<br />

<strong>the</strong> ideas are disparate.

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