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Themis, a study of the social origins of Greek ... - Warburg Institute

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ix] The Ennaeteric Festivals at Delphi 415<br />

expedient <strong>of</strong> maligning his spiritual foes. What in his inspired<br />

way he did see, both in <strong>the</strong> Supplices and <strong>the</strong> Ewnienides, was<br />

that <strong>the</strong> old forces <strong>of</strong> <strong>the</strong> Earth must be purged from forcefulness,<br />

from violence and vengeance, before Earth could in plenitude<br />

bring forth her increase.<br />

do we know <strong>of</strong> <strong>the</strong> ritual <strong>of</strong> Gaia at<br />

ritual to Gaia under that name and definitely stated<br />

It remains to ask, ' What<br />

Delphi ? ' Of<br />

to have been carried on at <strong>the</strong> omphalos-sanctuary, <strong>the</strong> answer, as<br />

previously indicated, is, ' Nothing.' But it happens that we have<br />

from Plutarch a fairly full account <strong>of</strong> three manifestly primitive<br />

festivals which took place at Delphi every nine years, and <strong>the</strong>se<br />

festivals, on examination, turn out to be three acts in one dramatic<br />

i<br />

or ra<strong>the</strong>r magical ceremony, whose whole gist is to promote <strong>the</strong><br />

fertility <strong>of</strong> Earth. They are in short three factors in, or forms <strong>of</strong>,<br />

a great Eniautos-Festival.<br />

The Ennaeteric Festivals at Delphi.<br />

In his <strong>Greek</strong> Questions Plutarch 1<br />

<strong>the</strong> Delphians ? ' His answer begins as follows :<br />

asks, 'What is Charila among<br />

There are three Nine-Year Festivals that <strong>the</strong> Delphians keep in <strong>the</strong><br />

following order. One <strong>the</strong>y call Stepterion, <strong>the</strong> next Herois, <strong>the</strong> third<br />

Charila.<br />

All that Plutarch states is that <strong>the</strong>se three festivals were each<br />

celebrated every nine years and that <strong>the</strong>ir sequence was as given.<br />

Whe<strong>the</strong>r <strong>the</strong>y were all enacted at <strong>the</strong> same time—on, e.g. three<br />

successive days, or at successive periods in <strong>the</strong> year, cannot be<br />

decided certainly. The order is not <strong>of</strong> great importance, as in <strong>the</strong><br />

cyclic monotony <strong>of</strong> <strong>the</strong> life <strong>of</strong> an Eniautos-daimon it matters little<br />

whe<strong>the</strong>r death follows resurrection or resurrection death. We<br />

shall begin <strong>the</strong>refore with <strong>the</strong> festival, <strong>the</strong> intent <strong>of</strong> which is<br />

clearest and to us most instructive, <strong>the</strong> second in order, <strong>the</strong><br />

Herois or ' Heroine,' reserving for <strong>the</strong> end <strong>the</strong> festival with which<br />

Plutarch begins, <strong>the</strong> Stepterion.<br />

The Herois. This is a delightful festival to investigate, because<br />

1 Q. Gr. XII. Tts 7/ irapa Ae\(pocs Xap/Xa ; rpeis ayovcri Ae\

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