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Themis, a study of the social origins of Greek ... - Warburg Institute

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520 <strong>Themis</strong> [ch.<br />

charged with transgression she thus contrasts <strong>the</strong> law <strong>of</strong> Zeus and<br />

that <strong>of</strong> <strong>the</strong> underworld gods.<br />

'Yes, for it was not Zeus who heralded<br />

That edict, no nor she who dwells below,<br />

Dike, who gave such laws for mortal men.'<br />

Of course, at <strong>the</strong> time <strong>of</strong> <strong>the</strong> general migration to Olympos, a<br />

great effort is made to assure <strong>the</strong> assumption into heaven <strong>of</strong> Dike<br />

as well as <strong>Themis</strong>. The notion obtained to a certain extent in<br />

Olympianized Orphic circles. Dike becomes as a double <strong>of</strong> <strong>Themis</strong><br />

assessor <strong>of</strong> Zeus. So <strong>the</strong> Orphic Hymn 1<br />

Sing <strong>the</strong> all-seeing eye <strong>of</strong> Dike fair<br />

Who sits upon <strong>the</strong> holy throne <strong>of</strong> Zeus.<br />

Demos<strong>the</strong>nes 2 pleads with his citizens to honour Eunomia and<br />

Dike holy and unswerving,<br />

Whom Orpheus, who instituted our most sacred mysteries, declares to be<br />

seated by <strong>the</strong> throne <strong>of</strong> Zeus.<br />

Orphic literature might proclaim Dike as assessor <strong>of</strong> Zeus in<br />

<strong>the</strong> highest heavens, but Orphic popular art, like primitive philo-<br />

sophy, knew that her real home was in Hades, by <strong>the</strong> side <strong>of</strong><br />

Plouton. On <strong>the</strong> well-known underworld vases <strong>of</strong> Lower Italy <strong>of</strong><br />

which a specimen 3 is given in Fig. 145 a group <strong>of</strong> figures occurs in<br />

<strong>the</strong> right-hand corner, <strong>of</strong> which <strong>the</strong> interpretation is fortunately<br />

certain. A seated youth bids farewell to ano<strong>the</strong>r youth about to<br />

start on his journey to <strong>the</strong> upper world. The seated youth is<br />

Theseus.<br />

...Sedet aeternumque sedebit<br />

Infelix Theseus 4 .<br />

The youth about to return to <strong>the</strong> upper world bears a signifi-<br />

He who runs round,' Peirithoos. His periodic cycle<br />

cant name, '<br />

leads him inevitably upwards.<br />

By <strong>the</strong> side <strong>of</strong> Theseus a woman is seated holding a drawn<br />

sword. She is Dike in her later Orphic aspect <strong>of</strong> Vengeance. Of<br />

this happily <strong>the</strong>re is no doubt, as on <strong>the</strong> fragment <strong>of</strong> a vase 5 with<br />

1<br />

lxii. 2<br />

c. Aristogeit. xxv. 11, and see Prolegomena, p. 507.<br />

3 Munich, Jahn Cat. 849. Wiener Vorlegeblatter, Serie E, Taf. i. For <strong>the</strong><br />

whole series see Prolegomena, p. 601.<br />

4 Verg. JEn. vi. 617.<br />

5 Carlsruhe, Cat. 258, Hartung,<br />

Vorlegeblatter E, Taf. vi. 3. See<br />

Arch. Zeit. p. 263,<br />

also my Myth, and<br />

Taf. xix., and Wiener<br />

Mon. Ancient A<strong>the</strong>ns,<br />

p. cxlviii., Fig. 39.<br />

,

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