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Themis, a study of the social origins of Greek ... - Warburg Institute

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178 The Dithyramb, Spring-Festival, etc.<br />

That is <strong>the</strong> prayer in <strong>the</strong> heart <strong>of</strong> <strong>the</strong> priestess, and she utters<br />

it, emphasizes it, by her <strong>of</strong>fering <strong>of</strong> water which she has poured<br />

out <strong>of</strong> <strong>the</strong> high jug into <strong>the</strong> basin before her, over which she lays<br />

her hands, perhaps in token that <strong>the</strong> water is <strong>the</strong> rain-bath (Xovrpd)<br />

<strong>of</strong> <strong>the</strong> earth's bridal. Above are <strong>the</strong> fruit-shaped cakes (fid^ai),<br />

for it is food that <strong>the</strong> cuckoo <strong>of</strong> spring is to bring her.<br />

The picture speaks for itself; it is <strong>the</strong> passing <strong>of</strong> winter and<br />

<strong>the</strong> coming <strong>of</strong> spring, <strong>the</strong> passing <strong>of</strong> <strong>the</strong> Old Year, <strong>the</strong> incoming<br />

<strong>of</strong> <strong>the</strong> New, it is <strong>the</strong> Death and Resurrection <strong>of</strong> Nature, her New<br />

Birth. Clearly though this is represented, it confuses us a little<br />

at first by its fulness and by its blend <strong>of</strong> animal and vegetable<br />

and atmospheric life, <strong>of</strong> tree and bull and bird and thunder-axe 1 .<br />

All this, so natural, so inevitable to <strong>the</strong> primitive mind, to us, who<br />

have lost <strong>the</strong> sense <strong>of</strong> common kinship and common mana, seems<br />

artificial, metaphorical. We need first to meditate over it, to<br />

disentangle its various strands, before, by an effort <strong>of</strong> imagination,<br />

we can do what, if we would understand aright, is supremely<br />

necessary, think ourselves back into <strong>the</strong> primaeval fusion <strong>of</strong> things,<br />

a fusion always unconsciously present in <strong>the</strong> mind <strong>of</strong> poet and<br />

primitive.<br />

It is <strong>the</strong> springtime <strong>of</strong> man and bird and flower<br />

Rise up, my love, my fair one, and come away.<br />

For, lo, <strong>the</strong> winter is past, <strong>the</strong> rain is over and gone<br />

The flowers appear on <strong>the</strong> earth ;<br />

The time <strong>of</strong> <strong>the</strong> singing <strong>of</strong> birds is come,<br />

And <strong>the</strong> voice <strong>of</strong> <strong>the</strong> turtle is heard in our land.<br />

The fig tree putteth forth her green figs,<br />

And <strong>the</strong> vines with <strong>the</strong> tender grape give a good smell.<br />

Arise, my love, my fair one, and come away 2 .<br />

Again in <strong>the</strong> thirteenth-century roundel 3 :<br />

Sumer is icumen in,<br />

Lhude sing cuccu !<br />

Groweth sed and bloweth med,<br />

And springth <strong>the</strong> wde nu,<br />

Sing cuccu<br />

Awe bleteth after lomb,<br />

Lhouth after calve cu,<br />

Bulloc sterteth, bucke verteth,<br />

Murie sing cuccu<br />

1 Just such a blend <strong>of</strong> tree, bird, bull, thunder, dew and humanity, is found<br />

in Semele's tree, see p. 173, note 3.<br />

2 Song <strong>of</strong> Solomon, ii. 10.<br />

3 See E. K. Chambers, Mediaeval Stage, 1903, i. 168.<br />

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