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Themis, a study of the social origins of Greek ... - Warburg Institute

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450 The Olympians [ch.<br />

full <strong>of</strong> beautiful courtesies. There are few things uglier than<br />

a lack <strong>of</strong> reverence for animals. The well-born, well-bred little<br />

A<strong>the</strong>nian girls who danced as Bears to Artemis <strong>of</strong> Brauronia.. <strong>the</strong><br />

Bear-Goddess, could not but think reverently <strong>of</strong> <strong>the</strong> great might<br />

<strong>of</strong> <strong>the</strong> Bear. Among <strong>the</strong> Apaches to-day, Bourke 1 states, ' only<br />

ill-bred Americans, or Europeans who have never had any "raising,"<br />

would think <strong>of</strong> speaking <strong>of</strong> <strong>the</strong> Bear or indeed <strong>of</strong> <strong>the</strong> snake, <strong>the</strong><br />

lightning or <strong>the</strong> mule, without employing <strong>the</strong> reverential prefix<br />

"Ostin," meaning "old man," and equivalent to <strong>the</strong> Roman title<br />

"Senator."'<br />

In art this exclusion <strong>of</strong> animal and plant life from <strong>the</strong> cycle<br />

<strong>of</strong> <strong>the</strong> divine is sometimes claimed as a gain. Ra<strong>the</strong>r it leaves<br />

a sense <strong>of</strong> chill and loneliness. Anyone who turns from Minoan<br />

pottery with its blossoming flowers, its crocuses and lilies, its<br />

plenitude <strong>of</strong> sea life, its shells and octopuses and flying fish,<br />

anyone who turns from all this life and colour to <strong>the</strong> mono-<br />

tonous perfection <strong>of</strong> <strong>the</strong> purely human subjects <strong>of</strong> <strong>the</strong> best red-<br />

figured pottery, must be strangely constituted if he feels no loss.<br />

He will turn eagerly for refreshment from <strong>the</strong>se finished athletes<br />

and <strong>the</strong>se no less accomplished gods, to <strong>the</strong> bits <strong>of</strong> mythology<br />

wherein animals still play a part, to Europa and her bull, to<br />

Phrixos and his ram, to Kadmos and his snake, and he will turn<br />

also to <strong>the</strong> 'attributes' <strong>of</strong> <strong>the</strong> humanized Olympian, he will be<br />

gladdened by A<strong>the</strong>na's owl and by <strong>the</strong> woodpecker <strong>of</strong> Zeus ;<br />

glad<br />

too that Dionysos' Dendrites still deigns to be a tree and Apollo<br />

to carry his living branch. The mystery gods it should be noted<br />

here, though it has been observed before 2 , are never free ot<br />

totemistic hauntings, never quite shed <strong>the</strong>ir plant and animal<br />

shapes. That lies in <strong>the</strong> very nature <strong>of</strong> <strong>the</strong>ir sacramental worshijD.<br />

They are still alive with <strong>the</strong> life-blood <strong>of</strong> all living things from<br />

which <strong>the</strong>y sprang.<br />

(2) The Olympian refuses to be an Earth-daimon. In dis-<br />

cussing <strong>the</strong> sequence <strong>of</strong> cults from Gaia to Apollo it has been<br />

seen that, even when he has left totemistic ways <strong>of</strong> thinking<br />

behind him, when he has ceased to base his <strong>social</strong> structure on<br />

1 On <strong>the</strong> Border with Crook, p. 132. I borrow this quotation from Mr Cook's<br />

delightful article on Descriptive Animal Names in Greece, Class. Rev. vin. (1904),<br />

p. 384.<br />

- Supra, p. 129.

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