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Themis, a study of the social origins of Greek ... - Warburg Institute

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ch. vin] Daimon and Hero 261<br />

But in <strong>the</strong> case <strong>of</strong> <strong>the</strong> Dithyramb and still more vividly in<br />

<strong>the</strong> case <strong>of</strong> <strong>the</strong> Olympic games we have been all along conscious<br />

<strong>of</strong> ano<strong>the</strong>r element as yet not completely analysed, <strong>the</strong> hero.<br />

The Dithyramb has to do with <strong>the</strong> fertility-daimon but <strong>the</strong>,)<br />

drama which sprang out <strong>of</strong> it sets before us not <strong>the</strong> iradr], <strong>the</strong><br />

sufferings, <strong>the</strong> life-history <strong>of</strong> Dionysos, but <strong>the</strong> iraQr), <strong>the</strong> life-;<br />

histories <strong>of</strong> a host <strong>of</strong> heroes, <strong>of</strong> Agamemnon, <strong>of</strong> Orestes, <strong>of</strong>/<br />

Prome<strong>the</strong>us, <strong>of</strong> Herakles, <strong>of</strong> Hippolytos. Pindar <strong>the</strong> poet <strong>of</strong> <strong>the</strong><br />

Games salutes no daimon by name. He asks 1<br />

'What god, what hero, or what man shall we sing?'<br />

If <strong>the</strong>n at one stage <strong>of</strong> <strong>the</strong>ir development in both <strong>the</strong> drama and<br />

<strong>the</strong> Olympic games <strong>the</strong> hero-element was dominant, it is all<br />

important that we should ask and answer <strong>the</strong> question,— 'what<br />

exactly is a hero?'<br />

The question may seem at <strong>the</strong> first glance superfluous. A<br />

hero is surely simple enough. He is just a dead man revered<br />

in life, honoured with a mild and modified form <strong>of</strong> divine honours<br />

after death. We have surely done with difficult and dubious con-/<br />

ceptions like ' collective representations.' We have got to facts at<br />

last, simple, historical facts. All now is plain, concrete, a posteriori.<br />

'You must not say that "Minos" represents a dynasty; Minos was a<br />

particular man and Dr Ridgeway can discuss his dates and doings.<br />

You must not say that Menelaos is a tribal hero ; Menelaos was<br />

a well-known infantry <strong>of</strong>ficer with auburn whiskers 2 .' Let us<br />

look at facts. It happens that at A<strong>the</strong>ns <strong>the</strong> record <strong>of</strong> a<br />

succession <strong>of</strong> hero-kings is unusually full and complete ; so to<br />

A<strong>the</strong>ns let us turn.<br />

The oldest hero reverenced by A<strong>the</strong>ns was Cecrops. Who ^<br />

was Cecrops ? The old Euhemerism knows many things about<br />

Cecrops. He was <strong>the</strong> first king <strong>of</strong> A<strong>the</strong>ns 3 , a native <strong>of</strong> Egypt,<br />

who led a colony to A<strong>the</strong>ns about 1556 B.C. He was a typical<br />

culture hero, he s<strong>of</strong>tened and polished <strong>the</strong> rude manners <strong>of</strong> <strong>the</strong><br />

inhabitants and, as an earlier Theseus, drew <strong>the</strong>m from <strong>the</strong>ir<br />

1<br />

01. II. 2 riva deov, riv ijpwa, riva 5' dvdpa. Ke\a8r)

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