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Themis, a study of the social origins of Greek ... - Warburg Institute

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vi] Zeus Kataibates and <strong>the</strong> Olive 175<br />

under <strong>the</strong> special charge <strong>of</strong> Zeus Morios. His altar was in <strong>the</strong><br />

Academy and he was worshipped, we learn to our delight, not<br />

only as Morios but as Kataibates 1 . Later moralists would explain<br />

that this was because he avenged sacrilege by lightning ; <strong>the</strong> real<br />

truth lies deeper and is benignant ; he, <strong>the</strong> rain and thunder-god,<br />

fertilized <strong>the</strong> earth and brought forth <strong>the</strong> sacred olives.<br />

The scholiast who gives us this welcome information about<br />

Zeus, who is both Morios and Kataibates, is commenting on <strong>the</strong><br />

famous chorus in praise <strong>of</strong> A<strong>the</strong>ns in <strong>the</strong> Oedipus Coloneus' 2 :<br />

And this country for her own has what no Asian land has known,<br />

Nor ever yet in <strong>the</strong> great Dorian Pelops' island has it grown,<br />

The untended, <strong>the</strong> self-planted, self-defended from <strong>the</strong> foe,<br />

Sea-gray children-nurturing olive tree that here delights to grow.<br />

None may take nor touch nor harm it, headstrong youth nor age grown<br />

bold,<br />

For <strong>the</strong><br />

old.<br />

round <strong>of</strong> heaven <strong>of</strong> Morian Zeus has been its watcher from <strong>of</strong><br />

He beholds it and, A<strong>the</strong>ne, thy own sea-gray eyes behold.<br />

A<strong>the</strong>na with her sea-gray eyes we expect : watching her olive<br />

tree she is canonical ; but, to most readers, <strong>the</strong> round eye <strong>of</strong><br />

Morian Zeus comes as something <strong>of</strong> a surprise. If we remember<br />

<strong>the</strong> afiarov on <strong>the</strong> Acropolis, with <strong>the</strong> lightning trident-mark and<br />

<strong>the</strong> hole in <strong>the</strong> ro<strong>of</strong>, we wonder no longer that <strong>the</strong> old sky-god,<br />

with his round eye, should be looking down on his own olive tree.<br />

What was a mere poetical image becomes a ritual reality and<br />

ga<strong>the</strong>rs <strong>the</strong> fresh bloom <strong>of</strong> a new if somewhat homely beauty.<br />

Nor is it only a poet praising his own city who remembers such<br />

local sanctities. Aeschylus in <strong>the</strong> Danaides 3 told <strong>of</strong> <strong>the</strong> sacred<br />

1 Apollodorus, ap. Schol. ad Soph. Oe.d. Col. 705 wepi 'AKadrmLav karlv 6 re rod<br />

KaTaifidrov Aids /3w,u.os 5c Kai Mopiov KaXovcri [oVo] twv eicei iiopi&v.<br />

2 Soph. Oed. Col. 704<br />

6 yap alev opwv kijkXos<br />

\e\j

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