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Themis, a study of the social origins of Greek ... - Warburg Institute

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402 From Daimon to Olympian [CH.<br />

but a certain one—<strong>the</strong> keystone <strong>of</strong> <strong>the</strong> great vault is a terminal<br />

cone like <strong>the</strong> Delphic omphalos, <strong>the</strong> chamber <strong>of</strong> death was crowned<br />

by <strong>the</strong> primitive symbol <strong>of</strong> life. It is no stele commemorating an<br />

individual man, still less is it a mere architectural or decorative<br />

feature; it is <strong>the</strong>re with solemn magical intent to, ensure, to induce,<br />

<strong>the</strong> renewal <strong>of</strong> life, reincarnation.<br />

The ' Tomb <strong>of</strong> Tantalos ' is <strong>of</strong> great importance because it fixes<br />

beyond a doubt <strong>the</strong> nature <strong>of</strong> an omphalos stone. But if Asia<br />

Minor is felt to be too remote we have evidence, though somewhat<br />

less explicit, nearer home. On <strong>the</strong> road from Megalopolis to<br />

Messene, Pausanias 1 saw a sanctuary <strong>of</strong> certain goddesses called<br />

Maniae, which name he believed to be a title <strong>of</strong> <strong>the</strong> Eumenides.<br />

With <strong>the</strong> sanctuary was associated <strong>the</strong> story <strong>of</strong> <strong>the</strong> madness <strong>of</strong><br />

Orestes.<br />

Not far from <strong>the</strong> sanctuary is a mound <strong>of</strong> earth <strong>of</strong> no great size and set<br />

up upon it is a finger made <strong>of</strong> stone. And indeed <strong>the</strong> name <strong>of</strong> <strong>the</strong> mound is<br />

Finger's Tomb.<br />

Fig. 113.<br />

Pausanias goes on to recount a purely aetiological myth about<br />

Orestes in his madness biting <strong>of</strong>f one <strong>of</strong> his fingers.<br />

What '<br />

Finger's Tomb '<br />

must<br />

have looked like may be seen in<br />

have <strong>the</strong><br />

Fig. 113 <strong>the</strong> design from a black-figured lekythos 2 . We<br />

1<br />

viii. 34. 2 ...ov Troppci) de tov iepov yijs x^M" iffTiv ov fieya, iirldr)na. ex " M0ov<br />

TreTronj/jLei'ov 5o.ktv\oi>, kcu 5t/ /ecu 6vop:a ru> ^ui^ari ecrrt AixktvXov /Avrj/jia..<br />

2 In <strong>the</strong> Naples Museum. For full details see my Delphika in J.H.S. xix. 1889,<br />

p. 229.

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