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Themis, a study of the social origins of Greek ... - Warburg Institute

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416 From Daimon to Olympian [ch.<br />

we have only one source for it, Plutarch 1 himself. And he, though<br />

it is but little, tells us just enough for its understanding.<br />

Most <strong>of</strong> <strong>the</strong> ceremonies <strong>of</strong> <strong>the</strong> Herois have a mystical reason which is<br />

known to <strong>the</strong> Thyiades, but, from <strong>the</strong> rites that are done in public, one may<br />

conjecture it to be a ' Bringing up <strong>of</strong> Semele.'<br />

The Herois was a woman's festival. Plutarch <strong>of</strong> course could<br />

not be present at <strong>the</strong> secret ceremonies <strong>of</strong> <strong>the</strong> Thyiades, but his<br />

friend Thyia, <strong>the</strong>ir president, would tell him all a man might know.<br />

Part <strong>of</strong> <strong>the</strong> ceremonial he says was public.<br />

Charila. The third <strong>of</strong> <strong>the</strong> ennaeteric festivals, <strong>the</strong> Charila, is<br />

<strong>the</strong> manifest counterpart <strong>of</strong> <strong>the</strong> Herois, and again Plutarch is our<br />

sole but sufficient source. After recounting <strong>the</strong> aetiological myth<br />

he gives us <strong>the</strong> ritual facts 2 .<br />

The king presided and made a distribution in public <strong>of</strong> grain and pulse<br />

to all, both strangers and citizens. And <strong>the</strong> child-image <strong>of</strong> Charila is brought<br />

in. When <strong>the</strong>y had all received <strong>the</strong>ir share, <strong>the</strong> king struck <strong>the</strong> image with<br />

his sandal, and <strong>the</strong> leader <strong>of</strong> <strong>the</strong> Thyiades lifted <strong>the</strong> image and took it away<br />

to a precipitous place and <strong>the</strong>re tied a rope round <strong>the</strong> neck <strong>of</strong> <strong>the</strong> image and<br />

buried it, where <strong>the</strong>y buried Charila when she hanged herself.<br />

Charila is manifestly, whe<strong>the</strong>r enacted in spring or autumn, a<br />

festival <strong>of</strong> <strong>the</strong> type <strong>of</strong> ' Carrying out <strong>the</strong> Death.' Charila is beaten<br />

and hanged and buried in some chasm. The nearest analogies in<br />

Greece are <strong>the</strong> pharmakos ceremonies and <strong>the</strong> 'Driving out <strong>of</strong><br />

Hunger 3 .' Like <strong>the</strong> Herois <strong>the</strong> Charila was managed by <strong>the</strong><br />

Thyiades and was <strong>the</strong>refore a woman's festival.<br />

It is however <strong>the</strong> Herois that most instructs us. It never<br />

seems to have occurred to Plutarch, as it would to a modern<br />

mythologist, that, because a festival was called Herois, it must<br />

have to do with a mortal ' heroine.' From <strong>the</strong> rites known to him<br />

he promptly conjectured that it was a 'Bringing up <strong>of</strong> Semele.'<br />

Semele, it is acknowledged, is but a Thraco-Phrygian form <strong>of</strong><br />

Gaia.<br />

' The Bringing up <strong>of</strong> Semele ' is but <strong>the</strong> Anodos <strong>of</strong> Gaia<br />

or <strong>of</strong> Kore <strong>the</strong> Earth-Maiden. It is <strong>the</strong> return <strong>of</strong> <strong>the</strong> vegetation<br />

or Year-spirit in <strong>the</strong> spring.<br />

1 Qu. Gr. xn. ttjs Se 'Hpwt'Sos to, irXe?

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