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Themis, a study of the social origins of Greek ... - Warburg Institute

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514 <strong>Themis</strong> [oh.<br />

side fell away and came even to be regarded as a forbidden evil,<br />

a denial <strong>of</strong> <strong>the</strong> new life <strong>of</strong> Mnemosyne 1 .<br />

The evidence <strong>the</strong>n, not only <strong>of</strong> <strong>the</strong> rites <strong>of</strong> <strong>the</strong> Kouretes but<br />

also <strong>of</strong> such rites as <strong>the</strong> Hybristika and <strong>the</strong> oracular rites <strong>of</strong><br />

Trophonios, shows us clearly that some primitive conceptions <strong>of</strong><br />

<strong>Greek</strong> religion, and hence inevitably <strong>of</strong> <strong>Greek</strong> philosophy, were<br />

based on group-institutions, <strong>the</strong> <strong>social</strong> structure <strong>of</strong> which was <strong>of</strong> <strong>the</strong><br />

matrilinear type. We return to <strong>the</strong> point from which we set out,<br />

<strong>the</strong> rites and representation <strong>of</strong> <strong>the</strong> Palaiokastro Hymn. We shall<br />

find <strong>the</strong>re to our surprise and satisfaction that this dominance <strong>of</strong><br />

<strong>social</strong> structure is not only evident but even strongly emphasized.<br />

<strong>Themis</strong>, Dike and <strong>the</strong> Horae.<br />

Our first chapter was devoted to <strong>the</strong> consideration <strong>of</strong> <strong>the</strong><br />

Hymn <strong>of</strong> <strong>the</strong> Kouretes. We noted <strong>the</strong>n that in subject as in<br />

structure <strong>the</strong> Hymn fell into three parts, (1) The Invocation,<br />

(2) <strong>the</strong> Aetiological Myth, (3) <strong>the</strong> Resultant Blessings. The first<br />

and second parts we considered in detail. We saw how <strong>the</strong><br />

Kouros invoked was a projection <strong>of</strong> his worshippers <strong>the</strong> Kouretes,<br />

and we noted that he was invoked for <strong>the</strong> year, that he was in<br />

fact <strong>the</strong> vehicle and incarnation <strong>of</strong> <strong>the</strong> fruits and blessings <strong>of</strong> <strong>the</strong><br />

year. His growth to maturity, his entry on <strong>the</strong> status <strong>of</strong> ephebos 2<br />

caused <strong>the</strong> growth and maturity <strong>of</strong> <strong>the</strong> natural year.<br />

We <strong>the</strong>n passed to <strong>the</strong> consideration <strong>of</strong> <strong>the</strong> aetiological myth<br />

and saw that in it was reflected and projected that matrilinear<br />

structure <strong>of</strong> society in which <strong>the</strong> Mo<strong>the</strong>r and <strong>the</strong> Son, <strong>the</strong> Son<br />

grown to maturity, were <strong>the</strong> prominent facts. The third factor,<br />

<strong>the</strong> Resultant Blessings, had to be held over till <strong>the</strong> figure <strong>of</strong><br />

<strong>Themis</strong> had been discussed, and now awaits consideration.<br />

After <strong>the</strong> birth <strong>of</strong> <strong>the</strong> Kouros and that yearly coming which<br />

reflects his yearly re- birth <strong>the</strong> Hymn tells us 3<br />

1 This notion <strong>of</strong> Mnemosyne, <strong>of</strong> Death and Resurrection, is almost like a dim<br />

imaginative forecast <strong>of</strong> modern philosophical speculation. Pr<strong>of</strong>. Bergson has<br />

shown us that Consciousness 'signifies above all memory,' 'all consciousness is<br />

memory; all consciousness (what he elsewhere calls duree) is a preservation and<br />

accumulation <strong>of</strong> <strong>the</strong> past in <strong>the</strong> present,' and again 'all consciousness is an<br />

anticipation <strong>of</strong> <strong>the</strong> future,' 'consciousness is above all a hyphen, a tie between <strong>the</strong><br />

past and future.' See Life and Consciousness in Hibbert Journal, Oct. 1911,<br />

pp. 27 and 28.<br />

2 Too late for incorporation in chapter i., I find that, if we may trust <strong>the</strong><br />

Etymologicwm Magnum (s.v. AIktv), <strong>the</strong>re was at Dikte a Aids &ya\/j.a ayeveiov,<br />

obviously <strong>the</strong> image <strong>of</strong> Zeus as Kouros.<br />

3 Supra, p. 8.<br />

,

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